Animal Painter
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Animal Painter
An animal painter is an artist who specialises in (or is known for their skill in) the portrayal of animals. The ''OED'' dates the first express use of the term "animal painter" to the mid-18th century: by English physician, naturalist and writer John Berkenhout (1726-1791). From the early 20th century, ''wildlife artist'' became a more usual term for contemporary animal painters. History Especially in the 17th century, animal painters would often collaborate with other artists, who would either paint the main subject in a historical or mythological piece, or the landscape background in a decorative one. Frans Snyders, a founder of the Baroque animal painting tradition, often provided the animals, and also still lifes of food, for Peter Paul Rubens; a different landscape specialist might provide the background. The paintings by Snyders and his workshop alone typically lack humans, except in kitchen scenes, and usually show a number of animals of different species (or breeds o ...
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Whistlejacket By George Stubbs Edit
''Whistlejacket'' is an oil on canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the horse's appearance. It has been described in ''The Independent'' as "a paradigm of the flawless beauty of an Arabian thoroughbred". The Fitzwilliam family, heirs of the childless Rockingham, retained the painting until 1997 when funding from the Heritage Lottery Fund allowed the National Gallery, London to acquire it for £11 million. Stubbs was a specialist equine artist who in 1762 was invited by Rockingham to spend "some months" at Wentworth Woodhouse in Yorkshire, his main country house. Stubbs had painted many horse portraits, with and without human figures, but the heroic scale and lack of background of ''Whistlejacket'' are " ...
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Jonathan Jones (journalist)
Jonathan Jones is a British art critic who has written for ''The Guardian ''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Gu ...'' since 1999. He has appeared in the BBC television series ''Private Life of a Masterpiece'' and in 2009 was a judge for the Turner Prize. He has also been a judge for the BP Portrait Award. Early life Jones was born in Wales, and brought up in North Wales. Both his parents were school teachers and the family visited Italy in the summer holidays which kindled his interest in art. He studied history at the University of Cambridge and, at one time, wanted to be a professional historian. Jones developed an interest in modern art while living in the United States, where his wife was an academic at Brown University. On his return to the United Kingdom he wrote f ...
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Jan Brueghel The Elder
Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century. Brueghel worked in many genres including history paintings, flower still lifes, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld. He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century.Kolb, 2005, p. 1 He further created genre paintings that were imitations, pastiches and reworkings of his father's works, in particular his father's genre scenes and landscapes with peasants. Brueghel represen ...
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Francis Barlow (artist)
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator. He ranks among the most prolific book-illustrators and printmakers of the 17th century, working across several genres: natural history, hunting and recreation, politics, and decoration and design. Barlow is known as "the father of British sporting painting"; he was Britain's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs. He was furthermore a pioneer in the history of comics by creating ''A True Narrative of the Horrid Hellish Popish Plot'' (c. 1682), a picture story about the life of Titus Oates and the Popish Plot, which is told in a series of illustrated sequences where the story is written underneath them and the characters depicted on those images use speech balloons to talk. While it is not the first example of its kind in history, it is one of the oldest which is signed. Life Barlow was born c. 1626 in Lincolns ...
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Wildlife Conservation
Wildlife conservation refers to the practice of protecting wild species and their habitats in order to maintain healthy wildlife species or populations and to restore, protect or enhance natural ecosystems. Major threats to wildlife include habitat destruction, degradation, fragmentation, overexploitation, poaching, pollution and climate change. The IUCN estimates that 27,000 species of the ones assessed are at risk for extinction. Expanding to all existing species, a 2019 UN report on biodiversity put this estimate even higher at a million species. It is also being acknowledged that an increasing number of ecosystems on Earth containing endangered species are disappearing. To address these issues, there have been both national and international governmental efforts to preserve Earth's wildlife. Prominent conservation agreements include the 1973 Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and the 1992 Convention on Biological Diversity (C ...
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Christopher Fratin
Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Early life Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. Work He exhibited at the Paris Salon from 1831 to 1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (''pictured'') showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality they are. Fratin received monumental commissions in France and elsewhere, including the ''Deux Aigles Gardant Leur Proie'' (''E ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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Antoine-Louis Barye
Antoine-Louis Barye (24 September 179525 June 1875) was a Romantic French sculptor most famous for his work as an ''animalier'', a sculptor of animals. His son and student was the known sculptor Alfred Barye. Biography Born in Paris, France, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. He first worked under his father Pierre, and around 1810 worked under the sculptor Martin-Guillaume Biennais, who was a goldsmith to Napoleon. After studying under sculptor Francois-Joseph Bosio in 1816, and painter Baron Antoine-Jean Gros, he was in 1818 admitted to the École des Beaux-Arts. But it was not until 1823, while working for the goldsmith Emile Fauconnier that he discovered his true predilection from watching the animals in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modeling them in sculpture on a large or small scale. In 1819 while he was studying at the École des Beaux- ...
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Animalier
An animalier (, ) is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. "Animal painter" is the more general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters. ''Animalier'' as a collective plural noun, or ''animalier bronzes'', is also a term in antiques for small-scale sculptures of animals, of which large numbers were produced, often mass-produced, primarily in 19th-century France and to a lesser extent elsewhere in continental Europe. Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th-century Paris with the works of Antoine-Louis Barye (1795–1875), for whom the term was coined, derisively, by critics in 1831, and of Émile-Coriolan Guillemin. By the mid-century, a taste for animal subjects was very widespread among all sections of the middle classes. Promi ...
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Antiques
An antique ( la, antiquus; 'old', 'ancient') is an item perceived as having value because of its aesthetic or historical significance, and often defined as at least 100 years old (or some other limit), although the term is often used loosely to describe any object that is old. An antique is usually an item that is collected or desirable because of its age, beauty, rarity, condition, utility, personal emotional connection, and/or other unique features. It is an object that represents a previous era or time period in human history. Vintage and collectible are used to describe items that are old, but do not meet the 100-year criterion. Antiques are usually objects of the decorative arts that show some degree of craftsmanship, collectability, or an attention to design, such as a desk or an early automobile. They are bought at antiques shops, estate sales, auction houses, online auctions, and other venues, or estate inherited. Antiques dealers often belong to national trade assoc ...
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Animalier
An animalier (, ) is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. "Animal painter" is the more general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters. ''Animalier'' as a collective plural noun, or ''animalier bronzes'', is also a term in antiques for small-scale sculptures of animals, of which large numbers were produced, often mass-produced, primarily in 19th-century France and to a lesser extent elsewhere in continental Europe. Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th-century Paris with the works of Antoine-Louis Barye (1795–1875), for whom the term was coined, derisively, by critics in 1831, and of Émile-Coriolan Guillemin. By the mid-century, a taste for animal subjects was very widespread among all sections of the middle classes. Promi ...
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