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Apam Napat
Apam Napat is a deity in the Indo-Iranian pantheon associated with water. His names in the Vedas, ''Apām Napāt'', and in Zoroastrianism, ''Apąm Napāt'', mean "child of the waters" in Sanskrit and Avestan respectively. '' Napāt'' ("grandson", "progeny") is cognate with Latin ''nepos'' and English ''nephew''. In the Rig Veda, he is described as the creator of all things. In the Vedas it is often apparent that ''Apām Napāt'' is being used as a title, not a proper name. This is most commonly applied to Agni, god of fire, and occasionally to Savitr, god of the sun. A correspondence has also been posited by Boyce between both the Vedic and Avestic traditions of Apam Napat, and Varuna, who is also addressed as "Child of the Waters", and is considered a god of the sea. In the Iranian tradition, he is also called ''Burz'' ("high one," fa, برز}) and is a ''yazad''. Role In Yasht 19 of the Zoroastrian Avesta ''Apąm Napāt'' appears as the creator of mankind. However, sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Indo-Iranian Religion
Indo-Iranian peoples, also known as Indo-Iranic peoples by scholars, and sometimes as Arya or Aryans from their self-designation, were a group of Indo-European peoples who brought the Indo-Iranian languages, a major branch of the Indo-European language family, to major parts of Eurasia in the second part of the 3rd millennium BCE. They eventually branched out into Iranian peoples and Indo-Aryan peoples, predominantly in the geographical subregion of Southern Asia. Nomenclature The term '' Aryan'' has long been used to denote the ''Indo-Iranians'', because ''Arya'' is indeed the self-designation of the ancient speakers of the Indo-Iranian languages, specifically the Iranian and the Indo-Aryan peoples, collectively known as the Indo-Iranians. Despite this, some scholars use the term Indo-Iranian to refer to this group, though the term "Aryan" remains widely used by most scholars, such as Josef Wiesehofer, Will Durant, and Jaakko Häkkinen. Population geneticist Luigi Luca Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Boyce
Nora Elisabeth Mary Boyce (2 August 1920 – 4 April 2006) was a British scholar of Iranian languages, and an authority on Zoroastrianism. She was Professor of Iranian Studies at the School of Oriental and African Studies (SOAS) of the University of London. The Royal Asiatic Society's annual Boyce Prize for outstanding contributions to the study of religion is named after her. Early years She was born in Darjeeling where her parents were vacationing to escape the heat of the plains during the summer. Her father, William H. Boyce, was a Judge at the Calcutta high-court, then an institution of the British imperial government. Her mother Nora (née Gardiner) was a granddaughter of the historian Samuel Rawson Gardiner.John R. Hinnells, ‘Boyce, (Nora Elisabeth) Mary (1920–2006)’, Oxford Dictionary of National Biography, Oxford University Press, Jan 2010; online edn, Sept 201accessed 8 Jan 2017/ref> Boyce was educated at Wimbledon High School and then Cheltenham Ladies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Indo-European Mythology
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, the hypothetical speakers of the reconstructed Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates – linguistic siblings from a common origin –, and associated with similar attributes and body of myths: such as *''Dyḗws Ph₂tḗr'', the daylight-sky god; his consort *''Dʰéǵʰōm'', the earth mother; his daughter *''H₂éwsōs'', the dawn goddess; his sons the Divine Twins; and ''*Seh₂ul'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rig Veda/Mandala 3/Hymn 1
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rig Veda/Mandala 7/Hymn 49
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shatapatha Brahmana
The Shatapatha Brahmana ( sa, शतपथब्राह्मणम् , Śatapatha Brāhmaṇam, meaning 'Brāhmaṇa of one hundred paths', abbreviated to 'SB') is a commentary on the Śukla (white) Yajurveda. It is attributed to the Vedic sage Yajnavalkya. Described as the most complete, systematic, and important of the Brahmanas (commentaries on the Vedas), it contains detailed explanations of Vedic sacrificial rituals, symbolism, and mythology. Particularly in its description of sacrificial rituals (including construction of complex fire-altars), the Shatapatha Brahmana (SB) provides scientific knowledge of geometry (e.g. calculations of pi and the root of the Pythagorean theorem) and observational astronomy (e.g. planetary distances and the assertion that the Earth is circular) from the Vedic period. The Shatapatha Brahmana is also considered to be significant in the development of Vaishnavism as the origin of several Puranic legends and avatars of the RigVedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khvarenah
