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Antediluvian Rocking Horse
Antediluvian Rocking Horse (ARH), formed 1994 St. Kilda, Australia, is an audio project maintained by two core artists credited as DJ2 and DJ3. DJ2 is Paul Wain, a sculptor and graduate of the Victorian College of the Arts. DJ3 is Susan King, a collage artist, writer and anti-copyright advocate. The composer Ollie Olsen was also a member. The project produces music and soundscapes that are entirely recycled from other recorded works. Anti-copyright Copyright is an unambiguous focus for the project. Its work in multi-source soundscapes and ambient mashup is informed by appropriation and wilful detournement. Like The Evolution Control Committee, with whom the project has performed, Antediluvian Rocking Horse does not seek permission for use of samples. King addressed the eighth biennial Copyright Law & Practice Symposium on 7 November 1997 on the topic of fair dealing for copyrighted materials in art. In a lecture delivered to then Attorney-General of Australia, Daryl Williams, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Kilda, Victoria
St Kilda is an inner seaside suburb in Melbourne, Victoria (Australia), Victoria, Australia, 6 km (4 miles) south-east of Melbourne's Melbourne City Centre, Central Business District, located within the City of Port Phillip Local government areas of Victoria, local government area. St Kilda recorded a population of 19,490 at the 2021 Australian census, 2021 census. The Traditional Owners of St Kilda are the Yalukit, Yaluk-ut Weelam clan of the Boon wurrung, Boon Wurrung people of the Kulin nation, Kulin Nation. St Kilda was named by Charles La Trobe, then superintendent of the Port Phillip District, after a schooner, ''Lady of St Kilda'', which mooring (watercraft), moored at the main beach in early 1842. Later in the Victorian era, St Kilda became a favoured suburb of Melbourne's elite, and many palatial mansions and grand terraces were constructed along its hills and waterfront. After the turn of the century, the St Kilda foreshore became Melbourne's favoured playground, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illegal Art
Illegal Art is a sampling record label that was started in 1998. The label gained immediate notoriety from legal threats surrounding '' Deconstructing Beck'', a compilation made exclusively from sampling Beck's music. This was followed by two other theme-based compilations, ''Extracted Celluloid'' and ''Commercial Ad Hoc''. All three were co-released with Negativland's Seeland Records label and sponsored by RTMark. After these theme-based compilations, Illegal Art focused on artist releases. One of the most popular artists on the label is Girl Talk (Gregg Gillis), who in 2006 released his third album, ''Night Ripper'', to critical acclaim on the label, earning a ''Wired'' magazine Rave Award a year later. Illegal Art also released the '' Steinski Retrospective'', spanning his work from 1983 to 2006. It includes the legendary "Lessons", which have been described as "one of the most desirable and prized bootleg recordings in hip hop" (Antidote). It also contains a variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boredoms
Boredoms () (later known as V∞redoms) is a rock band from Osaka, Japan formed in 1986. The band's sound is often referred to as noise rock, or sometimes Japanoise (Japan’s noise music scene), though their more recent records have moved toward repetitive psychedelic rock, ambient soundscapes, and tribal drumming. The band has a vast and sometimes confusing discography. Many band members have rotated through the group over the years, often using a number of various stage names. Singer Yamantaka Eye is the closest the band has to a frontman; his style includes a range of baffling screams, babbling, electronic effects, and very heavy post-production. Drummer/keyboard player/vocalist Yoshimi P-We is featured on most Boredoms recordings. History Formation and early years Boredoms were formed in early 1986 by Yamantaka Eye, who at the time acted as front man for the infamous and highly controversial noise/performance art act Hanatarash, locally notorious for its extremely danger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damo Suzuki
, better known as Damo Suzuki (ダモ鈴木), is a Japanese musician who has been living in Germany since the early 1970s and is best known as the former lead singer of the krautrock group Can. Biography As a teenager, Suzuki spent the late 1960s wandering around Europe, often busking.Damo Suzuki and Jelly Planet website. Retrieved 6 January 2014. When left Can after recording their first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musician
''Electronic Musician'' is a monthly magazine published by Future US featuring articles on synthesizers, music production and electronic musicians. History and profile ''Electronic Musician'' began as ''Polyphony'' magazine in 1975, published by PAiA Electronics as a synthesizer hobbyist magazine. In 1976 it was spun off as a separate company, Polyphony Publishing Company. It was sold to Mix Publications in 1985. Mix Publications was bought by Act III Communications around 1989, which in the 1990s was bought by Primedia. Primedia's business magazines were spun off as Prism Business Media in 2005; Prism merged with Penton Media the next year. NewBay Media bought the magazine in 2011. ''EQ Magazine'' was merged into ''Electronic Musician'' in May 2011. Future acquired NewBay in 2018. The headquarters is in San Bruno, California San Bruno ( Spanish for " St. Bruno") is a city in San Mateo County, California, United States, incorporated in 1914. The population was 43,908 at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Debord
Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of ''Socialisme ou Barbarie''. Biography Early life Guy Debord was born in Paris in 1931. Debord's father, Martial, was a pharmacist who died when Debord was young. Debord's mother, Paulette Rossi, sent Guy to live with his grandmother in her family villa in Italy. During World War II, the Rossis left the villa and began to travel from town to town. As a result, Debord attended high school in Cannes, where he began his interest in film and vandalism. The family lived in Pau, Pyrénées-Atlantiques for a period where he attended Lycée Louis-Barthou. As a young man, Debord actively opposed the French war in Algeria and joined in demonstrations in Paris against it. Debord studied law at the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychogeography
Psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists. In 1955, Guy Debord defined psychogeography as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." One of the key tactics for exploring psychogeography is the loosely defined urban walking practice known as the ''dérive''. As a practice and theory, psychogeography has influenced a broad set of cultural actors, including artists, activists and academics. Development Psychogeography was originally developed by the Lettrist International 'around the summer of 1953'. Debord describes psychogeography as 'charmingly vag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psy-Geo-Conflux
Psy-Geo-Conflux (better known as Conflux) is an annual New York City festival dedicated to psychogeography, where visual, performance and sound artists, writers, urban adventurers, researchers and the public gather for four days to explore the physical and psychological landscape of the city. Founding Conflux was co-founded by David Mandl of the Brooklyn Psychogeographical Association and Glowlab's Christina Ray. The first Psy-Geo-Conflux event was held in May 2003 at ABC No Rio in New York. Psychogeographers from the U.S., Canada, UK, France and the Netherlands conducted experimental walks using computer code, decks of cards and other systems for navigation; a mobile-phone-guided drift through the streets of New York; a life-sized chess game using humans as pieces; several talks and presentations; a noise parade; an art exhibition; and a night of psychogeography-inspired live music, DJs, and video. Village Voice writer Bryan Zimmerman noted, "The event is centered around a sea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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