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Antoine Simonnin
Antoine Simonnin, full name Antoine-Jean-Baptiste Simonnin, (Paris, 11 January 1780 – Paris, 14 May 1856) was a 19th-century French writer and dramatist. Simonnin wrote, alone or in collaboration, more than 200 comédies en vaudeville, parodies or fantaisies. He also published a collection of ''Chansons sacrées et profanes'' (1856, in-18). Works (alphabetical order) * ''Arlequin au café du bosquet, ou la Belle limonadière'', vaudeville épisodique, in 1 act; * ''Augusta, ou Comme on corrige une jeune personne'', two-act comédie en vaudeville, Théâtre des jeunes élèves de M. Louis Comte, 5 December 1832; * ''Belz et Buth'', folie-vaudeville in 2 acts, with Hilpert, Théâtre du Panthéon, 21 August 1839; * ''Caroline de Litchfield'', drame-vaudeville in 2 acts and in prose, with Brazier and Carmouche Théâtre de la Porte Saint-Martin, 10 February 1827; * ''Catherine II, ou l'Impératrice et le cosaque'', play in 2 acts, extravaganza, mingled with couplets, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille D'Artois
Louis Charles Achille d'Artois de Bournonville (17 March 1791 - 2 December 1868) was a French writer, libretist and dramatist. Biography A very prolific librettist, his plays have been performed on the most important Parisian stages during his lifetime (Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Gaîté, Opéra-Comique, Odéon, Théâtre de la Renaissance...). Works * ''Les maris ont tort'', comédie en vaudevilles in 1 act, 1813 * ''Pauché ou la curiosité des femmes'', comédie anachréontique, in 1 act, mingled with vaudevilles, with Théaulon, 1814 * ''Le Roi et la Ligue'', opéra comique in 2 acts, with Théaulon, 1815 * ''Turenne, ou Un trait de modestie'', with F. de Bury, 1815 * ''Les visites'', tableau vaudeville in 1 act, with Armand d'Artois and Théaulon, 1815 * ''La Rosière de Hartwell'', comedie en vaudevilles on one act, with Armand d'Artois, 1816 * ''Les perroquets de la mère Philippe'', with Armand d'Artois and Emmanuel Théa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riquet With The Tuft
"Riquet with the Tuft" (french: Riquet à la Houppe), also known as "Ricky of the Tuft", is a French literary fairy tale first published by Catherine Bernard in 1696. The more famous version is that of Charles Perrault in his ''Histoires ou contes du temps passé'' in 1697. Name Three possible explanations of the name Riquet exist:''Charles Perrault, Contes'' (introduction, notices et notes de Catherine Magnien), Éditions Le Livre de Poche Classique * Perrault mischievously refers to the Riquetti family, whose name was Frenchified as Riquet. Pierre-Paul Riquet, protege of Jean-Baptiste Colbert, was the promoter of the Royal Canal in Languedoc. * Catherine Bernard, author of an earlier version which inspired Perrault, was from Normandy. Émile Littré Émile Maximilien Paul Littré (; 1 February 18012 June 1881) was a French lexicographer, freemason and philosopher, best known for his '' Dictionnaire de la langue française'', commonly called . Biography Littré was bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist, and also Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney but the success of his play ''Les Finacés'', in 1808, caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium, leaving military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, with Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. Managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a political, literary and moral newspaper from 15 September 1815 to 5 May 1816 and collaborated with ''La Foudre'' by Alphonse de Beauchamp. His plays were presented on some of the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Baron D'Allarde
Marie-François-Denis-Thérésa Le Roy Allarde better known as Francis baron d'Allarde (12 March 1778 – 4 October 1841) was a 19th-century French chansonnier and playwright. Biography The son of the politician , he was a journalist in the United-States (1794-1796) where he was responsible for a column devoted to good manners in a newspaper of Massachusetts. He graduated from University of Cambridge and returned to France in 1797 with the French legation. He began a career in theater with ''Arlequin aux Petites Maisons'', a play which was given at Théâtre des Troubadours . His plays, some of which achieved a great success, signed under many pseudonyms (Francis, M. Sapajou, baron d'Allarde...) were presented on the most important Parisian stages of the 19th century including the Théâtre des Variétés, the Théâtre de la Porte-Saint-Martin, and the Théâtre du Vaudeville. He is buried at Père Lachaise Cemetery (6th division). Works * ''Arlequin aux Petites Maisons' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphithéâtre Anglais
