Apollo Et Hyacinthus
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Apollo Et Hyacinthus
''Apollo et Hyacinthus'', K. 38, is an opera written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. It is Mozart's first true opera (when one considers that ''Die Schuldigkeit des ersten Gebots'' is simply a sacred drama). It is in three acts. As is suggested by the name, the opera is based upon the Greek myth of Hyacinth and Apollo as told by Roman poet Ovid in his ''Metamorphoses''. Interpreting this work, Rufinus Widl wrote the libretto in Latin. History After notable success in other areas of Europe, Mozart was commissioned to compose a piece for the Benedictine University in his hometown of Salzburg. Mozart's father, Leopold, was a notable name at the university, as many of his pupils were enrolled in the university high school, where theater played a large role in the curriculum. Mozart's first encounter with the university was at the age of five on September 1 and 3, 1761, when he appeared as an extra in Jakob Anton Wimmer and Johann Ernst Eberl ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Kiselev Death Of Hyacinth
Kiselyov/Kiseliov/Kiselev (russian: Киселёв; masculine) or Kiselyova/ Kiseleva (; feminine) is a Russian surname, derived from the word "kissel". It may refer to: * Afrikan Kiselyov (1910–1939), Soviet army officer and Hero of the Soviet Union * Aharon Moshe Kiselev (1866-1949), Manchurian rabbi * Alexander Kiselyov, several people * Alexey Kiselyov, several people *Axel Kicillof, Argentine politician *Dmitri Kiselev (1989–), Russian ice dancer * Dmitrii Kiselev, Russian handball player *Dmitry Kiselyov (1954–), Russian television presenter and propagandist *Dmitry Kiselyov (film director) * Gennady Kiselyov (1922–1979), Soviet aircraft pilot and Hero of the Soviet Union * Ivan Alexandrovich Kiselyov (1920–?), Soviet army officer and Hero of the Soviet Union * Ivan Mikhaylovich Kiselyov (1919–1987), Soviet aircraft pilot and Hero of the Soviet Union * Larisa Kiselyova (born 1970), Russian handball player *Mariya Kiselyova (born 1974), Russian swimmer * Mikhail K ...
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Boy Soprano
A boy soprano (British and especially North American English) or boy treble (only British English) is a young male singer with an unchanged voice in the soprano range, a range that is often still called the treble voice range (in North America too) when talking about children. Origins In the Anglican and English Catholic liturgical traditions (in which girls and women did not sing in church choirs), young male choristers were normally referred to as "trebles" rather than as boy sopranos, but today the term "boy trebles" is increasingly common (girls with high voices are trebles too). The term "treble" derives from the Latin ', used in 13th and 14th century motets to indicate the third and highest range, which was sung above the tenor part (which carried the tune) and the alto part. Another term for that range is '. The term "treble" itself was first used in the 15th century. Trebles have an average range of A3 to F5 (220–700 Hz). The term ''boy soprano'' originated w ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Oebalus
In Greek mythology, Oebalus, also spelled Oibalus or Oibalius, (; Ancient Greek: Οἴβαλος, '' Oíbalos'') was a king of Sparta. Family Oibalus was the son of either Cynortas or Argalus. He was the second husband of Princess Gorgophone and thus son-in-law of the hero Perseus. With her or by the Naiad Bateia,Apollodorus, 3.10.4 Oibalos fathered Tyndareus, Icarius and Hippocoon, as well as a daughter, Arene, who married her half-brother Aphareus. The nymph Pirene and Hyacinth were also called the daughter and son of Oebalius respectively. His grandchildren, the Dioscuri, were usually referred as Oibalids or Oebalidae.Statius, ''Thebaid'' 5.438 Oebalus was often confused with Gorgophone's first husband, Perieres, son of Aeolus. They were separate people, usually unrelated though Oebalus was sometimes said to be Perieres’ son. Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cam ...
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Love Triangle
A love triangle or eternal triangle is a scenario or circumstance, usually depicted as a rivalry, in which two people are pursuing or involved in a romantic relationship with one person, or in which one person in a romantic relationship with someone is simultaneously pursuing or involved in a romantic relationship with someone else. A love triangle typically is not conceived of as a situation in which one person loves a second person, who loves a third person, who loves the first person, or variations thereof. Love triangles are a common narrative device in theater, literature, and film. Statistics suggest that, in Western society, "Willingly or not, most adults have been involved in a love triangle." The 1994 book ''Beliefs, Reasoning, and Decision Making'' states, "Although the romantic love triangle is formally identical to the friendship triad, as many have noted their actual implications are quite different ... Romantic love is typically viewed as an exclusive relatio ...
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Homosexual
Homosexuality is romantic attraction, sexual attraction, or sexual behavior between members of the same sex or gender. As a sexual orientation, homosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to people of the same sex. It "also refers to a person's sense of identity based on those attractions, related behaviors, and membership in a community of others who share those attractions." Along with bisexuality and heterosexuality, homosexuality is one of the three main categories of sexual orientation within the heterosexual–homosexual continuum. Scientists do not yet know the exact cause of sexual orientation, but they theorize that it is caused by a complex interplay of genetic, hormonal, and environmental influences and do not view it as a choice. Although no single theory on the cause of sexual orientation has yet gained widespread support, scientists favor biologically based theories. There is considerably more evidence supportin ...
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Hyacinth (plant)
''Hyacinthus'' is a small genus of bulbous, spring-blooming perennials. They are fragrant flowering plants in the family Asparagaceae, subfamily Scilloideae and are commonly called hyacinths (). The genus is native to the area of the eastern Mediterranean from the south of Turkey to Palestine, although naturalized more widely. Several species of ''Brodiaea'', ''Scilla'', and other plants that were formerly classified in the Liliaceae family and have flower clusters borne along the stalk also have common names with the word "hyacinth" in them. Hyacinths should also not be confused with the genus '' Muscari'', which are commonly known as grape hyacinths. Description ''Hyacinthus'' grows from bulbs, each producing around four to six linear leaves and one to three spikes or racemes of flowers. In the wild species, the flowers are widely spaced, with as few as two per raceme in '' H. litwinovii'' and typically six to eight in '' H. orientalis'' which grows to a height ...
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Anemoi
In ancient Greek religion and myth, the Anemoi (Greek: , 'Winds') were wind gods who were each ascribed a cardinal direction from which their respective winds came (see Classical compass winds), and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband Astraeus. Etymology The earliest attestation of the word in Greek and of the worship of the winds by the Greeks, are perhaps the Mycenaean Greek word-forms , , , , i.e. 'priestess of the winds'. These words, written in Linear B, are found on the KN Fp 1 and KN Fp 13 tablets. Mythology The Anemoi are minor gods and are subject to the god Aeolus. They were sometimes represented as gusts of wind, and at other times were personified as winged men. They were also sometimes depicted as horses kept in the stables of the storm god Aeolus, who provided Odysseus with the Anemoi in the ''Odyssey''. The Spartans were reported to sacrifice a horse to ...
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ...
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Intermedio
The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on other forms like the English court masque. Weddings in ruling families and similar state occasions were the usual occasion for the most lavish intermedi, in cities such as Florence and Ferrara. Some of the best documentation of intermedi comes from weddings of the House of Medici, in particular the 1589 Medici wedding (between Christina of Lorraine and Ferdinando I de' Medici, Grand Duke of Tuscany), which featured what was undoubtedly both the most spectacular set of intermedi, and the best known, thanks to no fewer than 18 contemporary published festival books and sets of prints that were financed by the Grand Duke. Interme ...
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