Apache Indian
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Apache Indian
Steven Kapur (born 11 May 1967), known by the stage name Apache Indian, is a British singer-songwriter and reggae DJ. He had a series of hits during the 1990s. He is best known in the UK for the song "Boom Shack-A-Lak", which reached the top ten during August 1993. Biography and career Born into a family of Indian origins, Kapur was raised in Handsworth, Birmingham, UK, a racially mixed area with large Black and Asian communities, home of reggae bands such as Steel Pulse, and by the early 1980s he was working with local sound systems and grew dreadlocks. By the mid-1980s he had trimmed his hair and began to make a name for himself as a dancehall deejay. Apache recorded his first single in 1990, "Movie Over India", initially a white-label pressing, until it was picked up by the reggae distributor Jet Star. The single mixed ragga and bhangra sounds and was hugely popular among audiences of both genres. Two further singles followed in a similar vein, "Chok There" and "Don Ra ...
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Handsworth, West Midlands
Handsworth () is a suburb and an inner-city area of Birmingham in the West Midlands. Historically in Staffordshire, Handsworth lies just outside Birmingham City Centre and near the town of Smethwick. History The name ''Handsworth'' originates from its Saxon owner Hondes and the Old English word ''weorthing'', meaning farm or estate. It was recorded in the Domesday Survey of 1086, as a holding of William Fitz-Ansculf, the Lord of Dudley, although at that time it would only have been a very small village surrounded by farmland and extensive woodland. Historically in the county of Staffordshire, it remained a small village from the 13th century to the 18th century. Accommodation was built for factory workers, the village quickly grew, and in 1851, more than 6,000 people were living in the township. In that year, work began to build St James' Church. Later St Michael's Church was built as a daughter church to St James'. In the census of 1881, the town was recorded as havin ...
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Ragga
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae performed on ...
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Tim Dog
Timothy Blair (January 3, 1967 – February 14, 2013),Margaret Eby"Rapper Tim Dog slapped with arrest warrant on suspicion of faking own death,"''New York Daily News'', May 22, 2013. better known by his stage name Tim Dog, was an American rapper from the Bronx, New York (state), New York, who rose to notoriety during the early 1990s with his debut LP ''Penicillin on Wax'' and the celebrated diss track "Fuck Compton". Tim had already appeared on songs with the Ultramagnetic MCs and went on to form a duo, Ultramagnetic MCs, Ultra, with member Kool Keith. "Fuck Compton" appeared in ''XXL (magazine), XXL'' magazine's "Top 25 Diss Tracks of All Time" and earned Tim Dog critical acclaim from progressive hip-hop producer Blockhead (music), Blockhead, who said Tim Dog's "The Dog's Gonna Getcha" (off ''Penicillin on Wax'') is "quite possibly the hardest song ever made." Nas references Tim Dog on his track "Where Are They Now?" from his 2006 album ''Hip Hop Is Dead'', and despite Tim Dog's ...
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Mafia & Fluxy
Mafia & Fluxy are a British reggae rhythm section and production team, consisting of the brothers Leroy (bass) and David Heywood (drums), whose careers began with London reggae band The Instigators in 1977. They backed Jamaican artists on UK tours, and in 1987 visited Jamaica, building rhythm tracks for producers such as Bunny Lee, King Jammy, Donovan Germain and Philip "Fatis" Burrell, becoming one of the most in-demand rhythm sections of the ragga age. They started their own label, producing for artists such as Sugar Minott, King Kong, Gregory Isaacs, Johnny Osbourne, Cornell Campbell and General Levy. They produced a series of ''Reggae Heights'' albums featuring classic singers such as Johnny Clarke, Barry Brown, Gregory Isaacs and John Holt singing classic tracks over rhythms recreated by Mafia & Fluxy. The duo have also remixed tracks for artists such as Janet Jackson. Leroy Mafia has also enjoyed a solo career. Discography Solo albums *''A New Galaxy of Dub'', Ariwa *' ...
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Sly & Robbie
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery. Career 1970s: Beginnings in reggae Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican record labels Studio One and Treasure Isle), and reggae production in particular. Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers ...
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Make Way For The Indian
''Make Way for the Indian'' is an album by the English musician Apache Indian, released in 1995. The title track peaked at No. 29 on the UK Singles Chart. "Boom Shack-A-Lak, Boomshackalak" was a hit in the United States. Production The album was produced in part by Mafia & Fluxy. "Armagideon Time" is a cover of the Willi Williams, Willie Williams song; "Born for a Purpose" was originally by Dr Alimantado. Frankie Paul, Sly and Robbie, and Tim Dog contributed to the album. Apache Indian chose to produce a sound more rooted in reggae than in bhangra. Critical reception ''Trouser Press'' wrote that "Apache uses a more folkloric bhangra sound with his dancehall and adds elements of roots reggae, jungle, hip-hop, R&B, rock steady and rock." ''The Independent'' called the album "a more diversely accessible set than his debut [that] finds Apache coming close to jungle on 'Who Say?'" ''The Times'' considered the album to be "fresh, strong and entirely credible ... Indian's gruff growl re ...
