Apparition De L'église éternelle
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Apparition De L'église éternelle
''Apparition de l'église éternelle'' (''Apparition of the eternal church'') is a work for organ, written by the French composer Olivier Messiaen in 1932. The piece is in arch form, beginning in pianissimo () and building up to a fortississimo () climax featuring a C major chord, and then receding back to pianissimo. Richly colored chords alternate with open fifths, on top of a throbbing bass which repeats a simple rhythmic pattern. Programmatically, the piece describes the appearance of the eternal church, which then fades away. This imagery has been compared to Dante's description of the inferno. Messiaen described the piece by quoting from the hymn Cœlestis urbs Jerusalem: "Scissors, hammer, suffering, and tests, tailoring and polishing the elected persons, living stones of the spiritual edifice", stating that the throbbing bass depicts the incessant work of construction. He also wrote the following poem: Made out of living stone, Made out of heavenly stone, I ...
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Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ...
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Arch Form
In music, arch form is a sectional structure for a piece of music based on repetition, in reverse order, of all or most musical sections such that the overall form is symmetric, most often around a central movement. The sections need not be repeated verbatim but must at least share thematic material. It creates interest through interplay among "memory, variation, and progression". Though the form appears to be static and to deny progress, the pairs of movements create an "undirectional process" with the center, and the form "actually engenders specific expressive possibilities that would otherwise be unavailable for the work as a whole".Wilson, Paul (1992). ''The Music of Béla Bartók''. . p. 32. Béla Bartók is noted for his use of arch form, e.g., in his fourth and fifth string quartets, Concerto for Orchestra, ''Music for Strings, Percussion and Celesta'', second piano concerto, and, to a lesser extent, in his second violin concerto. Samuel Barber's ''Adagio for Strings ...
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Dante
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ...
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Inferno (Dante)
''Inferno'' (; Italian language, Italian for "Hell") is the first part of Italian writer Dante Alighieri's 14th-century Epic poetry, epic poem ''Divine Comedy''. It is followed by ''Purgatorio'' and ''Paradiso (Dante), Paradiso''. The ''Inferno'' describes Dante's journey through Christian views on Hell, Hell, guided by the Ancient Rome, ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the ''Divine Comedy'' represents the journey of the soul toward God, with the ''Inferno'' describing the recognition and rejection of sin. Prelude to Hell Canto I The poem begins on the night of Maundy Thursday on March 24 (or April 7), 1300, shortly before the dawn of Good Friday. The narrator, Dante himself, is t ...
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Urbs Beata Jerusalem Dicta Pacis Visio
Urbs beata Jerusalem dicta pacis visio is the first line of a 7th or 8th-century hymn sung in the Office of the Dedication of a Roman Catholic church. Text The hymn comprises eight stanzas, together with a doxology. The text is scripturally inspired by Ephesians ii. 20, 1 Peter ii. 5, and Revelation xxi. The translation below is by John Mason Neale.Schaff, Philip. History of the Christian Church, Volume IV: Mediaeval Christianity. A.D. 590-1073http://www.ccel.org/ccel/schaff/hcc4.titlepage.html/ref> The metre is a version of the trochaic septenarius rhythm, often used for hymns in the medieval period (see Trochaic septenarius#In Christian hymns). In the 17th century, under Pope Urban VIII, a group of correctors revised the hymn, replacing the unquantitative, accentual, trochaic rhythm with quantitative, iambic metre, and the stanza appeared in the Breviary with divided lines: Coelestis Urbs Jerusalem, Beata pacis visio, Quæ celsa de viventibus Saxis ad astra tolleris, ...
