Aplomb
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Aplomb
In classical ballet, aplomb () refers to an unwavering stability maintained during a vertical pose or movement. The word is of French origin, coming from ''à plomb'', "according to the plummet".'aplomb. (n.d.)'
Dictionary.com Unabridged, (Retrieved August 23, 2015) French ballet master used the term in 1806 to refer to the dynamic balancing that is fundamental to all well-executed ballet positions and movements.Bernard Taper (1996) "Balanchine: A Biography", In 1887, German dance theorist Friedrich Albert Zorn analogized aplomb in dancers as "the sureness of tou ...
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Fouetté En Tournant (CF46618267 109996904033)
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direc ...
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Classical Ballet
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work, turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities. There are stylistic variations related to an area or origin, which are denoted by classifications such as Russian ballet, French ballet, British ballet and Italian ballet. For example, Russian ballet features high extensions and dynamic turns, whereas Italian ballet tends to be more grounded, with a focus on fast, intricate footwork. Many of the stylistic variations are associated with specific training methods that have been named after their originators. Despite these variations, the performance and vocabulary of classical ballet are largely consistent throughout the world. History Ballet originated in the Italian Renaissance courts and was brought to France by Catherine de' M ...
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Plumb Bob
A plumb bob, plumb bob level, or plummet, is a weight, usually with a pointed tip on the bottom, suspended from a string and used as a vertical reference line, or plumb-line. It is a precursor to the spirit level and used to establish a vertical datum. It is typically made of stone, wood, or lead, but can also be made of other metals. If it is used for decoration, it may be made of bone or ivory. The instrument has been used since at least the time of ancient EgyptDenys A. Stocks. Experiments in Egyptian archaeology: stoneworking technology in ncient Egypt'. Routledge; 2003. . p. 180. to ensure that constructions are "plumb", or vertical. It is also used in surveying, to establish the nadir with respect to gravity of a point in space. It is used with a variety of instruments (including levels, theodolites, and steel tapes) to set the instrument exactly over a fixed survey marker or to transcribe positions onto the ground for placing a marker. Etymology The ''plu ...
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Jean-Étienne Despréaux
Jean-Étienne Despréaux (31 August 1748 – 26 March 1820) was a French ballet dancer, choreographer, composer, singer and playwright. Biography The son of an oboist of the orchestra of the Académie royale de musique, he made here his début in 1763, four years after his brother Claude-Jean-François. A remarkable dancer for his lightness in the high dance, he was applauded in several ballets : *1771: ''Pyramus and Thisbe'', by La Serre, Rebel and Francœur *1773: ''Les Amours de Ragonde'', by Destouches and Mouret *1774: ''Iphigénie en Aulide'', by Du Roullet and Gluck *1774: '' Sabinus'', by Chabanon and Gossec *1778: ''La Chercheuse d'esprit'', a ballet by Maximilien Gardel. He retired in 1781 with a 1,000 livres pension and married the famous ballerina Marie-Madeleine Guimard on 14 August 1789. Charles-Maurice Descombes, in his 1856 ''Histoire anecdotique du théâtre'', writes: Works Despréaux wrote several parodies of operas that Louis XV particularly ap ...
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Dance Positions
Dance position is a human position, position of a dancer or a mutual position of a dance couple assumed during a dance. Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection (dance), connection, the relative orientation of partners, and directions of movement (or of movement intention). In ballet, the term "pose" is used to describe stationary dance positions; the most important are referred to as "first position" through to "fifth position." The following includes descriptions of all major ballet positions. Development Classical ballet positions were influenced by Baroque art, especially the ideal of contraposto in sculpture, where the limbs were arranged "as an active spiral, denying any flattening symmetrical frontality." Added to this was th ...
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Agrippina Vaganova
Agrippina Yakovlevna Vaganova (russian: Агриппина Яковлевна Ваганова; 26 June 1879 – 5 November 1951) was a Soviet and Russian ballet teacher who developed the Vaganova method – the technique which derived from the teaching methods of the old Imperial Ballet School (today the Vaganova Academy of Russian Ballet) under the ''Premier Maître de Ballet'' Marius Petipa throughout the mid to late 19th century, though mostly throughout the 1880s and 1890s. It was Vaganova who perfected and cultivated this form of teaching the art of classical ballet into a workable syllabus. Her ''Fundamentals of the Classical Dance'' (1934) remains a standard textbook for the instruction of ballet technique. Her technique is one of the most popular techniques today. Biography Vaganova was born in Saint Petersburg to Akop Vaganov, an Armenian from Astrakhan, who worked as an usher at the Mariinsky Theatre, and a Russian mother. Vaganova's whole life was connected with the I ...
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Vertebral Column
The vertebral column, also known as the backbone or spine, is part of the axial skeleton. The vertebral column is the defining characteristic of a vertebrate in which the notochord (a flexible rod of uniform composition) found in all chordata, chordates has been replaced by a segmented series of bone: vertebrae separated by intervertebral discs. Individual vertebrae are named according to their region and position, and can be used as anatomical landmarks in order to guide procedures such as Lumbar puncture, lumbar punctures. The vertebral column houses the spinal canal, a cavity that encloses and protects the spinal cord. There are about 50,000 species of animals that have a vertebral column. The human vertebral column is one of the most-studied examples. Many different diseases in humans can affect the spine, with spina bifida and scoliosis being recognisable examples. The general structure of human vertebrae is fairly typical of that found in mammals, reptiles, and birds. Th ...
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Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful ''port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit '' ballon'' ...
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