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Arsis And Thesis
In music and prosody, arsis (; plural arses, ) and thesis (; plural theses, ) are respectively the stronger and weaker parts of a musical measure or poetic foot. However, because of contradictions in the original definitions, writers use these words in different ways. In music, arsis is an unaccented note (upbeat), while the thesis is the downbeat. However, in discussions of Latin and modern poetry the word arsis is generally used to mean the stressed syllable of the foot, that is, the ictus. Since the words are used in contradictory ways, the authority on Greek metre Martin West recommends abandoning them and using substitutes such as ''ictus'' for the downbeat when discussing ancient poetry. However, the use of the word ''ictus'' itself is very controversial. Greek and Roman definitions Earliest use The ancient Greek writers who mention the terms arsis and thesis are mostly from rather a late period (2nd-4th century AD), but it is thought that they continued an earlier tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsis And Thesis
In music and prosody, arsis (; plural arses, ) and thesis (; plural theses, ) are respectively the stronger and weaker parts of a musical measure or poetic foot. However, because of contradictions in the original definitions, writers use these words in different ways. In music, arsis is an unaccented note (upbeat), while the thesis is the downbeat. However, in discussions of Latin and modern poetry the word arsis is generally used to mean the stressed syllable of the foot, that is, the ictus. Since the words are used in contradictory ways, the authority on Greek metre Martin West recommends abandoning them and using substitutes such as ''ictus'' for the downbeat when discussing ancient poetry. However, the use of the word ''ictus'' itself is very controversial. Greek and Roman definitions Earliest use The ancient Greek writers who mention the terms arsis and thesis are mostly from rather a late period (2nd-4th century AD), but it is thought that they continued an earlier tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galen
Aelius Galenus or Claudius Galenus ( el, Κλαύδιος Γαληνός; September 129 – c. AD 216), often Anglicized as Galen () or Galen of Pergamon, was a Greek physician, surgeon and philosopher in the Roman Empire. Considered to be one of the most accomplished of all medical researchers of antiquity, Galen influenced the development of various scientific disciplines, including anatomy, physiology, pathology, pharmacology, and neurology, as well as philosophy and logic. The son of Aelius Nicon, a wealthy Greek architect with scholarly interests, Galen received a comprehensive education that prepared him for a successful career as a physician and philosopher. Born in the ancient city of Pergamon (present-day Bergama, Turkey), Galen traveled extensively, exposing himself to a wide variety of medical theories and discoveries before settling in Rome, where he served prominent members of Roman society and eventually was given the position of personal physician to several emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'. Spondees in Ancient Greek and Latin Libations Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." In hexameter poetry However, in most Greek and Latin poetry, the spondee typically does not provide the basis for a metrical line in poetry. Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter. This term suggests a line of six dactyls, but a spondee can be substituted in most positions. The first line of Virgil's ''Ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable Weight
In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable weight were fundamental to the meter of the line. Linguistics A heavy syllable is a syllable with a branching nucleus or a branching rime, although not all such syllables are heavy in every language. A branching nucleus generally means the syllable has a long vowel or a diphthong; this type of syllable is abbreviated as CVV. A syllable with a branching rime is a ''closed syllable'', that is, one with a coda (one or more consonants at the end of the syllable); this type of syllable is abbreviated CVC. In some languages, both CVV and CVC syllables are heavy, while a syllable with a short vowel as the nucleus and no coda (a CV syllable) is a light syllable. In other languages, only CVV syllables are heavy, while CVC and CV syllables are l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts): :, – u u , – u u , – u u , – u u , – u u , – – Here, ", " (pipe symbol) marks the beginning of a foot in the line. Thus there are six feet, each of which is either a dactyl (– u u) or a spondee (– –). The first four feet can either be dactyls, spondees, or a mix. The fifth foot can also sometimes be a spondee, but this is rare, as it most often is a dactyl. The last foot is a spondee. The hexameter is traditionally associated with classical epic poetry in both Greek and Latin and was consequently considered to be ''the'' grand style of Western classical poetry. Some well known examples of its use are Homer's ''Iliad'' and ''Odyssey'', Apoll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldhelm
