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Arlecchino (opera)
''Arlecchino'', ''oder Die Fenster'' (''Harlequin, or The Windows'', is a one-act opera with spoken dialog by Ferruccio Busoni, with a libretto in German, composed in 1913. He completed the music for the opera while living in Zurich in 1916. It is a number opera written in neo-classical style and includes ironic allusions to operatic conventions and situations typical of the late 18th and early 19th centuries. It even includes a parody of a duel. Performance history The premiere performance was on 11 May 1917 at the Stadttheater, Zürich.Chapter XIII ''Arlecchino'' in Beaumont (1985), p. 219. Busoni's two-act opera ''Turandot'' was also performed on the program as part of a double-bill. The first British staged performance of ''Arlecchino'' was in 1954 at Glyndebourne. However, Edward Clark had produced a concert version in London in 1939, using an English translation by Edward Dent. It was conducted by Hyam Greenbaum on 12 February 1939 and televised by the BBC. Background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyam Greenbaum
Hyam 'Bumps' Greenbaum (12 May 1901 – 13 May 1942) was an English conductor, violinist and composer, who, in 1936, became the world's first conductor of a television orchestra. He was friendly with many of his English music contemporaries, including Constant Lambert, Alan Rawsthorne, and William Walton, and often helped them with technical advice on orchestration.Spike Hughes, ''Opening Bars'' (1946) p 354-5 His brother Bernard (1917–1993) was an artist, and his sister was the pianist and composer Kyla Greenbaum (1922–2017). Early career As a child, Greenbaum was taught violin by his English mother Edith (nee Etherington) and piano by his father (Solomon Greenbaum, a Jewish Russian born in Poland and sent to England to train as a tailor). He made his musical debut in Brighton at the age of seven, playing the Beethoven Violin Concerto in a velvet suit and lace collar.Rosen, Carole. ''The Goossens: A Musical Century'' (1993), pp. 88-92 He studied at the Brighton School of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionism, expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German German Romanticism, Romantic styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Cowell
Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 2022.Campbell, Brett (2014)"Liberating Henry Cowell's Music at San Quentin" ''San Francisco Classical Voice''. Retrieved 19 June 2022. Earning a reputation as an extremely controversial performer and eccentric composer, Cowell became a leading figure of American avant-garde music for the first half of the 20th century — his writings and music serving as a great influence to similar artists at the time, including Lou Harrison, George Antheil, and John Cage, among others.Swed, Mark (2010)"Critic's notebook: Revelatory Henry Cowell revival at Lincoln Center" ''The Los Angeles Times''. Retrieved 19 June 2022. He is considered one of America's most important and influential composers. Cowell was mostly self-taught and developed a unique m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Sitsky
Lazar "Larry" Sitsky (born 10 September 1934) is an Australian composer, pianist, and music educator and scholar. His long term legacy is still to be assessed, but through his work to date he has made a significant contribution to the Australian music tradition.Cotter (2004a) p. 6. Sitsky was the first Australian to be invited to the USSR on a cultural exchange visit, organised by the Australian Department of Foreign Affairs in 1977. He has received many awards for his compositions: the Albert H. Maggs Composition Award in 1968, and again in 1981; the Alfred Hill Memorial Prize for his String Quartet in 1968; a China Fellowship in 1983; a Fulbright Award in 1988–89, and an Advance Australia Award for achievement in music (1989). He has also been awarded the inaugural prize from the Fellowship of Composers (1989), the first National Critics' Award, and the inaugural Australian Composers' Fellowship presented by the Music Board of the Australia Council, which gave him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Gatti
Guido Maggiorino Gatti (1892–1973) was an Italian music critic and the founder of the journal ''Il Pianoforte'', which changed its name to ''La Rassegna Musicale '' in 1928. He was director of the Turin Theater from 1925 to 1931 and general director of the first ''Maggio Musicale Fiorentino''. Contributor to several Italian musical encyclopedias and other reference works, he also produced monographs of Bizet (1915) and Pizzetti (1934). His fifty-eight-year correspondence with Malipiero has been published. He was a contributor to the Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ... (under the initials G.M.G.), 1954 (fifth) edition. His wife was noted harpist Clelia Gatti Aldrovandi. Italian music critics 1892 births 1973 deaths< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Stevenson
Ronald James Stevenson (6 March 1928 – 28 March 2015) was a Scottish composer, pianist, and writer about music. Biography The son of a Scottish father and Welsh mother, Stevenson was born in Blackburn, Lancashire, in 1928. He studied at the Royal Manchester College of Music (now incorporated in the Royal Northern College of Music), studying composition with Richard Hall and piano with Iso Elinson, graduating with distinction in 1948. He married Marjorie Spedding in 1952. He moved to Scotland in the mid-1950s. As a socialist pacifist conscientious objector, he applied for exemption from National Service, but was refused recognition by the North Western Tribunal. He, in turn, refused to attend a medical examination as an essential preliminary to call-up, which led to prosecution and sentence to 12 months imprisonment in Wormwood Scrubs. The sentence qualified him to go to the Appellate Tribunal, which finally allowed exemption from military service conditional upon work on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