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Sly Dunbar
Lowell Fillmore "Sly" Dunbar (born 10 May 1952, Kingston, Jamaica) is a drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie. Biography Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album ''Double Barrel''. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones. Speaking on his influences, Sly explains “My mentor was the drummer for the Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from the Wailers Band, Winston Bennett, Paul Douglas, Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated." In 1972, Dunbar met and became friends with Robbie Shak ...
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Robert Dixon (musician)
Robert Dixon (March 11, 1961 – May 21, 2020), known as Bobby Digital, was a Jamaican reggae and dancehall record producer, producer. He was given his nickname "Bobby Digital" because King Jammy, with whom he worked in the mid-1980s, had begun experimenting with digital rhythms at around the same time. He owned the Digital B label, and among the artists with hits on the label are Shabba Ranks and Sizzla. He has influenced reggae artists such as Admiral Tibet. Biography Dixon was born on March 11, 1961, the third of five children in the Waterhouse district of Kingston, Jamaica, Kingston. He grew up attending dances in the 1970s, which featured Sound system (Jamaican), sound systems such as Socialist Roots and Tippertone. Dixon began working with King Jammy in Kingston in 1985.Campbell, Howard (2018)Wicked Times: VP Revisits the Legacy of Bobby Digital, ''Jamaica Observer'', 19 January 2018. Retrieved 27 January 2018 He struck out on his own in 1988, opening the Heatwave stud ...
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Bob Livingston (musician)
Bob Livingston (born Robert Lynn Livingston November 26, 1948) is an American singer-songwriter, guitarist, bass player, and a founding member of The Lost Gonzo Band. Livingston was a key figure in the ''Cosmic Cowboy'', progressive country and outlaw country movements that distinguished the Austin, Texas music scene in the 1970s. Over the years, Bob Livingston has gained a reputation as a band leader, solo artist, session musician and sideman in folk, Americana and country music. He has toured without stop for 47 years, and is one of the most experienced and world traveled musicians in all of Texas music. Livingston's CD, ''Gypsy Alibi'', released by New Wilderness Records in 2011, won the "Album of the Year" at the Texas Music Awards. In January 2016, Livingston was inducted into the ''Texas Music Legends Hall of Fame'' in 2016 and into the ''West Texas Music Walk of Fame'' in 2018''.'' Howlin' Dog Records released Livingston's latest CD, ''Up The Flatland Stairs'', January ...
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Jamaica
Jamaica (; ) is an island country situated in the Caribbean Sea. Spanning in area, it is the third-largest island of the Greater Antilles and the Caribbean (after Cuba and Hispaniola). Jamaica lies about south of Cuba, and west of Hispaniola (the island containing the countries of Haiti and the Dominican Republic); the British Overseas Territory of the Cayman Islands lies some to the north-west. Originally inhabited by the indigenous Taíno peoples, the island came under Spanish rule following the arrival of Christopher Columbus in 1494. Many of the indigenous people either were killed or died of diseases, after which the Spanish brought large numbers of African slaves to Jamaica as labourers. The island remained a possession of Spain until 1655, when England (later Great Britain) conquered it, renaming it ''Jamaica''. Under British colonial rule Jamaica became a leading sugar exporter, with a plantation economy dependent on the African slaves and later their des ...
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No Reservations (Apache Indian Album)
''No Reservations'' is the debut studio album by British-Asian musician Apache Indian, released in January 1993 by Island Records and their subsidiary Mango. The musician and singer recorded the album primarily in Jamaica's Tuff Gong studios with producers including Simon and Diamond, Bobby Digital, Phil Chill and Sly Dunbar. It follows, and includes, Apache Indian's 1990–91 singles – "Move Over India", "Chok There" and "Don Raja" – which saw him pioneer a fusion of Jamaican ragga and Indian bhangra later known as bhangramuffin. The album showcases Apache Indian's fusion of ragga and dancehall beats and basslines with bhangra and other forms of Indian music, such as filmi, with songs delivered in a fusion of English, Punjabi and Jamaican patois that the musician called "Indian patois". He sought to write about topics that were traditionally undiscussed in Asian communities, such as alcoholism, AIDS, the caste system and arranged marriages, and the controversial nature o ...
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Bhangramuffin
Bhangra () is a type of non-traditional music of Punjab originating in the Southall area of United Kingdom. It is a type of upbeat popular music associated with the Punjabi diaspora in Britain. The style has its origins in the folk music of Punjab as well as western pop music of the 1970s and 1980s. Prior to this musical fusion, Bhangra existed only as a dance form in the native Punjab. This British music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, Bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers. Origins The roots of modern bhangra music date back to the British Punjabi community in Britain during the 1960s. An early pop music and modern recording artist/group of this type of music in the United Kingdom was Bhujhangy Group, founded by Tarloch ...
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