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Arch Of Septimius Severus (Leptis Magna)
The Arch of Septimius Severus is a triumphal arch in Leptis Magna, located in present-day Libya. It was commissioned by the Libya-born Roman Empire, Roman Emperor Septimius Severus. The arch was in ruins but was pieced back together by archeologists after its discovery in 1928. Overview The Emperor Septimius Severus () ruled through a period of architectural revival. He was the first Emperor born in the provinces since Hadrian and Trajan. He was idolized for his military successes, having been declared emperor by his troops, and was well known for his use of militaristic power, perhaps the best known were his Parthian Empire, Parthian victories from 194 to 195. With the military success of the Emperor came a dramatic building program in Rome as well as in his city of birth, Leptis Magna, which is now a World Heritage Site. Part of his building programs, erected to celebrate the triumph of the Parthian victories, were two arches in Rome as well as one in Leptis Magna. The commemor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septimius Severus
Lucius Septimius Severus (; 11 April 145 – 4 February 211) was Roman emperor from 193 to 211. He was born in Leptis Magna (present-day Al-Khums, Libya) in the Roman province of Africa (Roman province), Africa. As a young man he advanced through cursus honorum, the customary succession of offices under the reigns of Marcus Aurelius and Commodus. Severus seized power after the death of the emperor Pertinax in 193 during the Year of the Five Emperors. After deposing and killing the incumbent emperor Didius Julianus, Severus fought his rival claimants, the Roman generals Pescennius Niger and Clodius Albinus. Niger was defeated in 194 at the Battle of Issus (194), Battle of Issus in Roman Cilicia, Cilicia. Later that year Severus waged a short punitive campaign beyond the eastern frontier, annexing the Osroene, Kingdom of Osroene as a new province. Severus defeated Albinus three years later at the Battle of Lugdunum in Roman Gaul, Gaul. Following the consolidation of his rule over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decumanus Maximus
In Roman urban planning, a decumanus was an east–west-oriented road in a Roman city or castrum (military camp). The main decumanus of a particular city was the Decumanus Maximus, or most often simply "the Decumanus". In the rectangular street grid of the typical Roman city plan, the decumanus was crossed by the perpendicular cardo, a north–south street. In a military camp, the decumanus connected the Porta Praetoria (closest to the enemy) to the Porta Decumana (away from the enemy). In the center – called '' groma'' – of a city or castrum, the Decumanus Maximus crossed the perpendicular ''Cardo Maximus'', the primary north–south road. The Forum was normally located close to this intersection of the Decumanus Maximus and the Cardo Maximus. Etymology ''Decumanus'' or ''decimanus'' was the Latin word for 'tenth'. This name is said to come from the fact that the ''via decumana'' or ''decimana'' (the ''tenth'') separated the Tenth Cohort from the Ninth in the legionary enc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Triumphal Arches ...
This is a list of Roman triumphal arches. Triumphal arches were constructed across the Roman Empire and are an archetypal example of Roman architecture. Most surviving Roman arches date from the Imperial period (1st century BC onwards). They were preceded by honorific arches set up under the Roman Republic. Existing arches Destroyed arches Note: MUR stands for the 12th century Mirabilia Urbis Romae See also *List of post-Roman triumphal arches *Victory column *Rostral column *Roman architecture *Roman engineering *Roman technology Sources * {{DEFAULTSORT:List Of Roman Triumphal Arches Triumphal arches A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Publius Septimius Geta
Publius Septimius Geta ( ; 7 March 189 – 19/26 December 211) was Roman emperor with his father Septimius Severus and older brother Caracalla from 209, when he was named ''Augustus'' like his brother, who had held the title from 198. Severus died in 211, and although he intended for his sons to rule together, they proved incapable of sharing power, culminating with the murder of Geta in December of that year. Early life Geta was the younger son of Septimius Severus by his second wife Julia Domna. He was born on 7 March in either Rome or Mediolanum, at a time when his father was only a provincial governor at the service of Emperor Commodus. In 198, Geta was raised to ''Caesar''. Septimius Severus gave him the title of ''augustus'' in late 209. During the campaign against the Britons in the early 3rd century AD, imperial propaganda promoted the image of a happy family that shared the responsibilities of rule. Geta's brother Caracalla acted as Severus' second-in-command, and ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caracalla
Marcus Aurelius Antoninus (born Lucius Septimius Bassianus, 4 April 188 – 8 April 217), better known by his nickname "Caracalla" () was Roman emperor from 198 to 217. He was a member of the Severan dynasty, the elder son of Emperor Septimius Severus and Empress Julia Domna. Proclaimed co-ruler by his father in 198, he reigned jointly with his brother Geta, co-emperor from 209, after their father's death in 211. His brother was murdered by the Praetorian Guard later that year, under orders from Caracalla himself, who then reigned afterwards as sole ruler of the Roman Empire. Caracalla found administration to be mundane, leaving those responsibilities to his mother. Caracalla's reign featured domestic instability and external invasions by the Germanic peoples. Caracalla's reign became notable for the Antonine Constitution ( la, Constitutio Antoniniana), also known as the Edict of Caracalla, which granted Roman citizenship to all free men throughout the Roman Empire. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadriga
A () is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of , from ': four, and ': yoke. The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back. Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga by throwing it into the sea. The quadriga was adopted in ancient Roman chariot racing. Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; the god of the sun Helios (often identified with Apollo, the god of light) was depicted driv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Marcus Aurelius
The Arch of Marcus Aurelius ( ar, قوس ماركوس أوريليوس, Qaus Mārkūs Aurīliyūs) is a Roman triumphal arch in the city of Oea, modern Tripoli, Libya, where it is found near the northeastern entrance to the Medina. Characteristics It is a quadrifrons triumphal arch, surmounted by an unusual octagonal cupola, and was erected (entirely in marble) by Gaius Calpurnius Celsus, quinquennial duumvir of the city, to commemorate the victories of Lucius Verus, junior colleague and adoptive brother of the Emperor Marcus Aurelius, over the Parthians in the Roman–Parthian War of 161–66. The monument was actually erected in 165, and cannot be dated later, because the Emperor is referred to with the title ''Armenicus'', but not with the titles of ''Medicus'' and ''Parthicus'', which were conferred on him in 166. The patron deities of the city, Apollo and Minerva appear on the two front pediments, in bigae drawn by griffons and sphinxes. Other interpretations take the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Titus
The Arch of Titus ( it, Arco di Tito; la, Arcus Titi) is a 1st-century AD honorific arch, located on the Via Sacra, Rome, just to the south-east of the Roman Forum. It was constructed in 81 AD by the Roman emperor, Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or ''consecratio'' and the victory of Titus together with their father, Vespasian, over the First Jewish-Roman War, Jewish rebellion in Judaea. The arch contains panels depicting the triumphal procession celebrated in 71 AD after the Roman victory culminating in the Siege of Jerusalem (AD 70), fall of Jerusalem, and provides one of the few contemporary depictions of artifacts of Herod's Temple. It became a symbol of the Jewish diaspora, and the Menorah (Temple), menorah depicted on the arch served as the model for the menorah used as the Emblem of Israel, emblem of the state of Israel. The arch has provided the general model for many triumphal arches erecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Triumph
The Roman triumph (') was a civil religion, civil ceremony and Religion in ancient Rome, religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal ''toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter (mythology), Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Temple of Jupiter Optimus Maximus, Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to the god Jupiter. In Roman Republic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both ''Acanthus mollis'' and the still more deeply cut ''Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his ''Stilfragen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
