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Architype Van Der Leck
Architype van der Leck is a geometric sans-serif typeface, based upon the 1941 typeface designed by Bart van der Leck for the Dutch magazine ''Flax,'' a journal of the De Stijl art movement. The face is geometrically constructed, and based upon an earlier stencil lettering alphabet van der Leck designed in the early 1930s for use in branding and advertising Jo de Leeuw's prestigious Dutch department stores Metz & Co. The face shares structural similarities with Theo van Doesburg's 1919 geometric alphabet, and anticipates later typographic explorations of geometric reductionism of Wim Crouwel's 1967 ''New Alphabet'' and early digital faces like Zuzana Licko's faces ''Lo-Res'' and '' Emperor 8.'' The Architype van der Leck typeface is part of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and David Quay of The Foundry. See also *Architype Albers * Architype Aubette * Architype Bayer * Architype Renner * Architype ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bart Van Der Leck
Bart van der Leck (26 November 1876, Utrecht – 13 November 1958, Blaricum) was a Dutch painter, designer, and ceramicist. With Theo van Doesburg and Piet Mondrian he founded the De Stijl art movement. Son of a house painter, he started his career learning how to make stained glass in a shop in Utrecht. An example of his later stained glass work is in the Kröller-Müller Museum in Hoge Veluwe, Netherlands. After having met Mondrian and van Doesburg and having founded the Stijl movement with them, his style became completely abstract, as did Mondrian's. But after disagreements with Mondrian his abstract style became based on representational images. His painting Triptych is an example, in which he transformed sketches of a mine in Spain into seemingly abstract shapes. In 1919-1920 he created the interior design for St Hubertus Hunting Lodge, in the Hoge Veluwe estate. The hunting lodge was designed by Hendrik Petrus Berlage. In 1930, he was commissioned by Jo de Leeuw, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Stijl
''De Stijl'' (; ), Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term ''De Stijl'' is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. ''De Stijl'' is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as ''Neoplasticism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Van Doesburg
Theo van Doesburg (, 30 August 1883 – 7 March 1931) was a Dutch artist, who practiced painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl. He was married to artist, pianist and choreographer Nelly van Doesburg. Early life Theo van Doesburg was born Christian Emil Marie Küpper on 30 August 1883, in Utrecht, Netherlands, as the son of the photographer and Henrietta Catherina Margadant. After a short period of training in acting and singing, he decided to become a storekeeper. He always regarded his stepfather, Theodorus Doesburg, to be his natural father, so that his first works are signed with Theo Doesburg, to which he later added "van". Career His first exhibition was in 1908. From 1912 onwards, he supported his works by writing for magazines. He considered himself to be a modern painter, at that time, although his early work is in line with the Amsterdam Impressionists and is influenced by Vincent van Gogh, both in style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architype Van Doesburg
Architype Van Doesburg is a geometric sans-serif typeface based upon a 1919 alphabet designed by Theo van Doesburg, a cofounder of the De Stijl art movement. The digital revival shown at right was produced by Freda Sack and David Quay of The Foundry. The face is constructed entirely of perpendicular evenly weighted strokes. Each character is based upon a square divided into a raster of 25 smaller squares. Van Doesburg's earliest uses of the alphabet was in limited quantity, made up of letterpress ruling pieces, and not as strictly formed as his more finished 1919 version. A similarly constructed rectilinear sans-serif typeface, designed in 1917 by Piet Zwart bears comparison. The face is similar to Van Doesburg's later 1928 alphabet designed for the Café Aubette in Strasbourg. Both faces anticipate later typographic explorations of geometric reductionism of Wim Crouwel's 1967 ''New Alphabet'' and early digital faces like Zuzana Licko's faces ''Lo-Res'' and ''Emperor 8.'' The A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wim Crouwel
Willem Hendrik "Wim" Crouwel (; 21 November 1928 – 19 September 2019) was a Dutch people, Dutch graphic designer, Type design#Profession, type designer, and Typography, typographer. Early life and education Between 1947 and 1949, he studied Fine Arts at Academie Minerva in Groningen, the Netherlands. After graduating from a traditional art school, he served for two years in the military. Fresh out of the military, he was hired by an exhibition company in Amsterdam. During an interview in 2011, Crouwel said that his traditional art training hadn't taught him anything about typography, and that he eventually learned it by attending night classes in typography at what is now the Gerrit Rietveld Academie in Amsterdam. Career Crouwel began his career in 1955 creating exhibition, graphic, and product designs along with Kho Liang Ie. In 1963, he was one of the founders of the design studio Total Design (currently named Total Identity). From 1964 onwards, Crouwel was responsible f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Alphabet (typeface)
