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Arriflex 535 B
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line. As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage. Before the introduction of the Arricam System, the 535 was one of the most popular 35 mm sync-sound movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability. In recognition of the achievements of the 535 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1995. The original variant was capable of between three and fifty frames per second. Arriflex 535B Variation of the 535, introduced in 1992. One of the main advantages is the higher frame rate of sixty frames per second. The 535 has been the choice camera of renowned cinematographer Roger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramachandra Babu
K. Ramachandra Babu (15 December 1947 – 21 December 2019) was an Indian cinematographer of over 125 films, out of which most are Malayalam films. He also worked for films in Tamil, Telugu, Hindi, Arabic and English languages. He served as the cinematographer for several documentaries and advertisement films as well. He was the founder of the Indian Society of Cinematographers (ISC). Early life and career Ramachandra Babu was born on 15 December 1947 in Maduranthakam at Chengalpattu District, Tamil Nadu, as the eldest son of Malayali parents, Kunjan Pillai and Padmini Amma, both from Alleppey Kerala. After obtaining his B.Sc. (Chemistry) degree from Loyola College, Madras in 1966, he went on to join the Film and Television Institute of India, Pune to study cinematography. In the Institute, he made friends with Balu Mahendra, John Abraham and K.G. George, who would go on to become noted film directors. He obtained his Diploma in Cinema (Motion Picture Photography) in 1971 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arri
The Arri Group () is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon mentioned this company in his book ''Hidden Champions of the 21st Century'' as an example of a " hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including '' Hugo'', '' Life of Pi'', ''Gravity'', '' Birdman'', '' The Revenant'' and '' 1917''. History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter in the Arriflex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Magazine
A camera magazine is a light-tight chamber or pair of chambers designed to hold film and move motion picture film stock before and after it has been exposed in the camera. In most movie cameras, the magazine is a removable piece of equipment. Many still photo cameras also have removable camera magazines. A film cartridge serves the same function, but is usually not reusable. Lengths In 16 mm filmmaking, most magazines are designed to accommodate up to 400 feet of film stock, which usually is the longest standard roll size available from film manufacturers (longer rolls can be made upon special request sometimes, but require special magazines). In 35mm filmmaking, there tend to be three common magazine types - 1000 foot magazines, which accommodate the longest standard roll size of 35 mm film; 400 foot magazines, which are often used when the camera is handheld in order to minimize the amount of weight upon the camera operator; and 400 foot Steadicam magazines, which are spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Registration Pin
{{unreferenced, date=January 2014 A registration pin is a device intended to hold a piece of film, paper or other material in place during photographic exposure, copying or drawing. Registration pins are used in offset printing and cartography, to accurately position the different films or plates for multi-color work. In traditional, hand-drawn animation, the registration pins are often called pegs, and are attached to peg bar Also, in traditional, hand-taped printed circuit board artwork, usually at two or four times actual size. Sometimes on a single transparent base, usually mylar, with Layer 1 being on the front and Layer 2 being on the back, in red and green, respectively, for later "separation" into component parts using a process camera. Motion picture cameras and related applications In motion picture cameras, the pin(s) hold the film immovable during exposure. In certain "professional" motion picture cameras and "step" printers, there may be ''two'' registration pins: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shutter Angle
A rotary disc shutter is a type of shutter. It is notably used in motion picture cameras. Rotary shutters are semicircular discs that spin in front of the film gate, alternately allowing light from the lens to strike the film, or blocking it. Details Rotary shutters are semicircular discs that spin in front of the film gate, alternately allowing light from the lens to strike the film, or blocking it. When blocking the light, the exposed portion of the film is advanced, and another, pristine frame is moved into position. The spinning disc then exposes the new frame of film. The nature of light-sensitive film requires a shutter to block the light and prevent "smearing" of the image as the film is advanced through the camera. Digital sensors do not require a rotary shutter, although some high-end digital cinema cameras do have them. Some rotary shutters utilize mirrors (or mirrored surfaces) so that when the shutter is in its "closed" position, light from the lens is redirected to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Code
A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system. Timecode is used in video production, show control and other applications which require temporal coordination or logging of recording or actions. Video and film In video production and filmmaking, SMPTE timecode is used extensively for synchronization, and for logging and identifying material in recorded media. During filmmaking or video production shoot, the camera assistant will typically log the start and end timecodes of shots, and the data generated will be sent on to the editorial department for use in referencing those shots. This shot-logging process was traditionally done by hand using pen and paper, but is now typically done using shot-logging software running on a laptop computer that is connected to the timecode generator or the camera itself. The SMPTE family of timecodes are almost universally used in film, video and audio produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arri PL
The Arri Group () is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon mentioned this company in his book ''Hidden Champions of the 21st Century'' as an example of a " hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including '' Hugo'', ''Life of Pi'', ''Gravity'', '' Birdman'', '' The Revenant'' and ''1917''. History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter in the Arriflex 35 c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super 35
Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track. History Super 35 was revived from a similar Superscope variant known as Superscope 235, which was originally developed by the Tushinsky Brothers (who founded Superscope Inc. in 1954) for RKO in 1954. The first film to be shot in Superscope was '' Vera Cruz'', a western film produced by Hecht-Lancaster Productions and distributed through United Artists. When cameraman Joe Dunton was preparing to shoot ''Dance Craze'' in 1982, he chose to revive the Superscope format by using a full silent-standard gate and slightly optically recentering the lens port (to adjust for the inclusion of the area of the optic soundtrack -the gray track on left side of the illustration). These two characteristics are central to the format. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either on an image sensor or onto film stock, in order to produce a moving image to project onto a movie screen. In contrast to the still camera, which captures a single image at a time, by way of an intermittent mechanism, the movie camera takes a series of images; each image is a ''frame'' of film. The strips of frames are projected through a movie projector at a specific frame rate (number of frames per second) to show a moving picture. When projected at a given frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History An interesting forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aperture diaphragm of the camera by a clockwork mechanism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arricam
Arricam is a 35 mm movie camera line manufactured by Arri. Description It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line. The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s. As such, the Arricam is a fusion of the mechanical and intuitive design innovations of the Moviecam and the interchangeable accessories and complex electronic integration of the Arriflex. {{As of, 2006, the Arricam is considered, along with the Panaflex Millennium line, the top sync-sound camera system currently in usage, and is extremely popular amongst bigger budget feature films. The line comprises two camera body models, the ST (Studio) and LT (Lite). The Arricam ST is intended as a full-capability camera, including two camera magazine mounting configurations, whereas the Arricam LT is optimized for smaller, lightweight usage in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AMPAS
The Academy of Motion Picture Arts and Sciences (AMPAS, often pronounced ; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches. As of April 2020, the organization was estimated to consist of around 9,921 motion picture professionals. The Academy is an international organization and membership is open to qualified filmmakers around the world. The Academy is known around the world for its annual Academy Awards, now officially and popularly known as "The Oscars". In addition, the Academy holds the Governors Awards annually for lifetime achievement in film; presents Scientific and Technical Awards annually; gives Student Academy Awards annually to filmmakers at the undergraduate and graduate level; a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