Khvarenah (also spelled khwarenah or xwarra(h): ae, 𐬓𐬀𐬭𐬆𐬥𐬀𐬵 ') is an Avestan word for a Zoroastrian concept literally denoting "glory" or "splendour" but understood as a divine mystical force or power projected upon and aiding the appointed. The neuter noun thus also connotes "(divine) royal glory", reflecting the perceived divine empowerment of kings. The term also carries a secondary meaning of "(good) fortune"; those who possess it are able to complete their mission or function. In 3rd- to 7th-century Sassanid-era inscriptions as well as in the 9th- to 12th-century texts of Zoroastrian tradition, the word appears as Zoroastrian Middle Persian ''khwarrah'', rendered with the Pahlavi ideogram ''GDE'', reflecting Aramaic ''gada'' "fortune". Middle Persian ''khwarrah'' continues as New Persian ''k(h)orra''. These variants, which are assumed to be learned borrowings from the Avestan, are the only Iranian language forms with an initial 'xᵛ-'. In all other diale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithra
Mithra ( ae, ''Miθra'', peo, 𐎷𐎰𐎼 ''Miça'') commonly known as Mehr, is the Iranian deity of covenant, light, oath, justice and the sun. In addition to being the divinity of contracts, Mithra is also a judicial figure, an all-seeing protector of Truth, and the guardian of cattle, the harvest, and of the Waters. The Romans attributed their Mithraic mysteries to Zoroastrian Persian sources relating to Mithra. Since the early 1970s, the dominant scholarship has noted dissimilarities between the Persian and Roman traditions, making it, at most, the result of Roman ''perceptions'' of Zoroastrian ideas. Etymology Together with the Vedic common noun ''mitra'', the Avestan common noun ''miθra'' derives from Proto-Indo-Iranian '' *mitrám'' (Mitra), from the root ''*mi-'' "to bind", with the "tool suffix" ''-tra-'' "causing to". Thus, etymologically ''mitra''/''miθra'' means "that which causes binding", preserved in the Avestan word for "Covenant, Contract, Oath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahura Mazdā
Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Ahura'' is "lord", and that of ''Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invite Ahura Mazda to accompany the Persian army on battles. Images of Ahura Mazda, however, were present from the 5th century BC but were st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the '' Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the '' Vendidad'' and the '' Visperad''. The ''Visperad'' extensions consist mainly of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasht
The Yashts are a collection of twenty-one hymns in the Younger Avestan language. Each of these hymns invokes a specific Zoroastrian divinity or concept. ''Yasht'' chapter and verse pointers are traditionally abbreviated as ''Yt.'' Overview The word ''yasht'' derives from Middle Persian 𐭩𐭱𐭲 yašt (“prayer, worship”) probably from Avestan ''𐬫𐬀𐬱𐬙𐬀'' (yašta, “honored”), from ''𐬫𐬀𐬰'' (yaz, “to worship, honor”), from Proto-Indo-European ''*yeh₂ǵ-'' or ''*Hyaǵ-'', and several hymns of the '' Yasna'' liturgy that "venerate by praise" are—in tradition—also nominally called ''yasht''s. These "hidden" Yashts are: the ''Barsom Yasht'' (''Yasna'' 2), another '' Hom Yasht'' in ''Yasna'' 9–11, the ''Bhagan Yasht'' of ''Yasna'' 19–21, a hymn to Ashi in ''Yasna'' 52, another Sarosh ''Yasht'' in ''Yasna'' 57, the praise of the (hypostasis of) "prayer" in ''Yasna'' 58, and a hymn to the Ahurani in ''Yasna'' 68. Since these are a part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yazata
Yazata ( ae, 𐬫𐬀𐬰𐬀𐬙𐬀) is the Avestan word for a Zoroastrian concept with a wide range of meanings but generally signifying (or used as an epithet of) a divinity. The term literally means "worthy of worship or veneration",.. and is thus, in this more general sense, also applied to certain healing plants, primordial creatures, the '' fravashis'' of the dead, and to certain prayers that are themselves considered holy. The ''yazata''s collectively are "the good powers under Ahura Mazda", who is "the greatest of the ''yazata''s".. Etymology ''Yazata'' is an Avestan-language passive adjectival participle derived from ''yaz-''; "to worship, to honor, to venerate", from Proto-Indo-European ''*yeh₂ǵ-'' (“to worship, revere, sacrifice”). The word ''yasna'' or yagna– "worship, sacrifice, oblation, prayer" – comes from the same root. A ''yaza+ ta'' is accordingly "a being worthy of worship", "an object of worship" or "a holy being". As the stem form, ''yazat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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