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Archbishop's Palace, Seville
The Archbishop's Palace of Seville (Palacio Arzobispal) is a palace in Seville, Spain. It has served as the residence of bishops and archbishops of the episcopal sees and numerous nobleman and military figures to the present time. It is located in the southern section of Seville, in the Plaza Virgen de los Reyes, angled almost opposite the Giralda. It is situated on the northeastern side of Seville Cathedral in the neighborhood of Santa Cruz. Of Spanish Baroque architectural style, it has had the status of National Monument since 1969. History Records of January 4, 1280, show that in 1251, following the reconquest of Seville by Ferdinand III of Castile, the king gave walled houses in the Piazza Santa Maria to the Bishop of Segovia, Remondo de Losana in order to create the Archbishop's Palace. Remondo was the first bishop of Seville after the reconquest and the first to live in the new palace. Over the centuries, it was extended until the mid-16th century when a series of major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Architecture
Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies. History As Italian Baroque influences penetrated across the Pyrenees, they gradually superseded in popularity the restrained classicizing approach of Juan de Herrera, which had been in vogue since the late sixteenth century. As early as 1667, the facades of Granada Cathedral (by Alonso Cano) and Jaén Cathedral (by Eufrasio López de Rojas) suggest the artists' fluency in interpreting traditional motifs of Spanish cathedral architecture in the Baroque aesthetic idiom. In Madrid, a vernacular Baroque with its roots in Herrerian and in traditional brick construction was developed in the Plaza Mayor and in the Royal Palace of ''El Buen Retiro'', which was destroyed during the French invasion by Napoleon's troops. Its gardens still remain as Parque del Buen Retiro. This sober brick Baroque of the 17th century is still well represented in the streets of the capital in pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Espinal
Juan de Espinal (1714-1783), a Spanish historical painter, was a native of Seville. He was the son and pupil of Gregorio Espinal, who was also a painter, but he afterwards entered the school of Domingo Martinez, whose daughter he married. He was chosen director of the School of Design which Cean Bermudez and other lovers of art established at Seville. Cean Bermudez says that he possessed more genius than any of his contemporaries, and but for his bad training and indolence would have been the best painter whom Seville had produced since the time of Murillo. A visit to Madrid late in life made apparent his misspent time, and he returned saddened and abashed to Seville, where he died in 1783. His chief works were scenes from the life of St. Jerome, painted for the monastery of San Geronimo de Buenavista, and now in the Seville Museum, and some frescoes in the collegiate church of San Salvador San Salvador (; ) is the capital and the largest city of El Salvador and its epony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Episcopal Palaces Of The Catholic Church
Episcopal may refer to: *Of or relating to a bishop, an overseer in the Christian church *Episcopate, the see of a bishop – a diocese *Episcopal Church (other), any church with "Episcopal" in its name ** Episcopal Church (United States), an affiliate of Anglicanism based in the United States *Episcopal conference, an official assembly of bishops in a territory of the Roman Catholic Church *Episcopal polity, the church united under the oversight of bishops * Episcopal see, the official seat of a bishop, often applied to the area over which he exercises authority *Historical episcopate, dioceses established according to apostolic succession See also * Episcopal High School (other) Episcopal High School is a common name for high schools affiliated with the Episcopal Church in the United States of America, including: * Episcopal High School (Alexandria, Virginia) * Episcopal High School (Baton Rouge, Louisiana) * Episcopal Hig ... * Pontifical (other) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Baroque Residences
This is a list of Baroque architecture, Baroque palaces and Residenz, residences built in the late 17th and 18th centuries. Baroque architecture is a building style of the Baroque, Baroque era, begun in late 16th-century Italy and spread in Europe. The style took the Roman architecture, Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state in defiance of the Reformation. Baroque architecture often includes fragmentary or deliberately incomplete architectural elements, opulent use of colour and ornaments and an external façade often characterized by a dramatic central projection. Many European palaces drew inspiration from the Palace of Versailles started in 1682, which had previously been inspired by the Buen Retiro Palace, making it one of the most imitated buildings of the 17th century. This list includes important city residences, such as the Stockholm Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Palomino
Acislo Antonio Palomino de Castro y Velasco (165513 April 1726) was a Spanish painter of the Baroque period, and a writer on art, author of ''El Museo pictórico y escala óptica'', which contains a large amount of important biographical material on Spanish artists. Life Antonio Palomino was born to a respectable family at Bujalance, near Córdoba in 1655. He studied philosophy, theology and law at Córdoba, and had lessons in painting from Juan de Valdés Leal, who visited there in 1672, and afterwards from Juan de Alfaro y Gamez in 1675. After taking minor orders Palomino moved to Madrid in 1678, where he associated with Alfaro, Claudio Coello, and Juan Carreño de Miranda, and executed some indifferent frescoes. He soon afterwards married a lady of rank, and, having been appointed ''alcalde'' of the ''mesta'', was himself ennobled; in 1688 he was appointed painter to King Charles II. The artist visited Valencia in 1697, and remained there for three or four years, agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomé Esteban Murillo
