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Attila Silvester
Attila-Akyla Silvester (30 July 1944 – 22 February 2010) was a famous Greek dancer, choreographer and director. He is most famous for the ballet presentations of ''Orpheus'', ''La Fille Mal Gardée'' and ''Zorba the Greek''. Biography Choreography career Attila Silvester began his choreography career by joining the Greek National Opera House in Athens as a lead dancer. Concurrently, he presented choreographies for Prokofiev's '' Romeo and Juliet'', Mussorgsky's ''Night on Bald Mountain'' and Drigo's '' Le Corsaire'' - Pas de deux. Some of the collaborations he has done, are with famous ballet dancers such as Vladimir Vasiliev, Rudolf Nureyev, Ekaterina Maximova and Carla Fracci. He is well known for a number of choreographies, such as: Vivaldi " Le quattro stagioni", Schubert's "Der Tod und das Mädchen". Ommagio ad Albinoni, Adam's " Giselle", Nutcracker and Swan Lake, Léo Delibes's " Coppelia", Herold and John Lanchbery's "La Fille Mal Gardée (for which he receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greeks
The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora (), with Greek communities established around the world.. Greek colonies and communities have been historically established on the shores of the Mediterranean Sea and Black Sea, but the Greek people themselves have always been centered on the Aegean and Ionian seas, where the Greek language has been spoken since the Bronze Age.. Until the early 20th century, Greeks were distributed between the Greek peninsula, the western coast of Asia Minor, the Black Sea coast, Cappadocia in central Anatolia, Egypt, the Balkans, Cyprus, and Constantinople. Many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekaterina Maximova
Ekaterina Sergeevna Maximova (russian: Екатерина Сергеевна Максимова; 1 February 1939 – 28 April 2009) was a Soviet and Russian ballerina of the second part of the 20th century who was internationally recognised. She was a prima ballerina of the Bolshoi Theatre for 30 years, a ballet pedagogue, People's Artist of the USSR and Russian Federation, winner of international ballet competitions, Laureate of many prestigious International and Russian awards, a professor in GITIS, Honorary professor at the Moscow State University, Academician of the Russian Academy of Arts, and an Executive Committee member of the Russian Center of Counseil International De La Danse, UNESCO Early life Maximova was born in Moscow on 1 February 1939 to a highly educated family. Her maternal grandfather was Gustav Shpet, a Russian philosopher, historian of philosophy, psychologist, art theoretician, and interpreter (he knew 17 languages) of German-Polish descent. Her mother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lanchbery
John Arthur Lanchbery OBE (15 May 1923 – 27 February 2003) was an English-Australian composer and conductor, famous for his ballet arrangements. He served as the Principal Conductor of the Royal Ballet from 1959 to 1972, Principal Conductor of the Australian Ballet from 1972 to 1977, and Musical Director of the American Ballet Theatre from 1978 to 1980. He continued to conduct regularly for the Royal Ballet until 2001. Lanchbery was widely considered (including by Nureyev) to be the greatest ballet conductor of his time, and to be ‘a conductor and music director of unmatched experience’ who was ‘directly responsible for raising the status and the standards of musical performance'. Maina Gielgud, Artistic Director of Australian Ballet, stated that "He anchberyis not only the finest conductor for dance of his generation and probably well beyond". One critic wrote that ‘the music was always on its best behaviour’ when Lanchbery was conducting. He was also famous for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hérold
Louis Joseph Ferdinand Herold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold (), was a French composer. He was celebrated in his lifetime for his operas, of which he composed more than twenty, but he also wrote ballet music, works for piano and choral pieces. He is best known today for the ballet ''La fille mal gardée#Jean-Pierre Aumer's new version taddo the music of Hérold, La Fille mal gardée'' and the overture to the opera ''Zampa''. Born in Paris to a musical family, Hérold trained at the Paris Conservatoire and won France's premier musical prize, the Prix de Rome in 1812. After a time in Italy he returned to Paris and worked first at the Comédie-Italienne, Théâtre Italien and then at the Paris Opéra, Opéra. He wrote several ballets for the latter, but was best known as a composer of opéra comique. Some of them particularly in his early days, were hampered by poor librettos, but later he had more successes than failures, and his last two ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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