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Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's " Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thousand Oaks, California
Thousand Oaks is the second-largest city in Ventura County, California, United States. It is in the northwestern part of Greater Los Angeles, approximately from the city of Los Angeles and from Downtown Los Angeles, Downtown. It is named after the many oak trees present in the area. The city forms the central populated core of the Conejo Valley. Thousand Oaks was incorporated in 1964, but has since expanded to the west and east. Two-thirds of master-planned community of Westlake and most of Newbury Park, California, Newbury Park were annexed by the city during the late 1960s and 1970s. The Los Angeles County, California, Los Angeles County–Ventura County line crosses at the city's eastern border with Westlake Village, California, Westlake Village. The population was 126,966 at the 2020 United States Census, 2020 census, up from 126,683 at the 2010 United States Census, 2010 census. Etymology One of the earliest names used for the area was Conejo Mountain Valley, as used b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Haven, Connecticut
New Haven is a city in the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound in New Haven County, Connecticut and is part of the New York City metropolitan area. With a population of 134,023 as determined by the 2020 U.S. census, New Haven is the third largest city in Connecticut after Bridgeport and Stamford and the principal municipality of Greater New Haven, which had a total 2020 population of 864,835. New Haven was one of the first planned cities in the U.S. A year after its founding by English Puritans in 1638, eight streets were laid out in a four-by-four grid, creating the "Nine Square Plan". The central common block is the New Haven Green, a square at the center of Downtown New Haven. The Green is now a National Historic Landmark, and the "Nine Square Plan" is recognized by the American Planning Association as a National Planning Landmark. New Haven is the home of Yale University, New Haven's biggest taxpayer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass or electric bass guitar, or another low-register instrument, such as synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenesi
"Frenesí" is a musical piece originally composed by Alberto Domínguez Borrás for the marimba, and adapted as a jazz standard by Leonard Whitcup and others. Background The word ''frenesí'' is Spanish for "frenzy". Artie Shaw recording A hit version recorded by Artie Shaw and His Orchestra (with an arrangement by William Grant Still) reached number one on the ''Billboard'' pop chart on December 21, 1940, staying for 13 weeks, and was inducted into the Grammy Hall of Fame in 1982. Cover versions Other performers who have recorded the song include: * Julie London * Les Brown * Dave Brubeck on his 1967 album, '' Bravo! Brubeck!'' * Betty Carter * June Christy *Natalie Cole *Ray Charles * Bing Crosby *Tommy Dorsey *The Four Freshmen *Eydie Gorme *Woody Herman * Earl Hines *Harry James *Ben E. King *Steve Lawrence * Billy May * Glenn Miller *Anita O'Day * Perez Prado *Cliff Richard *Linda Ronstadt *Jack Emblow, *Pat Suzuki * Frank Sinatra *Three X Sisters vocals with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonglow (song)
"Moonglow", also known as "Moonglow and Love" is a 1933 popular song. The music was by Will Hudson and Irving Mills and the words were by Eddie DeLange. Musicological notes Ignoring the seldom recorded verse, "Moonglow" is a 32-bar tune in the form of AABA. "Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. The melodic riff of the A section is composed of a repeated minor third interval followed by a major third interval and then a repeated note. Harmonic movement is largely in an ascending circle of fourths, or with descending chromatic substitutions, but there is also movement between thirds or between major and minor seventh chords. Minor seventh chords are often played in first inversion in this tune, and may therefore be thought of and notated as six chords of the relative major. Rhythmically "Moonglow" is in time. It is a foxtrot, typically played at a slow tempo, although some perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butterfield
Charles William Butterfield (January 14, 1917 – March 18, 1988) was an American jazz bandleader, trumpeter, flugelhornist, and cornetist. Early years Charles William Butterfield was born in Middletown, Ohio and attended high school in Wyoming. Although he studied medicine at Transylvania College, he preferred playing in bands, and he studied cornet with Frank Simon. He discontinued his studies after finding success as a trumpeter. Career Early in his career he played in the band of Austin Wylie. He gained attention working with Bob Crosby (1937–1940), and later performed with Artie Shaw, Les Brown, and Benny Goodman. While with Bob Crosby, he initially played third trumpet behind Charlie Spivak and Yank Lawson. When those two left Crosby to join Tommy Dorsey's band in 1938, Butterfield was given the opportunity to solo on a song written by Crosby bassist Bob Haggart, initially titled "I'm Free." When lyrics were added, it became the well-known standard "What's New?". On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Era
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Theatre (Broadway)
The Imperial Theatre is a Broadway theatre, Broadway theater at 249 West 45th Street (George Abbott Way) in the Theater District, Manhattan, Theater District of Midtown Manhattan in New York City. Opened in 1923, the Imperial Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,457 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is largely situated on 46th Street. A narrow lobby extends to the main entrance on 45th Street, where there is a three-story facade of white Architectural terracotta, terracotta. The 46th Street facade, which is made of Buff (colour), buff-colored brick, was intended as the carriage entrance. The lobby, originally decorated in dark and white tiles, leads to the rear of the theater's orchestra level. The auditorium contains Adam style, Adam-style detailing, a large balcony, and Box (theatre), box seats with carved pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fit As A Fiddle (song)
"Fit as a Fiddle (And Ready for Love)" is an American popular song. It was written by Arthur Freed, Al Hoffman, and Al Goodhart (or Goodheart) and published in 1932. It was a hit single that year for Fred Waring's Pennsylvanians. The song became a well-known standard and has been recorded by many artists including, Roger Wolfe Kahn and His Orchestra, Annette Hanshaw, Elsie Carlisle, and Doris Day. In 1952, it achieved particular fame after being featured in the 1952 film ''Singin' in the Rain''. Following this, it was covered by Champ Butler for Columbia Records Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on Janua .... References 1932 songs Songs with lyrics by Arthur Freed Songs written by Al Hoffman Songs written by Al Goodhart {{pop-standard-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Don't Mean A Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame. Background The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. The song became famous, Ellington wrote, "as the expression of a senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Wolfe Kahn
Roger Wolfe Kahn (October 19, 1907 – July 12, 1962) was an American jazz and popular musician, composer, bandleader (Roger Wolfe Kahn and His Orchestra) and an aviator. Life and career Roger Wolfe Kahn (originally spelled "Wolff") was born in Morristown, New Jersey, into a wealthy German Jewish banking family. His parents were Adelaide "Addie" (Wolff) and Otto Hermann Kahn, a famous banker and patron of the arts. His maternal grandfather was banker Abraham Wolff. Otto and Roger Kahn were the first father and son to appear separately on the cover of ''Time'' magazine: Otto in November 1925 and Roger in September 1927, aged 19. On 16 August 1926, Time magazine wrote: "''If it is strange that Otto Hermann Kahn, sensitive patron of high art in Manhattan, should have a saxophone-tooting, banjo-plunking, clarinet-wailing, violin-jazzing son, it is stranger still that that son, Roger Wolfe Kahn, has become a truly outstanding jazzer at the perilous age of 18. Roger's ten orchestras, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
