Anna Bonitatibus
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Anna Bonitatibus
Anna Bonitatibus (born in Potenza in the Basilicata region) is an Italian mezzo-soprano. Career Bonitatibus debuted at La Scala in 1999. She has appeared in many bel canto operas and recordings. She has recorded several times under the direction of Alan Curtis; duets by Alessandro Scarlatti with Patrizia Ciofi, an album of Haydn arias ''L'infedeltà costante'', and Handel operas: Elisa in ''Tolomeo'', Irene in ''Tamerlano ''Tamerlano'' (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostin Piovene's ''Tamerlano'' together with another libretto entitled ''Bajazet'' aft ...'' and the castrato role of Ulysses in '' Deidamia''. Bonitatibus won the International Opera Awards 2015, for the category CD (Operatic Recital) with the album ''Semiramide – La Signora regale'', DHM. References External links * People from Potenza Italian mezzo-sopranos Italian opera singers Livin ...
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Potenza
Potenza (, also , ; , Potentino dialect: ''Putenz'') is a ''comune'' in the Southern Italian region of Basilicata (former Lucania). Capital of the Province of Potenza and the Basilicata region, the city is the highest regional capital and one of the highest provincial capitals in Italy, overlooking the valley of the Basento river in the Apennine Mountains of Lucania, east of Salerno. Its territory is bounded by the comuni of Anzi, Avigliano, Brindisi Montagna, Picerno, Pietragalla, Pignola, Ruoti, Tito and Vaglio Basilicata. History of Potenza Ancient times The first settlement of Potentia (Potenza's original Latin name) was probably located at a lower elevation than at present, some south of today's Potenza. The Lucanians of Potentia sided against Rome's enemies during the latter's wars against the Samnites and the Bruttii. Subjugated during the 4th century BC (later gaining the status of ''municipium''), the Potentini rebelled after the Roman defeat at Cannae ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Italian Opera Singers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Culture of Italy, Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also

* * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) {{Disambiguation Language and nationality disambiguation pages ...
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Italian Mezzo-sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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People From Potenza
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Deidamia (opera)
''Deidamia'' ( HWV 42) is an opera in three acts composed by George Frideric Handel to an Italian libretto by Paolo Antonio Rolli. It premiered on 10 January 1741 at Lincoln's Inn Fields Theatre, London. Performance history A ballad opera on the same story by John Gay had been performed in London in 1733, under the title ''Achilles.'' Handel's opera, a co-production with the Earl of Holderness, was first performed on 10 January 1741 at London's Lincoln's Inn Fields Theatre, but received only two more performances at a time when the public was becoming tired of Italian opera. The work was Handel's last Italian opera, and he subsequently turned his attention to composing oratorios. The opera was revived in the 1950s and it receives staged performances today, e.g. the 2012 staging by David Alden for Netherlands Opera.Loomis, George (27 March 2012)"Twists and Turns on the Achilles Myth in Handel's 'Deidamia'" ''The New York Times''. Retrieved 24 October 2014. Roles Synopsis Th ...
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Tamerlano
''Tamerlano'' (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostin Piovene's ''Tamerlano'' together with another libretto entitled ''Bajazet'' after Nicolas Pradon's ''Tamerlan, ou La Mort de Bajazet''. The opera was staged by the Royal Academy of Music in the King's Theatre at the Haymarket, London. History and context The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera ''Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to prod ...
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Tolomeo
''Tolomeo, re d'Egitto'' ("Ptolemy, King of Egypt", HWV 25) is an opera seria in three acts by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Carlo Sigismondo Capece's ''Tolomeo et Alessandro''. It was Handel's 13th (or 14th if the one act Handel contributed to the collaborative opera ''Muzio Scevola'' is counted) and last opera for the Royal Academy of Music (1719) and was also the last of the operas he composed for the triumvirate of internationally renowned singers, the castrato Senesino and the sopranos Francesca Cuzzoni and Faustina Bordoni. The story of the opera is a fictionalisation of some events in the life of Ptolemy IX Lathyros, king of Egypt. An aria from the opera,'' Non lo dirò col labbro'', was adapted by Arthur Somervell (1863–1937) as the popular English-language classic " Silent Worship" in 1928. Performance history ''Tolomeo'' was first performed at the King's Theatre, London on 30 April 1728 and received seven perform ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Basilicata
it, Lucano (man) it, Lucana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-77 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €12.6 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €22,200 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.853 · 17th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITF , web ...
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Patrizia Ciofi
Patrizia Ciofi (born 7 June 1967) is an Italian operatic coloratura soprano. Career Born in Casole d'Elsa, Ciofi studied at the Istituto Musicale Pietro Mascagni in Livorno. She subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett. She made her debut in Gino Negri's ''Giovanni Sebastiano'' at the Teatro Comunale, Florence in 1989. She began her collaboration with the Festival della Valle d'Itria, featuring in ''La sonnambula'' (1994), Cherubini's ''Médée'' (1995), Piccinni's '' L'americano'' (1996), French version of ''Lucia di Lammermoor'' (1997), Giordano's '' Mese mariano'' and ''Il re'' (1998), Traetta's ''Ippolito ed Aricia'' (1999), Rossini's ''Otello'' and Meyerbeer's ''Robert le diable'' (2000). She made her La Scala debut in 1997 with ''La traviata'', conducted by Riccardo Muti, and returned for ''L'elisir d'amore'' in 1998 and 2001. She has sung in most of the major Italian opera houses as well ...
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Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ...
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