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Antonio Peresinotti
Antonio Giovanni Battisto Peresinotti (Russian:Антонио Перезинотти; 1708, Bologna - 28 October 1778, Saint Petersburg) was an Italian-born Russian painter and academician who taught decorative art and perspective at the Imperial Academy of Arts. __NOTOC__ Biography He was apprenticed to the decorative painter, Girolamo Bon (c. 1700-1766). Bon and his new wife Rosa (a comic opera singer) went to Saint Petersburg in 1735, where he had been offered work as a scenic designer. In 1742, Bon invited two of his former students, Peresinotti and Giuseppe Valeriani to join him there. Peresinotti eventually advanced from being a theater painter to working for the Imperial court. He worked on several major projects; including murals at Anichkov Palace, several murals and designs for a new theater at the Winter Palace (1749-1765), and murals for the Catherine Palace (1753-1755), and the (1765-1769). While there, he also took several students. The engraver, worked with him fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Biographical Dictionary
The ''Russian Biographical Dictionary'' (RBD, russian: Русский биографический словарь) is a Russian-language biographical dictionary published by the Russian Historian Society edited by a collective with Alexander Polovtsov as the editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing .... The dictionary was published in 25 volumes from 1896 to 1918 and considered one of the most comprehensive Russian biographical sources for the 19th and early 20th century period. External links *Online version {{Authority control Russian biographical dictionaries 1896 non-fiction books Reference works in the public domain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Painters
Following is a list of Italian painters (in alphabetical order) who are notable for their art. A *Niccolò dell'Abbate (1509/12–1571) *Giuseppe Abbati (1836–1868) *Angiolo Achini (1850–1930) *Pietro Adami (c. 1730) *Livio Agresti (1508–1580) * Giorgio Matteo Aicardi (1891–1985) *Francesco Albani (1578–1660) *Giacomo Alberelli (1600–1650) *Mariotto Albertinelli (1474–1515) * Ambrogio Antonio Alciati (1878–1929) *Domenico Alfani (1479/1480–c. 1553) * Girolamo Alibrandi (1470–1524) *Silvio Allason (1845–1912) *Alessandro Allori (1535–1607) *Cristofano Allori (1577–1621) * Marco Almaviva (born 1934) *Altichiero (1330–1390) * Jaber Alwan (born 1948) *Jacopo Amigoni (1682–1752) *Giuseppe Amisani (1881–1941) *Andrea da Murano (active 1463–1502) *Andrea di Bartolo (1360/70–1428) *Fra Angelico (1387–1455) *Sofonisba Anguissola (1532–1625) *Pietro Annigoni (1910–1988) *Andrea Ansaldo (1584–1638) *Michelangelo Anselmi (c. 1492–c. 1554) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1778 Deaths
Events January–March * January 18 – Third voyage of James Cook: Captain James Cook, with ships HMS ''Resolution'' and HMS ''Discovery'', first views Oahu then Kauai in the Hawaiian Islands of the Pacific Ocean, which he names the ''Sandwich Islands''. * February 5 – **South Carolina becomes the first state to ratify the Articles of Confederation. ** **General John Cadwalader shoots and seriously wounds Major General Thomas Conway in a duel after a dispute between the two officers over Conway's continued criticism of General George Washington's leadership of the Continental Army.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p166 * February 6 – American Revolutionary War – In Paris, the Treaty of Alliance and the Treaty of Amity and Commerce are signed by the United States and France, signaling official French recognition of the new rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1708 Births
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brockhaus And Efron Encyclopedic Dictionary
The ''Brockhaus and Efron Encyclopaedic Dictionary'' (Russian: Энциклопедический словарь Брокгауза и Ефрона, abbr. ЭСБЕ, tr. ; 35 volumes, small; 86 volumes, large) is a comprehensive multi-volume encyclopaedia in Russian. It contains 121,240 articles, 7,800 images, and 235 maps. It was published in Imperial Russia in 1890–1907, as a joint venture of Leipzig and St Petersburg publishers. The articles were written by the prominent Russian scholars of the period, such as Dmitri Mendeleev and Vladimir Solovyov. Reprints have appeared following the dissolution of the Soviet Union. History In 1889, the owner of one of the St. Petersburg printing houses, Ilya Abramovich Efron, at the initiative of Semyon Afanasyevich Vengerov, entered into an agreement with the German publishing house F. A. Brockhaus for the translation into Russian of the large German encyclopaedic dictionary ( de) into Russian as , published by the same publishin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Grabar
