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Anna Reynolds (singer)
Anna Reynolds (5 June 193024 February 2014) was an English classical mezzo-soprano and contralto singer in opera and concert. Professional career Ann Reynolds was born in Canterbury. She first studied piano, then voice at the Royal Academy of Music. She continued her voice studies with Debora Fambri and Re Koster in Rome, where she adopted Anna as her stage name. Jean Cox, an American-born tenor best known for his Wagner performances, was her husband. Reynolds made her operatic debut in 1960 in Parma as Suzuki in Puccini's ''Madama Butterfly''. Her debut in England was in 1962 as Geneviève in Debussy's '' Pelléas et Mélisande'' at Glyndebourne, and she also sang there the roles of Ortensia (''La pietra del paragone'', 1964) and Annina (''Der Rosenkavalier'', 1965). In 1963 she performed the part of the Angel in Edward Elgar's ''The Dream of Gerontius'' in London, conducted by Sir John Barbirolli. Her first appearance at Covent Garden in London was in 1967, Adelaide in Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canterbury
Canterbury (, ) is a City status in the United Kingdom, cathedral city and UNESCO World Heritage Site, situated in the heart of the City of Canterbury local government district of Kent, England. It lies on the River Stour, Kent, River Stour. The Archbishop of Canterbury is the primate (bishop), primate of the Church of England and the worldwide Anglican Communion owing to the importance of Augustine of Canterbury, St Augustine, who served as the apostle to the Anglo-Saxon paganism, pagan Kingdom of Kent around the turn of the 7th century. The city's Canterbury Cathedral, cathedral became a major focus of Christian pilgrimage, pilgrimage following the 1170 Martyr of the Faith, martyrdom of Thomas Becket, although it had already been a well-trodden pilgrim destination since the murder of Ælfheah of Canterbury, St Alphege by the men of cnut, King Canute in 1012. A journey of pilgrims to Becket's shrine served as the narrative frame, frame for Geoffrey Chaucer's 14th-century Wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Priam
''King Priam'' is an opera by Michael Tippett, to his own libretto. The story is based on Homer's ''Iliad'', except the birth and childhood of Paris, which are taken from the ''Fabulae'' of Hyginus. The premiere was on 29 May 1962, at Coventry. The opera was composed for an arts festival held in conjunction with the reconsecration of the rebuilt Coventry Cathedral, for which Benjamin Britten also wrote his ''War Requiem'', which was first performed in the Cathedral the day after the premiere of ''King Priam''. The first Covent Garden performance was on 5 June, conducted by John Pritchard. It was premiered in Germany at the Badisches Staatstheater in 1963 (in a translation by Walter Bergmann), in Greece at the 1985 Athens Festival, in France at the Opéra de Nancy et de Lorraine in 1988, in Italy at Batignano in 1990, and in the United States San Francisco Opera Center Showcase in 1994. In 2014 the work was revived by English Touring Opera, with a reduced orchestration by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAS-Kammerchor
The RIAS Kammerchor (RIAS Chamber Choir) is a German choir based in Berlin, Germany. It receives support from the Rundfunk Orchester und Chöre GmbH Berlin ("Berlin Radio Orchestra and Choirs"), a limited-liability company owned by the public broadcasters Deutschlandradio (40%) and RBB (5%), the German Federal Republic (35%), and the State of Berlin (20%). History Founded in 1948, the choir was originally known as the ''Rundfunkchor des RIAS'', after the US-run German-language radio station Rundfunk im amerikanischen Sektor ("Broadcasting in the American Sector"), or RIAS. Early in its history, between 1948 and 1952, the choir recorded works by Bach with Karl Ristenpart, 68 cantatas, the ''Christmas Oratorio'', and the ''St John Passion''. The choir first performed on 15 October 1948, and its first chief conductor was Herbert Froitzheim. Whilst founded as a regional radio station choir, the RIAS Kammerchor quickly established for itself a national and international reputation. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorin Maazel
Lorin Varencove Maazel (, March 6, 1930 – July 13, 2014) was an American conductor, violinist and composer. He began conducting at the age of eight and by 1953 had decided to pursue a career in music. He had established a reputation in the concert halls of Europe by 1960 but, by comparison, his career in the U.S. progressed far more slowly. He served as music director of The Cleveland Orchestra, Orchestre National de France, Pittsburgh Symphony Orchestra, Bavarian Radio Symphony Orchestra, and the New York Philharmonic, among other posts. Maazel was well-regarded in baton technique and possessed a photographic memory for scores. Described as mercurial and forbidding in rehearsal, he mellowed in old age. Early life Maazel was born to American parents of Ukrainian Jewish origin in Neuilly-sur-Seine, France. His grandfather Isaac Maazel (1873-1925), born in Poltava, Ukraine, then in the Russian Empire, was a violinist in the Metropolitan Opera orchestra. He and his wife Est ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Scherchen
Hermann Scherchen (21 June 1891 – 12 June 1966) was a German conductor. Life Scherchen was born in Berlin. Originally a violist, he played among the violas of the Bluthner Orchestra of Berlin while still in his teens. He conducted in Riga from 1914 to 1916 and in Königsberg from 1928 to 1933, after which he left Germany in protest of the new Nazi regime and worked in Switzerland. Along with the philanthropist Werner Reinhart, Scherchen played a leading role in shaping the musical life of Winterthur for many years, with numerous premiere performances, the emphasis being placed on contemporary music. From 1922 to 1950, he was the principal conductor of the city orchestra of Winterthur (today known as Orchester Musikkollegium Winterthur). Making his debut with Arnold Schoenberg's ''Pierrot Lunaire'', he was a champion of 20th-century composers such as Richard Strauss, Anton Webern, Alban Berg and Edgard Varèse, and actively promoted the work of younger contemporary composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottes Zeit Ist Die Allerbeste Zeit, BWV 106
(God's time is the very best time), , also known as ''Actus tragicus'', is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from the Old Testament and four from the New Testament, combined with funeral hymns, of which two are sung and one is quoted instrumentally, and some additions by an anonymous author. Bach scored the work for four vocal parts and a small ensemble of Baroque instruments, two recorders, two violas da gamba and continuo. The work is opened by an instrumental Sonatina, followed by through-composed sections which have been assigned to four movements. The structure is symmetrical around a turning point, when the lower voi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Bach)
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ('' laudes'') related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Von Karajan
Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during the Second World War he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records. Biography Early life Genealogy The Karajans were of Greek ancestry. Herbert's great-great-grandfather, Georg Karajan (Geórgios Karajánnis, el, Γεώργιος Καραγιάννης, lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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