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Paul Festa
Paul Festa is an American writer, filmmaker, and violinist. Born and raised in San Francisco, he currently resides there with his husband James Harker. Writing Festa's essays have appeared in ''The New York Times Book Review'', ''The Daily Beast'', '' Nerve'', '' Salon'', and anthologies. Film His widely acclaimed first film '' Apparition of the Eternal Church'' (2006, 51 minutes) captures the responses of 31 artists and writers—including literary critic Harold Bloom, filmmaker John Cameron Mitchell, Scissor Sisters singer Ana Matronic, novelist Daniel Handler (a.k.a. Lemony Snicket), and drag performers Justin Bond (of Kiki and Herb) and Jackie Beat—to the music of Olivier Messiaen. It won awards at several film festivals. Festa stars in his second film, '' The Glitter Emergency'' (2010, 20 minutes) with members of the San Francisco Ballet and the Cockettes, opposite the Trannyshack performer Peggy L'Eggs (Matthew Simmons). Recipient of several film festival prizes an ...
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Apparition Of The Eternal Church
Apparition may refer to: Supernatural * Apparitional experience, an anomalous, quasi-perceptual experience * A vision, something seen in a dream, trance, or religious ecstasy *Ghost, the soul or spirit of a dead person or animal that can appear to the living *Doppelgänger, the ghostly double of a living person *Bilocation, the ability to be in two places at once Media Music * ''Apparition'' (EP), 2009, by The Contortionist * ''Apparition'' (The Legendary Pink Dots album), 1982 * "Apparitions" (song), 1998, by Matthew Good Band *"Apparition", a 2006 song by Canadian band Delerium on their album ''Nuages du Monde'' *"Apparition", composition by Vladimír Hirsch, from the album (soundtrack) "Markéta, the daughter of Lazar", 2010 *"The Apparition", a song by Beyond The Bridge *"The Apparition", a song from Iron Maiden's 1992 album ''Fear of the Dark'' * ''Apparition'' (Jambinai EP), 2022 Film * ''The Apparition'' (1903 film), a silent comedy * ''The Apparition'' (2012 film), ...
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Pedro Costa
Pedro Costa (born 30 December 1958) is a Portuguese film director. He is best known for his sequence of films set in Lisbon, which focuses on the lives of the impoverished residents of a slum in the Fontainhas neighbourhood. Biography After completing a degree in History from the University of Lisbon, Costa worked as an assistant for Jorge Silva Melo, Vítor Gonçalves and João Botelho. He released his debut film O Sangue at the age of 30. Costa's films would receive acclaim from critics consistently throughout his career. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing ''In Vanda's Room''. ''Colossal Youth'' was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. Horse Money was awarded the Leopard for Best Director in 2014, while his Vitalina Varela was awarded the Gold Leopard for Best Film in 2019. Style and influences He is ...
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2014 In Film
The following is an overview of the events of 2014 in film, including the highest-grossing films, award ceremonies, festivals, and a list of films released and notable deaths. Evaluation of the year In his article highlighting the best films of 2014, Richard Brody of ''The New Yorker'' stated, "The great surge in American filmmaking in the past ten years is due to independent financing at all levels. The American independent cinema is right now the flower of the world, but independence isn't in itself a merit badge. Artistically, the films in question range from the majestic to the meretricious. Independent financing has set truly imaginative directors into free flight. This is a moment of extraordinary cinematic invention—of filmmakers, working at a wide range of budget levels, coming up with original and personal ideas about movies and how to make them. On the other hand, this independent surge has also created a new class of culturally respectable directors and films, an oste ...
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Horse Money
''Horse Money'' (Portuguese: ''Cavalo Dinheiro'') is a 2014 Portuguese film directed by Pedro Costa. It premiered in August 2014 at the Locarno International Film Festival, where it won the award for Best Direction. Horse Money is the fourth film in a sequence of films set in the Fontainhas slum region in Lisbon, and the second with character Venturas as the protagonist. Plot Ventura, an elderly Cape Verdean immigrant living in Lisbon travels through the night, through real and imagined nightmarish memories. Release ''Horse Money'' was in competition for the Golden Leopard at the 2014 Locarno International Film Festival. Critical response The film received critical acclaim. Matt Zoller Seitz, a film critic for '' RogerEbert.com'', gave the film three and a half out of four stars, stating that "the best approach o ''Horse Money''is to surrender to it as you might a dream and let the images overwhelm you." The international film magazine ''Sight & Sound'' named it the third best f ...
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1932 Compositions
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ...
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