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on the cover of Joy Division's 1988 compilation album ''Substance''. History New Alphabet was a personal, experimental project of Crouwel. The typeface was designed to embrace the limitations of the cathode ray tube technology used by early data display screens and phototypesetting equipment, and thus only contains horizontal and vertical strokes. Conventional typefaces can suffer under these limitations, because the level of detail is not high enough, restricting legibility. Crouwel wanted to adapt his design to work for the new technologies, instead of adapting the technologies to meet the design. Since his letter shapes only contain horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zuzana Licko
Zuzana Licko (born Zuzana Ličko, 1961) is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also createceramic sculptures and jacquard weavings. Early life Licko was born in , and came to the with h ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo-Res
Image resolution is the detail an image holds. The term applies to digital images, film images, and other types of images. "Higher resolution" means more image detail. Image resolution can be measured in various ways. Resolution quantifies how close lines can be to each other and still be visibly ''resolved''. Resolution units can be tied to physical sizes (e.g. lines per mm, lines per inch), to the overall size of a picture (lines per picture height, also known simply as lines, TV lines, or TVL), or to angular subtense. Instead of single lines, line pairs are often used, composed of a dark line and an adjacent light line; for example, a resolution of 10 lines per millimeter means 5 dark lines alternating with 5 light lines, or 5 line pairs per millimeter (5 LP/mm). Photographic lens and film resolution are most often quoted in line pairs per millimeter. Types The resolution of digital cameras can be described in many different ways. Pixel count The term ''resolution'' is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor 8
An emperor (from la, imperator, via fro, empereor) is a monarch, and usually the sovereign ruler of an empire or another type of imperial realm. Empress, the female equivalent, may indicate an emperor's wife ( empress consort), mother (empress dowager), or a woman who rules in her own right and name (empress regnant). Emperors are generally recognized to be of the highest monarchic honor and rank, surpassing kings. In Europe, the title of Emperor has been used since the Middle Ages, considered in those times equal or almost equal in dignity to that of Pope due to the latter's position as visible head of the Church and spiritual leader of the Catholic part of Western Europe. The Emperor of Japan is the only currently reigning monarch whose title is translated into English as "Emperor". Both emperors and kings are monarchs or sovereigns, but both emperor and empress are considered the higher monarchical titles. In as much as there is a strict definition of emperor, it is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architype Albers
Architype Albers is a modular stencil sans-serif typeface based upon a series of experiments between 1926 and 1931 by Josef Albers (1888–1976), German designer, educator and typographer. The Architype Albers typeface is one of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and David Quay of The Foundry. Albers studied art in Berlin, Essen, and Munich before enrolling as a student at the Bauhaus in Weimar in 1920. He began teaching in the preliminary course of the Department of Design in 1922, and was promoted to professor in 1925, the year the Bauhaus moved to Dessau. He taught there until the school was closed by the Nazis in 1933. Albers designed a series of stencil faces while teaching at the Dessau Bauhaus. The typeface is based on a limited palette of geometric forms combined in a size ratio of 1:3. Drawn on a grid, the elements of square, triangle, and circle combine to form letters with an economy of form. Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architype Aubette
The concept of an archetype (; ) appears in areas relating to behavior, historical psychology, and literary analysis. An archetype can be any of the following: # a statement, pattern of behavior, prototype, "first" form, or a main model that other statements, patterns of behavior, and objects copy, emulate, or "merge" into. Informal synonyms frequently used for this definition include "standard example", "basic example", and the longer-form "archetypal example"; mathematical archetypes often appear as "canonical examples". # the Platonic concept of ''pure form'', believed to embody the fundamental characteristics of a thing. # a collectively-inherited unconscious idea, a pattern of thought, image, etc., that is universally present, in individual psyches, as in Jungian psychology # a constantly-recurring symbol or motif in literature, painting, or mythology. This definition refers to the recurrence of characters or ideas sharing similar traits throughout various, seemingly un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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