|
Architype Van Doesburg
Architype Van Doesburg is a geometric sans-serif typeface based upon a 1919 alphabet designed by Theo van Doesburg, a cofounder of the De Stijl art movement. The digital revival shown at right was produced by Freda Sack and David Quay of The Foundry. The face is constructed entirely of perpendicular evenly weighted strokes. Each character is based upon a square divided into a raster of 25 smaller squares. Van Doesburg's earliest uses of the alphabet was in limited quantity, made up of letterpress ruling pieces, and not as strictly formed as his more finished 1919 version. A similarly constructed rectilinear sans-serif typeface, designed in 1917 by Piet Zwart bears comparison. The face is similar to Van Doesburg's later 1928 alphabet designed for the Café Aubette in Strasbourg. Both faces anticipate later typographic explorations of geometric reductionism of Wim Crouwel's 1967 ''New Alphabet'' and early digital faces like Zuzana Licko's faces ''Lo-Res'' and ''Emperor 8.'' The A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Van Doesburg
Theo van Doesburg (, 30 August 1883 – 7 March 1931) was a Dutch artist, who practiced painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl. He was married to artist, pianist and choreographer Nelly van Doesburg. Early life Theo van Doesburg was born Christian Emil Marie Küpper on 30 August 1883, in Utrecht, Netherlands, as the son of the photographer and Henrietta Catherina Margadant. After a short period of training in acting and singing, he decided to become a storekeeper. He always regarded his stepfather, Theodorus Doesburg, to be his natural father, so that his first works are signed with Theo Doesburg, to which he later added "van". Career His first exhibition was in 1908. From 1912 onwards, he supported his works by writing for magazines. He considered himself to be a modern painter, at that time, although his early work is in line with the Amsterdam Impressionists and is influenced by Vincent van Gogh, both in style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Stijl
''De Stijl'' (; ), Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term ''De Stijl'' is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. ''De Stijl'' is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as ''Neoplasticism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piet Zwart
Piet Zwart (; 28 May 1885 – 24 September 1977) was a Dutch photographer, typographer, and industrial designer. Biography Early life Piet Zwart was born on May 28, 1885 in Zaandijk. He trained as an architect, and began graphic design projects at age 36. His training as an architect included designing furniture and interiors. He was influenced by the De Stijl movement, which focused on the essentials of form, colour and line, but later moved to a more functional design aesthetic. In the early 1920s Zwart received his first typographic commissions from Laga, a flooring manufacturer. Zwart had no formal training in typography or printing, so he was uninhibited by the rules and methods of traditional professional practices. Zwart regarded typography as an important cultural force of the 20th-century. Education Zwart attended the ''Rijksschool voor Kunstnijverheid Amsterdam'' (National School of Applied Arts, Amsterdam), which later merged into the ''Amsterdamse Hogeschool voor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wim Crouwel
Willem Hendrik "Wim" Crouwel (; 21 November 1928 – 19 September 2019) was a Dutch people, Dutch graphic designer, Type design#Profession, type designer, and Typography, typographer. Early life and education Between 1947 and 1949, he studied Fine Arts at Academie Minerva in Groningen, the Netherlands. After graduating from a traditional art school, he served for two years in the military. Fresh out of the military, he was hired by an exhibition company in Amsterdam. During an interview in 2011, Crouwel said that his traditional art training hadn't taught him anything about typography, and that he eventually learned it by attending night classes in typography at what is now the Gerrit Rietveld Academie in Amsterdam. Career Crouwel began his career in 1955 creating exhibition, graphic, and product designs along with Kho Liang Ie. In 1963, he was one of the founders of the design studio Total Design (currently named Total Identity). From 1964 onwards, Crouwel was responsible f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Alphabet (typeface)
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on the cover of Joy Division's 1988 compilation album ''Substance''. History New Alphabet was a personal, experimental project of Crouwel. The typeface was designed to embrace the limitations of the cathode ray tube technology used by early data display screens and phototypesetting equipment, and thus only contains horizontal and vertical strokes. Conventional typefaces can suffer under these limitations, because the level of detail is not high enough, restricting legibility. Crouwel wanted to adapt his design to work for the new technologies, instead of adapting the technologies to meet the design. Since his letter shapes only contain horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zuzana Licko
Zuzana Licko (born Zuzana Ličko, 1961) is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also createceramic sculptures and jacquard weavings. Early life Licko was born in , and came to the with h ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centraal Museum
The Centraal Museum is the main museum in Utrecht, Netherlands, founded in 1838. The museum has a wide-ranging collection, mainly of works produced locally. The collection of the paintings by the Northern Mannerist Joachim Wtewael is by a long way the largest anywhere in the world. Other highlights are many significant paintings by the Utrecht Caravaggisti, such as Gerard van Honthorst and Hendrick ter Brugghen. Both of them travelled to Rome in the early 17th century to study the works of the Italian master Caravaggio. In the previous generation, as well as Wtewael, Abraham Bloemaert and the portraitist Paulus Moreelse were the most significant Utrecht painters, with Jan van Scorel still earlier. History Initially, the collection - exhibited on the top floor of the Utrecht townhall - was limited to art related to the city of Utrecht. In 1921 the collection merged with various private collections in the new 'centralised museum' (hence the name 'Centraal museum', ''centraa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Theo Van Doesburg")
