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Artwork Title
An artwork title is a word or phrase used to identify and distinguish a particular work of art from others. These titles can be descriptive, indicative of the content or theme of the work, or they can be more abstract and open to interpretation. Names for works can be designated by the artists themselves, or by curators or other third parties, and can affect reception and interpretation. History and curation Artworks were not typically given a proper title in the ancient world, the identification of something like a cult image being self-evident in a particular sociocultural context, though they were sometimes inscribed by epigraphy with the signature of the artist and/or the subject of the piece such as a titulus. Subsequent art history tended to refer to religious works after the epithets or iconography of figures or events depicted in the piece, and proper titles as such only emerged in a Western context in the 18th century. In modern times, titles of artworks are often chos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Of Art
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Room
Adrian Richard West Room (27 September 1933, Melksham – 6 November 2010, Stamford, Lincolnshire)''Contemporary Authors Online'', Gale, 2002; accessed 20 May 2013. was a British toponymist and onomastician, a Fellow of the Royal Geographical Society and a prolific author of reference works relating primarily to the origins of word and place-names. Between 1952 and 1979, Room served in the Royal Naval Reserve The Royal Naval Reserve (RNR) is one of the two volunteer reserve forces of the Royal Navy in the United Kingdom. Together with the Royal Marines Reserve, they form the Maritime Reserve. The present RNR was formed by merging the original Ro ..., Special Branch, retiring as a Lieutenant Commander. Before becoming a full-time author, he was employed at King's College School, Cambridge, where he taught modern languages and was a senior house master. He later, until 1984, worked as a senior lecturer in Russian for the Ministry of Defence. Selected publications * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parergon
Parergon ( paˈrərˌgän, plural: parerga) is an ancient Greek philosophical concept defined as a supplementary issue. Parergon is also referred to as "embellishment" or extra. The literal meaning of the ancient Greek term is "beside, or additional to the work". According to Jacques Derrida, it is "summoned and assembled like a supplement because of the lack – a certain 'internal indetermination – in the very thing it enframes". It is added to a system to augment something lacking such as in the case of ergon (function, task or work), with parergon constituting an internal structural link that makes its unity possible. Concept Parergon is viewed negatively, particularly within Greek classical thought, since it is against ergon or the true matter. Socrates used parergon to refer to the violation of the Athenian rule of "one man, one job", criticizing supplementary occupations that keep the citizens from specialization and works they are naturally fitted. His criticism al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida . ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017. He is one of the major figures associated with and postmodern philosophy [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Statement
An artist's statement (or artist statement) is an artist's written description of their work. The brief text is for, and in support of, their own work to give the viewer understanding. As such it aims to inform, connect with an art context, and present the basis for the work; it is, therefore, didactic, descriptive, or reflective in nature. Description The artist's text intends to explain, justify, extend, and/or contextualize their body of work. It places, or attempts to place, the work in relationship to art history and theory, the art world and the times. Further, the statement serves to show that the artist is conscious of their intentions, aware of their practice and its position within art parameters and of the discourse surrounding it. Therefore, not only does it describe and place, but it indicates the level of the artist's own comprehension of their field and making. The artist statement serves as a "vital link of communication between you he artist and the rest of the worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphrasis
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described, or evoked, may be real or imagined; sometimes it is now hard to tell. Ancient ekphrastic writing can be useful evidence for art historians, especially where paintings are concerned, as virtually no original Greco-Roman examples survive. Ekphrasis has been consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homage (arts)
Homage or ''hommage'' ( or ) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic. The term is often used in the arts, where one author or artist shows respect to another by allusion or imitation; this is often spelled and pronounced like the original French ''hommage'' (). Description It was originally a declaration of fealty in the feudal system—swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord. The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a ''festschrift'' dedicated to him. In music, homage can take the form of a composition (''Homage to Paderewski''), a tribute albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persistence Of Memory
''The Persistence of Memory'' (Catalan: ) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor. It is widely recognized and frequently referred to in popular culture, and sometimes referred to by more descriptive titles, such as "Melting Clocks", "The Soft Watches" or "The Melting Watches". Analysis The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As Dawn Adès wrote, "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scream
''The Scream'' is a composition created by Norwegian artist Edvard Munch in 1893. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition. Munch's work, including ''The Scream'', would go on to have a formative influence on the Expressionist movement. Munch recalled that he had been out for a walk at sunset when suddenly the setting sun's light turned the clouds " a blood red". He sensed an "infinite scream passing through nature". Scholars have located the spot to a fjord overlooking Oslo and have suggested other explanations for the unnaturally orange sky, ranging from the effects of a volcanic eruption to a psychological reaction by Munch to his sister's commitment at a nearby lunatic asylum. Munch created two versions in paint and two in pastels, as well as a lithograph stone from which several prints survive. Both painted versions have been stolen, but since recovered. One of the pastel versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic Interpretation
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. Aims of interpretation Readers may approach reading a text from different starting points. A student assigned to interpret a poem for class comes at reading differently from someone on the beach reading a novel for escapist pleasure. "Interpretation" implies the conscious task of making sense out of a piece of writing that may not be clear at first glance or that may reward deeper reading even if it at first appears perfectly clear. The beach reader will probably not need to interpret what she or he reads, but the student will. Professor Louise Rosenblatt, a specialist in the study of the reading process, distinguished between two reading ''stances'' that occupy opposite ends o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Untitled
Untitled or (Untitled) may refer to: Artworks * ''Untitled (2004)'', by Banksy * ''Untitled'' (1982 painting), by American artist Jean-Michel Basquiat * ''Untitled'' (Devil), a 1982 painting by American artist Jean-Michel Basquiat * ''Untitled'' (Fishing), a 1981 painting by American artist Jean-Michel Basquiat * ''Untitled'' (1981 Head), a 1981 painting by American artist Jean-Michel Basquiat * ''Untitled (The Birth)'', a 1938 tempera painting by American artist Jacob Lawrence * '' Untitled (Black on Grey)'', a 1970 painting by Mark Rothko * ''Untitled'' (Hoosier mural), a 1972 outdoor mural by Peter Mayer * ''Untitled'' (IUPUI Letters), a 2008 public sculpture the New York City firm Two Twelve * '' Untitled (Jazz Musicians)'', a 1995 outdoor sculpture by John Spaulding * ''Untitled'' (Jeffersonville), a 1970 public artwork by Barney Bright * ''Untitled (landscape)'', an 1883–1911 drawing by Carl Fredrik Hill * ''Untitled (L's)'', a 1980 public sculpture by David Von Schle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