Aldhelm ( ang, Ealdhelm, la, Aldhelmus Malmesberiensis) (c. 63925 May 709), Abbot of Malmesbury Abbey, Bishop of Sherborne, and a writer and scholar of Latin poetry, was born before the middle of the 7th century. He is said to have been the son of Kenten, who was of the royal house of Wessex.Walsh ''A New Dictionary of Saints'' pp. 21–22 He was certainly not, as his early biographer Faritius asserts, the brother of King Ine. After his death he was venerated as a saint, his feast day being the day of his death, 25 May. Life Early life and education Aldhelm received his first education in the school of the Irish scholar and monk Máeldub (also ''Maildubh'', ''Maildulf'' or ''Meldun'') (died ), who had settled in the British stronghold of Bladon (or ''Bladow'') on the site of the town called Mailduberi, Maldubesburg, Meldunesburg, etc., and finally Malmesbury, after him. In 668, Pope Vitalian sent Theodore of Tarsus to be Archbishop of Canterbury. At the same time the North A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Of Toledo
Julian of Toledo (642–690) was born in Toledo, Hispania. He was well educated at the cathedral school, was a monk and later abbot at Agali, a spiritual student of Saint Eugene II, and archbishop of Toledo. He was the first bishop to have primacy over the entire Iberian Peninsula—a position he has been accused of securing by being complicit in 680 in the supposed poisoning of Wamba, king of the VisigothsRoger Collins regards this as being "quite unnecessarily Machiavellian"; see his ''Early Medieval Spain; Unity in Diversity, 400-1000'', 2nd ed., New York: St. Martin's Press, 1995, pp. 77-78.—and he helped centralize the Iberian Church in Toledo. His elevation to the position of primate of the Visigothic church was a source of great unhappiness among the kingdom's clergy. And his views regarding the doctrine of the Trinity proved distressing to the Vatican. He presided over several councils and synods and revised the Mozarabic liturgy. A voluminous writer, his works inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemistus Pletho
Georgios Gemistos Plethon ( el, Γεώργιος Γεμιστός Πλήθων; la, Georgius Gemistus Pletho /1360 – 1452/1454), commonly known as Gemistos Plethon, was a Greek scholar and one of the most renowned philosophers of the late Byzantine era. He was a chief pioneer of the revival of Greek scholarship in Western Europe. As revealed in his last literary work, the ''Nomoi'' or ''Book of Laws'', which he only circulated among close friends, he rejected Christianity in favour of a return to the worship of the classical Hellenic Gods, mixed with ancient wisdom based on Zoroaster and the ''Magi''. He re-introduced Plato's ideas to Western Europe during the 1438–1439 Council of Florence, in a failed attempt to reconcile the East–West schism. There,Hanegraaff p.41 Plethon met and influenced Cosimo de' Medici to found a new Platonic Academy, which, under Marsilio Ficino, would proceed to translate into Latin all of Plato's works, the ''Enneads'' of Plotinus, and variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesomedes
Mesomedes of Crete ( grc, Μεσομήδης ὁ Κρής) was a Greek citharode and lyric poet and composer of the early 2nd century AD in Roman Greece. Prior to the discovery of the Seikilos epitaph in the late 19th century, the hymns of Mesomedes were the only surviving written music from the ancient world. Three were published by Vincenzo Galilei in his ''Dialogo della musica antica e della moderna'' (Florence, 1581), during a period of intense investigation into music of the ancient Greeks. These hymns had been preserved through the Byzantine tradition, and were presented to Vincenzo by Girolamo Mei. Life and career He was a freedman of the Emperor Hadrian, on whose favorite Antinous he is said to have written a panegyric, specifically called a ''Citharoedic Hymn'' (Suda). Two epigrams by him in the Greek Anthology (''Anthol. pal.'' xiv. 63, xvi. 323) are extant, and a hymn to Nemesis. The hymn is one of four which preserve the ancient musical notation written over the text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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