Bartolomé Esteban Murillo ( , ; late December 1617, baptized January 1, 1618April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them. Childhood Murillo was probably born in December 1617 to Gaspar Esteban, an accomplished barber surgeon, and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Santa Maria Magdalena, a parish in Seville in 1618. After his parents died in 1627 and 1628, he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Pacheco
Francisco Pacheco del Río (bap. 3 November 1564 – 27 November 1644) was a Spanish painter, best known as the teacher and father-in-law of Diego Velázquez and Alonzo Cano, and for his textbook on painting, entitled ''Art of Painting'', that is an important source for the study of 17th-century practice in Spain. He is described by some as the "Vasari of Seville": vocal and didactic about his theories of painting and thoughts about painters, conventional and uninspired in his executions.The Paintings of Francisco de Herrera, The Elder, by John S. Thacher. The Art Bulletin (1937); page 328. Early life He was born at Sanlúcar de Barrameda, son of Juan Pérez and wife Leonor del Río, and moved to Seville at a young age. He was a student of Luis Fernandez, and did much of his learning by copying works of the Italian masters. He visited Madrid and Toledo in 1611, studying the work of El Greco, then returned to Seville and opened an art school. He married a daughter of de Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Herrera El Viejo
Francisco Herrera (1576–1656) was a distinguished Spanish painter, born in Seville. He was the founder of the Seville school. Biography Francisco Herrera was born in Seville in 1576. Francisco Pacheco was his teacher, but Herrera soon broke away from the timid style and Italian traditions of Spanish painting of his day, and became the pioneer of that bold, vigorous, effective, and natural style whose preeminent exponent was Velázquez. Herrera was the first to use long brushes, which may, in part, account for his "modern" technique and dexterous brushwork. Many authorities ascribe to him the foundation of the Spanish School. His great talent brought him many pupils, whom his passionate temper and rough manners soon drove away. Velázquez, when thirteen years old, was placed under this great professor, and remained a year with him. Herrera, who was an accomplished worker in bronze, engraved medals skilfully. This gave rise to the charge of counterfeiting, and he fled for sanct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts (Seville)
Museum of Fine Arts (French: ''Musée des Beaux-Arts''; German: ''Museum der bildenden Künste'') may refer to: Argentina * Museo Nacional de Bellas Artes (Buenos Aires), Buenos Aires Austria * Kunsthistorisches Museum, Vienna Belgium * Royal Museums of Fine Arts of Belgium, Brussels * Museum of Fine Arts, Antwerp * Museum of Fine Arts, Ghent * Museum of Fine Arts, Ostend * Musée des Beaux-Arts Tournai Brazil * National Museum of Fine Arts, Rio de Janeiro Canada * Montreal Museum of Fine Arts, Montreal * National Gallery of Canada (Musée des beaux-arts du Canada), Ottawa * Musée national des beaux-arts du Québec (The Quebec National Museum of Fine Art), Quebec City Chile * Chilean National Museum of Fine Arts, Santiago France * Musée des Beaux-Arts d'Angers * Musée des Beaux-Arts de Besançon * Musée des Beaux-Arts de Bordeaux * Musée des Beaux-Arts de Brest, Brest * Musée des Beaux-Arts de Caen * Musée des beaux-arts de Chambéry * Musée des B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intercolumniation
In architecture, intercolumniation is the proportional spacing between columns in a colonnade, often expressed as a multiple of the column diameter as measured at the bottom of the shaft. In Classical, Renaissance, and Baroque architecture, intercolumniation was determined by a system described by the first-century BC Roman architect Vitruvius (Vitruvius, ''De architectura'', iii.3.3-10). Vitruvius named five systems of intercolumniation (Pycnostyle, Systyle, Eustyle, Diastyle, and Araeostyle), and warned that when columns are placed three column-diameters or more apart, stone architraves break. According to Vitruvius, the Hellenistic architect Hermogenes (ca. 200 BC) formulated these proportions ("''symmetriae''") and perfected the Eustyle arrangement, which has an enlarged bay in the center of the façade. Standard intercolumniations The standard intercolumniations are: ; Pycnostyle : One and a half diameters ; Systyle : Two diameters ; Eustyle : Two and a quarter diam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Antonio Díaz
Diego is a Spanish masculine given name. The Portuguese equivalent is Diogo. The name also has several patronymic derivations, listed below. The etymology of Diego is disputed, with two major origin hypotheses: ''Tiago'' and ''Didacus''. Etymology ''Tiago'' hypothesis Diego has long been interpreted as variant of ''Tiago'' (Brazilian Portuguese: '' Thiago''), an abbreviation of ''Santiago'', from the older ''Sant Yago'' "Saint Jacob", in English known as Saint James or as ''San-Tiago''. This has been the standard interpretation of the name since at least the 19th century, as it was reported by Robert Southey in 1808 and by Apolinar Rato y Hevia (1891). The suggestion that this identification may be a folk etymology, i.e. that ''Diego'' (and ''Didacus''; see below) may be of another origin and only later identified with ''Jacobo'', is made by Buchholtz (1894), though this possibility is judged as improbable by the author himself. ''Didacus'' hypothesis In the later 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