Igor Emmanuilovich Grabar (russian: И́горь Эммануи́лович Граба́рь, 25 March 1871 in Budapest – 16 May 1960 in Moscow) was a Russian post-impressionism, post-impressionist painter, publisher, restorer and historian of art. Grabar, descendant of a wealthy Rusyns, Rusyn family, was trained as a painter by Ilya Repin in Saint Petersburg and by Anton Ažbe in Munich. He reached his peak in painting in 1903–1907 and was notable for a peculiar divisionism, divisionist painting technique bordering on pointillism and his rendition of snow. By the end of 1890s, Grabar had established himself as an art critic. In 1902, he joined Mir Iskusstva, although his relations with its leaders Sergei Diaghilev and Mstislav Dobuzhinsky were far from friendly. In 1910–1915, Grabar edited and published his ''opus magnum'', the ''History of Russian Art''. The ''History'' employed the finest artists and critics of the period; Grabar personally wrote the issues on archite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peterhof Palace
The Peterhof Palace ( rus, Петерго́ф, Petergóf, p=pʲɪtʲɪrˈɡof,) (an emulation of early modern Dutch language, Dutch "Pieterhof", meaning "Pieter's Court"), is a series of palaces and gardens located in Petergof, Saint Petersburg, Russia, commissioned by Peter the Great as a direct response to the Palace of Versailles by Louis XIV of France. Originally intending it in 1709 for country habitation, Peter the Great sought to expand the property as a result of his visit to the French royal court in 1717, inspiring the nickname of "The Russian Versailles". The architect between 1714 and 1728 was Domenico Trezzini, and the style he employed became the foundation for the Petrine Baroque style favored throughout Saint Petersburg. Also in 1714, Jean-Baptiste Alexandre Le Blond, likely chosen due to his previous collaborations with Versailles landscaper André Le Nôtre, designed the gardens. Francesco Bartolomeo Rastrelli completed an expansion from 1747 to 1756 for Eliza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fyodor Alekseyev
Fyodor Yakovlevich Alekseyev (Russian: Фёдор Яковлевич Алексеев; c.1753—1755, Saint Petersburg - 23 November 1824, Saint Petersburg) was a Russian painter. His contemporaries often called him the Russian Canaletto, in recognition of his masterful vedute. Biography He was the son of the caretaker at the Imperial Academy of Arts, where he was admitted in 1764 upon a petition by his father, after studying for several years at the garrison school. In 1767, he took a class in ornamental sculpture and later studied scenic painting with Antonio Peresinotti. From 1773 to 1777, he lived in Venice on a fellowship, where he studied to be a theater artist. This did not appeal to him, however, and he spent much of his time painting landscapes and copying the old masters. Having incurred the displeasure of the authorities at the Academy, when he returned he was put to work as a decorator for the Imperial Theatres until 1786 and was not allowed to continue his academ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Palace
The Catherine Palace (russian: Екатерининский дворец, ) is a Rococo palace in Tsarskoye Selo (Pushkin), 30 km south of St. Petersburg, Russia. It was the summer residence of the Russian tsars. The Palace is part of the World Heritage Site Saint Petersburg and Related Groups of Monuments. History Following the Great Northern War, Russia recovered the farm called Saari Mojs (a high place) or Sarskaya Myza, which resided on a hill 65 m in elevation. In 1710, Peter the Great gave the estate to his wife Catherine I, the village of which was initially called Sarskoye Selo, and then finally Tsarskoye Selo (Tsar's Village). In 1723, Catherine I's Stone Palace, designed by Johann Friedrich Braunstein and built by Johann Ferster, replaced the original wooden house. This was a two-storey sixteen-room building, with state chambers finished in polished alabaster, while the upper one included Gobelin tapestry. The southeast portion of the estate included a garden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winter Palace
The Winter Palace ( rus, Зимний дворец, Zimnij dvorets, p=ˈzʲimnʲɪj dvɐˈrʲɛts) is a palace in Saint Petersburg that served as the official residence of the Emperor of all the Russias, Russian Emperor from 1732 to 1917. The palace and its precincts now house the Hermitage Museum. Situated between Palace Embankment and Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917, as depicted in Soviet art and in Sergei Eisenstein's 1928 film ''October'', became an iconic symbol of the Russian Revolution. The emperors constructed their palaces on a monumental scale that aimed to reflect the might and power of Russian Empire, Imperial Russia. From the palace, the tsars ruled over (almost 1/6 of the Earth's landmass) and Russian Empire Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
