Anna Maria Klemming
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Anna Maria Klemming
Anna Maria Klemming (1864–1889) was a Swedish operatic soprano who made her debut in April 1887 at the Royal Swedish Opera as Mathilde in Rossini's '' William Tell''. Over the next two years, thanks to her clear, high-reaching voice and her attractive Nordic looks, she performed the leading soprano roles in the company's repertoire. She was particularly successful in 1888 as Julia in Gounod's '' Roméo et Juliette''. Her successful career was short, ending abruptly with her untimely death in August 1889. Early life and education Born in Solna on 6 February 1864, Anna Maria Klemming was the daughter of the tinsmith Vilhelm Klemming and his wife Elisabet née Burman. She studied at the Stockholm Conservatory under Hjalmar Håkansson (1882–85) and later in Copenhagen under Fritz Arlberg (1885–87). Career Klemming's first public appearance was at a concert in Malmö in 1886 while still a student in Denmark. Press reports commented on her simple yet excellent tone and her educ ...
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Solna
Solna Municipality ( sv, Solna kommun or , ) is a municipality in Stockholm County in Sweden, located just north of Stockholm City Centre. Its seat is located in the town of Solna, which is a part of the Stockholm urban area. Solna is one of the richest municipalities in Sweden. The municipality is a part of Metropolitan Stockholm. None of the area is considered rural, which is unusual for Swedish municipalities, which normally are of mixed rural/urban character. Solna is the third smallest municipality in Sweden in terms of area. Solna borders Stockholm Municipality to the south, southeast and northwest; to Sundbyberg Municipality to the west; to Sollentuna Municipality to the north; and to Danderyd Municipality to the northeast. The boundary with Danderyd Municipality is delineated by the Stocksundet strait. There are two parishes in Solna Municipality: Råsunda (population 29,677) and Solna (population 28,317). Solna Parish once included parts of present-day City of Stock ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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Actresses From Stockholm
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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1889 Deaths
Events January–March * January 1 ** The total solar eclipse of January 1, 1889 is seen over parts of California and Nevada. ** Paiute spiritual leader Wovoka experiences a vision, leading to the start of the Ghost Dance movement in the Dakotas. * January 4 – An Act to Regulate Appointments in the Marine Hospital Service of the United States is signed by President Grover Cleveland. It establishes a Commissioned Corps of officers, as a predecessor to the modern-day U.S. Public Health Service Commissioned Corps. * January 5 – Preston North End F.C. is declared the winner of the The Football League 1888–89, inaugural Football League in England. * January 8 – Herman Hollerith receives a patent for his electric tabulating machine in the United States. * January 15 – The Coca-Cola Company is originally Incorporation (business), incorporated as the Pemberton Medicine Company in Atlanta, Georgia (U.S. state), Georgia. * January 22 – Columbia Phonograph is formed in Wa ...
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1864 Births
Events January–March * January 13 – American songwriter Stephen Foster ("Oh! Susanna", "Old Folks at Home") dies aged 37 in New York City, leaving a scrap of paper reading "Dear friends and gentle hearts". His parlor song " Beautiful Dreamer" is published in March. * January 16 – Denmark rejects an Austrian-Prussian ultimatum to repeal the Danish Constitution, which says that Schleswig-Holstein is part of Denmark. * January 21 – New Zealand Wars: The Tauranga campaign begins. * February – John Wisden publishes '' The Cricketer's Almanack for the year 1864'' in England; it will go on to become the major annual cricket reference publication. * February 1 – Danish-Prussian War (Second Schleswig War): 57,000 Austrian and Prussian troops cross the Eider River into Denmark. * February 15 – Heineken brewery founded in Netherlands. * February 17 – American Civil War: The tiny Confederate hand-propelled submarine ''H. L. Hunl ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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Ivar Hallström
Ivar Christian Hallström, born Stockholm, 5 June 1826, died in that city on 11 April 1901 was a Swedish composer, particularly of opera.Wiklund A. Ivar Christian Hallström. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life Although he learnt the piano, Hallström was self-taught as a composer. He studied law in Uppsala and in 1853 was appointed librarian to Prince Oscar which assisted him in advancing his career as a composer. His operas in collaboration with the librettist Frans Hedberg launched his operatic career, where he was particularly able to use Swedish folk tunes effectively. Hallström introduced a flavour of Gallic wit into his light operas, many of them based on French libretti. Fourteen operatic works survive. He was one of the founding members of Sällskapet Idun, a men's association founded in Stockholm in 1862. After many years neglect, Hallström’s operas were revived, in Umeå in 1986 with ''Bergtagna'', seen also at t ...
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Un Giorno Di Regno
''Un giorno di regno, ossia Il finto Stanislao'' (''A One-Day Reign, or The Pretend Stanislaus'', but often translated into English as ''King for a Day'') is an operatic '' melodramma giocoso'' in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert GyrowetzGossett, p. 37: Gossett goes on to note that "for many Italian librettists of the time, French operatic texts were a rich vein to be mined." (Although ''Le faux Stanislas'' was a verse drama, not an operatic libretto.)Budden, p. 73 the libretto was based on the play ''Le faux Stanislas'' written by the Frenchman Alexandre-Vincent Pineux Duval in 1808. ''Un giorno'' was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840. After the success of his first opera, '' Oberto'' in 1839, Verdi received a commission from La Scala impresario Merelli to write three more operas. ''Un giorno'' was first of the three, but he wro ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Mathilda Grabow
Mathilda Grabow (23 May 1852 – 29 May 1940), was a Swedish opera singer (soprano). She was a court singer ( Hovsångare) (1886) and a member of the Royal Swedish Academy of Music (1895) and was given Litteris et Artibus (1895). She was a student of Fredrika Stenhammar and Viardot and active at the Royal Swedish Opera in Stockholm in 1870–71 and 1877–86, and at the Opera Palais Garnier in Paris in 1872–76. She was described as a very versatile artist and considered one of the greatest stars within Swedish opera in the late 19th century. She retired in 1886 and was thereafter only active as a concert singer, except in 1891, when she performed in the last performance in the old building of the Stockholm opera, before the Royal Swedish Opera was moved to a new building. She married the captain count Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobi ...
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