The Cirque Olympique in Paris, also known as the Cirque Franconi, was an equestrian theatre company, founded in 1782 by Philip Astley, the English inventor of the modern circus ring, and was initially known as the Cirque d'Astley or the Cirque Anglais. Amphithéâtre Anglais Astley's theatre, the Amphithéâtre Anglais or Amphithéâtre d'Astley, was the first purpose-built circus building in France. It was located on a large site in the rue du Faubourg du Temple and was a round theatre constructed in wood, with two seating levels and lit by 2,000 candles. The theatre was open four months out of the year and featured equestrian performances interspersed with juggling and other acts. Cirque Franconi Astley leased his Parisian circus to Antonio Franconi in 1793, during the French Revolution. Because of the small size of Astley's theatre, Franconi moved the circus to the enclosure of the former Convent of the Capucines, where he constructed stables and a new theatre.Wild 1989, pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Michel
Marc-Antoine-Amédée Michel, known as Marc-Michel (22 July 1812 in Marseille – 12 March 1868 in Paris) was a French poet, playwright and journalist. He is perhaps best known today for the 1851 farce he co-wrote with Eugène Marin Labiche, ''The Italian Straw Hat (play), The Italian Straw Hat'', since then adapted many times to stage and screen. Life He began his studies in Aix-en-Provence in 1821 at the collège Saint-Louis, run by the Jesuits. References External links *http://viaf.org/viaf/61566488 *http://data.bnf.fr/ark:/12148/cb12057064d {{authority control Writers from Marseille 1812 births 1868 deaths 19th-century French dramatists and playwrights 19th-century French journalists French male journalists 19th-century French poets 19th-century French male writers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Albitte
Gustave Albitte (30 April 1812 – 17 November 1898 ) was a 19th-century French playwright. He was the son of the conventional Jean-Louis Albitte le Jeune and a nephew of Antoine Louis Albitte l'Aîné. base généalogique Roglo Besides the plays he wrote in collaboration for the Parisian scenes, he also authored two novels in the style of the 1830s, where elegant young leading a "fashionable" life are experiencing a " Wertherian fever". In addition, Albitte, who also was a lawyer, published a ''Cours de législation gouvernementale''. Works *''Le Musicien de Valence'', comédie-vaudeville in 1 act, with Antoine Simonnin, Paris, Théâtre de la Gaîté, 13 July 1834 *''Le Septuagénaire, ou les Deux naissances'', four-act drama, with Merville, Paris, Théâtre de la Gaîté, 12 August 1834 *''Les Misères d'un timbalier'', vaudeville in 1 act, with Lubize, Paris, Théâtre du Palais-Royal, July 1836 *''Spectacle à la cour'', comédie-vaudeville in 2 acts, with Emmanuel Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul De Kock
Charles Paul de Kock (May 21, 1793 in Passy, Paris – April 27, 1871 in Paris) was a French novelist. Although one of the most popular writers of his day in terms of book sales, he acquired a literary reputation for low-brow output in poor taste. In 2021 Brad Bigelow wrote: "Today, if we set aside over-priced print on demand reprints of his ancient editions, the works of Paul de Kock haven't seen a new English edition (or translation) in at least a century." Biography His father, Jean Conrad de Kock, a banker of Dutch extraction, was guillotined in Paris 24 March 1794, a victim of the Reign of Terror. His mother, Anne-Marie Perret, née Kirsberger, was a widow from Basel. Paul de Kock began life as a banker's clerk. For the most part he resided on the Boulevard St. Martin in Paris, where he was born and lived out his life, rarely leaving the city. He began to write for the stage very early and composed many operatic libretti. His first novel, ''L'Enfant de ma femme'' (181 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Dupetit-Méré
Frédéric Dupetit-Méré (16 September 1785 extraite du fichier de l'état-civil reconstitué des archives numérisées de la Ville de Paris. – 4 July 1827), was a French and dramatist. Dupetit-Méré, alone and in collaboration with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dupeuty
Charles Désiré Dupeuty (6 February 1798 – 20 October 1865), was a 19th-century French librettist and playwright. Biography After he studied at the Lycée Impérial, he enrolled in the army during the Hundred Days then worked as an employee. He made his debut in the theatre in 1821, and in 1825 founded the opposition newspaper ''La nouveauté''. He is famous for being one of the founders of the Société des auteurs dramatiques of which he was vice-président for six years. Many of his plays were performed on the most important Parisians stages of the 19th century: Théâtre des Folies-Dramatiques, Théâtre du Vaudeville, Théâtre du Palais-Royal, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin, Théâtre des Variétés etc. Adolphe Dupeuty was his son. Works * ''La Fête au village'', 1821 * ''L'Arracheur de dents'', folie-parade in 1 act, mingled with couplets, with Villeneuve, 1822 * ''Fille et garçon, ou la Petite orpheline'', comédie en vaudev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
