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Arch Of Caracalla (Djémila)
The Arch of Caracalla is a Roman triumphal arch located at Djémila in Algeria (''Cuicul''). It was built during the early 3rd century. The arch, with a single span (''fornix''), was placed on the road leading to Sitifis. It constituted the entrance to the city's Severan forum. History The arch was erected in 216 in honour of the Emperor Caracalla, his mother Julia Domna, and his deceased father Septimius Severus. In 1839, Prince Ferdinand Philippe, Duke of Orléans saw the arch during an expedition and planned to have it transported to Paris, where he intended to have it erected with the inscription "L'Armée d'Afrique à la France" (The Army of Africa, to France). After his death, in 1842, the project, which was almost ready to be carried out, was abandoned. The arch, together with the rest of the archaeological site of Djémila, has been included in the UNESCO list of World Heritage Sites since 1982. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Heritage Site
A World Heritage Site is a landmark or area with legal protection by an international convention administered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). World Heritage Sites are designated by UNESCO for having cultural, historical, scientific or other form of significance. The sites are judged to contain " cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site must be a somehow unique landmark which is geographically and historically identifiable and has special cultural or physical significance. For example, World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains, or wilderness areas. A World Heritage Site may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet, or it might be a place of great natural beauty. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Buildings And Structures In Algeria
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Caracalla (Thebeste)
{{Infobox monument , name = Arch of Caracalla , native_name = Thebeste , image = Porte Caracalla - Tébessa باب كركلا - تبسة.jpg , caption = , location = Tébessa, Algeria , map_image = , map_text = , map_width = , coordinates = {{coord, 35, 24, 17.6, N, 8, 7, 22.1, E, type:landmark_region:DZ_dim:35, display=title , type = Roman triumphal arch , material = , length = , width = , height = , begin = , complete = , dedicated_to = Emperor Caracalla The Arch of Caracalla is a tetrapylon Roman triumphal arch in Thebeste, located in present-day Tébessa, Tébessa Province, Algeria. It was constructed during the early 3rd century. History The arch was built between 211 and 214 by means of a testamentary donation of Gaius Cornelius Egrilianus, Prefect of the XIV legion, who was originally from Thebeste. The figure set aside for the construction was 250,000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Triumphal Arches ...
This is a list of Roman triumphal arches. Triumphal arches were constructed across the Roman Empire and are an archetypal example of Roman architecture. Most surviving Roman arches date from the Imperial period (1st century BC onwards). They were preceded by honorific arches set up under the Roman Republic. Existing arches Destroyed arches Note: MUR stands for the 12th century Mirabilia Urbis Romae See also *List of post-Roman triumphal arches *Victory column *Rostral column *Roman architecture *Roman engineering *Roman technology Sources * {{DEFAULTSORT:List Of Roman Triumphal Arches Triumphal arches A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic (architecture)
In classical architecture, the term attic refers to a story or low wall above the cornice of a classical façade. The decoration of the topmost part of a building was particularly important in ancient Greek architecture and this came to be seen as typifying the ''Attica'' style, the earliest example known being that of the monument of Thrasyllus in Athens. It was largely employed in Ancient Rome, where their triumphal arches utilized it for inscriptions or for bas-relief sculpture. It was used also to increase the height of enclosure walls such as those of the Forum of Nerva. By the Italian revivalists it was utilized as a complete storey, pierced with windows, as found in Andrea Palladio's work in Vicenza and in Greenwich Hospital, London. One well-known large attic surmounts the entablature of St. Peter's Basilica, which measures in height. Decorated attics with pinnacles are often associated with the Late Renaissance (Mannerist architecture) period in Poland and are viewed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pylon (architecture)
A pylon is a monumental gate of an Egyptian temple (Egyptian: ''bxn.t'' in the Manuel de Codage transliterationErmann & Grapow, ''Wörterbuch der ägyptischen Sprache'', vol.1, 471.9–11). The word comes from the Greek language, Greek term 'gate'. It consists of two pyramidal towers, each tapered and surmounted by a cornice, joined by a less elevated section enclosing the entrance between them.Toby Wilkinson, ''The Thames and Hudson Dictionary of Ancient Egypt'', Thames & Hudson, 2005. p.195 The gate was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners. Egyptian architecture In ancient Egyptian religion, the pylon mirrored the Egyptian hieroglyphs, hieroglyph akhet (hieroglyph and season), ''akhet'' 'horizon', which was a depiction of two hills "between which the sun rose and set". Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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