Anthonio (song)
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Anthonio (song)
"Anthonio" is a song by Norwegian singer and songwriter Annie from the special edition of her second studio album, '' Don't Stop'' (2009). The song was written by Annie, Richard X and Hannah Robinson, and produced by Richard X. The track was released as a single on 4 May 2009 by Pleasure Masters, marking Annie's debut on the label. It was released digitally and in limited edition CD and 12" formats. Background Annie described the song as "the ultimate summer track" and revealed it was based on a real-life encounter with a man named Anthonio she met in Rio de Janeiro at Carnival. She said of the song, "I think every girl has met an Anthonio, or will do at some point at least! There's an Anthonio in every city and you're sure to meet him when you least expect it!" In the song, Annie describes a brief but passionate encounter between herself and the namesake of the song, Anthonio. Annie's character in the song never sees Anthonio again and is rebuffed by her attempts to contact him ...
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Annie (singer)
Anne Lilia Berge Strand (born 21 November 1977), known professionally as Annie, is a Norwegian singer, songwriter, record producer and DJ. She began her recording career in 1999 with the underground hit single "The Greatest Hit (song), The Greatest Hit" and gained international acclaim, particularly from music bloggers, for her debut album ''Anniemal'' (2004). After completing secondary school, Annie started DJing in Bergen, where she met house producer and soon-to-be boyfriend Tore Kroknes. In 1999, Annie and Kroknes released the single "The Greatest Hit", which sold out in two days and became popular in Norwegian and British nightclubs. Before Annie and Kroknes could release an album, Kroknes died from a congenital heart defect in 2001. Annie went on to sign a record deal with Britain's 679 Artists, 679 Recordings in 2003, releasing her debut album ''Anniemal'' in 2004, for which she received widespread critical acclaim and several Norwegian music awards. She released her seco ...
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Spin Media
Spin or spinning most often refers to: * Spinning (textiles), the creation of yarn or thread by twisting fibers together, traditionally by hand spinning * Spin, the rotation of an object around a central axis * Spin (propaganda), an intentionally biased portrayal of something Spin, spinning or spinnin may also refer to: Physics and mathematics * Spin, the rotation of an object around a central axis * Spin (physics) or particle spin, a fundamental property of elementary particles * Spin group, a particular double cover of the special orthogonal group SO(''n'') * Spin tensor, a tensor quantity for describing spinning motion in special relativity and general relativity * Spin (aerodynamics), autorotation of an aerodynamically stalled aeroplane * SPIN bibliographic database, an indexing and abstracting service focusing on physics research Textile arts * Spinning (polymers), a process for creating polymer fibres * Spinning (textiles), the creation of yarn or thread by twisting fibe ...
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Anniemal
''Anniemal'' is the debut album by Norwegian singer Annie. It was first released by 679 Recordings in September 2004. Annie began recording music in 1999 with her boyfriend, Tore Kroknes, who died in 2001. She returned to recording later that year, collaborating with Richard X, Röyksopp, and Timo Kaukolampi. The album combines Annie's thin, airy vocals with heavily layered beats. It is heavily influenced by 1980s dance-pop. Upon release, the album was successful in Norway. Blogs leaked tracks from ''Anniemal'' before it was released internationally, and publications from other countries soon praised the album for its blissful but melancholic sound. Before releasing the album internationally in 2005, Annie's record label 679 Recordings was not confident in the album's ability to achieve commercial success overseas, so it did not heavily promote ''Anniemal''. The album eventually sold over 100,000 copies worldwide. It yielded four singles: "Chewing Gum", " Heartbeat", "Happy Wi ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Music Critic
''The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at the ...
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Popjustice
Popjustice is a music website founded in 2000 by UK freelance music journalist Peter Robinson, who has worked for ''NME'', ''The Guardian'', ''Attitude'' and many others. It is composed of the work of editor Robinson, features editor Michael Cragg, and a host of contributors. The website seeks to celebrate commercial popular music and does this using humour, user interaction, and contacts within the music industry. Its writing style has been compared favourably by a number of critics to that of the now defunct ''Smash Hits'' magazine, in that it mixes a passion for pop music with a surreal and biting wit. The website was relaunched in January 2006 with more features, music downloads and online shop. In November 2006 Popjustice won a Record of the Day PR & Music Journalism Award in the Best Online Music Publication category, with another individual award going to Peter Robinson in the Breaking Music: Writer Of The Year category. Popjustice £20 Music Prize In 2003, Popjustice ...
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Undeliverable Mail
Dead letter mail or undeliverable mail is mail that cannot be delivered to the addressee or returned to the sender. This is usually due to lack of compliance with postal regulations, an incomplete address and return address, or the inability to forward the mail when both correspondents move before the letter can be delivered. Largely based on the British model that emerged in the late eighteenth century, many countries developed similar systems for processing undeliverable mail. The term 'dead mail' is perhaps a misnomer, and several jurisdictions have opted for the use of the term 'undeliverable mail' as more clearly representing the status of the item whose transmission has been impeded. As it is performed by internal departments within postal administrations, little information about the dead letter office function has ever been made public. A few journal articles and at least one recently published book (Canadian) dealing with this topic have appeared. Classification as a ...
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Beatport
Beatport is an American electronic music-oriented online music store owned by LiveStyle. The company is based in Denver, Los Angeles, and Berlin. Beatport is oriented primarily towards DJs, selling full songs as well as resources that can be used for remixes. Established in 2004, the service was acquired in 2013 by Robert F. X. Sillerman's company SFX Entertainment for a reported price of slightly over $50 million. In 2014, as part of an effort to widen its audience, Beatport expanded into original content oriented towards fans of electronic dance music, covering EDM news and culture, and offering on-demand music streaming from its catalog and live streaming events. SFX Entertainment filed for chapter 11 bankruptcy on February 1, 2016, and Beatport was subsequently put up for sale. However, in May 2016, SFX suspended its proposed auction of the company, and cut its streaming and original content operations in order to focus on its core music sales business. SFX has since emerged ...
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Fred Falke
Frédérick Falke () (born 7 January 1973), known professionally as Fred Falke, is a French house and dance music producer and DJ. Biography Falke started out as a bass player before moving to production work. His first record, a collaboration with Alan Braxe named ''Intro'', which sampled The Jets' 1987 hit " Crush on You", was released in 2000 on Vulture Music. The pair would form a very productive partnership releasing a handful of singles and later making remixes for Goldfrapp, Röyksopp, Kelis, Justice, and others. The partnership would last until 2008 when they went their separate ways. Falke has also collaborated with German producer and DJ Kris Menace, as well as releasing records on Menace's label Work It Baby. In addition, he has collaborated on various other productions with artists such as Savage, Miami Horror and Knightlife. By himself, Falke has written and worked with Ellie Goulding, Amelia Lily, Florrie, Will Young, Gossip, Theophilus London, Nervo and Ale ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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The Glitter Band
The Glitter Band are a glam rock band from England, who initially worked as Gary Glitter's backing band under that name from 1973, when they then began releasing records of their own. They were unofficially known as the Glittermen on the first four hit singles by Gary Glitter from 1972 to 1973. The Glitter Band had seven UK Top 20 hit singles in the mid-1970s, and three hit albums. Early career and commercial success When Gary Glitter's first single " Rock and Roll Parts 1 and 2" became a number 2 hit in the UK, his manager Mike Leander realised that he would need a backing band and contacted John Rossall who was then the musical director of the Boston Showband.Band biography on official fan club website
retrieved 2007-12-23
With a few changes in personnel, the Boston Showband became the
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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