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Angerstein Collection
The Angerstein Collection comprises 38 paintings that were bought by the British government from the collection of John Julius Angerstein after his death in 1823. They became the first works held by the National Gallery, London, on its foundation in 1824, including the works now catalogued in its collection as NG1, NG2 and NG3, and others up to NG122. They were initially displayed at Angerstein's townhouse at 100 Pall Mall. Other early works acquired by the National Gallery include 16 paintings donated by Sir George Beaumont in 1826, and a bequest of 35 paintings by the Reverend William Holwell Carr by 1831. The collection includes many Old Masters, including five by Claude Lorrain, four attributed to Annibale Carracci or his cousin Ludovico Carracci or their circle, three by Anthony van Dyck, three after Correggio, two by Titian or his workshop, two by Rembrandt or his workshop, two by Gaspard Dughet, and two by Peter Paul Rubens, as well as single paintings by Aelbert Cuyp, Dam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of The United Kingdom
ga, Rialtas a Shoilse gd, Riaghaltas a Mhòrachd , image = HM Government logo.svg , image_size = 220px , image2 = Royal Coat of Arms of the United Kingdom (HM Government).svg , image_size2 = 180px , caption = Royal coat of arms of the United Kingdom, Royal Arms , date_established = , state = United Kingdom , address = 10 Downing Street, London , leader_title = Prime Minister of the United Kingdom, Prime Minister (Rishi Sunak) , appointed = Monarchy of the United Kingdom, Monarch of the United Kingdom (Charles III) , budget = 882 billion , main_organ = Cabinet of the United Kingdom , ministries = 23 Departments of the Government of the United Kingdom#Ministerial departments, ministerial departments, 20 Departments of the Government of the United Kingdom#Non-ministerial departments, non-ministerial departments , responsible = Parliament of the United Kingdom , url = The Government of the United Kingdom (commonly referred to as British Governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damiano Mazza (artist)
Damiano Mazza (active 1573–1590) was an Italian Renaissance artist. He lived in the Venetian city of Padua, 40 km west of Venice. It is known that he studied under Titian. Mazza's best-known painting is '' The Rape of Ganymede'' in the National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ..., London, which originally adorned the ceiling of a lawyer's house in Padua. He also painted an icon of the Madonna for the Santuario della Beata Vergine della Porta in Guastalla. Further reading * References 16th-century Italian painters Italian male painters Italian Renaissance painters Painters from Padua Year of death unknown Year of birth unknown {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procris
In Greek mythology, Procris ( grc, Πρόκρις, ''gen''.: Πρόκριδος) was an Athenian princess as the third daughter of Erechtheus, king of Athens and his wife, Praxithea, daughter of Phrasimus and Diogeneia. Homer mentions her in the ''Odyssey'' as one of the many dead spirits Odysseus saw in the Underworld, and Sophocles wrote a tragedy called ''Procris'' which has been lost, as has a version contained in the Greek Cycle, but at least six different accounts of her story still exist. Family Procris's sisters were Creusa, Oreithyia, Chthonia, Protogeneia, Pandora and Merope while her brothers were Cecrops, Pandorus, Metion, and possibly Orneus, Thespius, Eupalamus and Sicyon. She married Cephalus, the son of King Deioneus of Phocis. Mythology Pherecydes The earliest version of Procris' story comes from Pherecydes of Athens. Cephalus remains away from home for eight years because he wanted to test Procris. When he returns, he succeeds in seducing her whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cephalus Of Phocis
In Greek mythology, Cephalus (; Ancient Greek: Κέφαλος ''Kephalos'') is a Aeolian prince, the son of Deion/ Deioneos, ruler of Phocis, and Diomede, and grandson of Aeolus. Apollodorus1.9.4/ref> He was one of the lovers of the dawn goddess Eos. Etymology The word ''kephalos'' is Greek for "head", perhaps used here because Cephalus was the founding "head" of a great family that includes Odysseus. It could be that Cephalus means the head of the Sun who kills (evaporates) Procris (dew) with his unerring ray or 'javelin'. Sumptuous sacrifices for Cephalus and for Procris are required in the inscribed sacred calendar of Thorikos in southern Attica, dating perhaps to the 430s BCE and published from the stone in 1983. Family Cephalus was the brother of Aenetus, Phylacus, Actor and Asterodia. By Procris or Procne, he was the father of Arcesius or Archius and by Clymene, daughter of Minyas, of Iphiclus and Alcimede. In some accounts, he was called the father of Oia, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape With Cephalus And Procris Reunited By Diana
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the dynam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Raising Of Lazarus (Sebastiano Del Piombo)
''The Raising of Lazarus'' is a large altarpiece of 1517–1519 by the Italian High Renaissance artist Sebastiano del Piombo, for which Michelangelo supplied drawings for some figures. Intended for Narbonne Cathedral in France, it is now normally in Room 18 of the National Gallery in London, where it is "NG1", the first painting catalogued at the founding of the gallery in 1824. It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", or "cat's paw", in a rivalry between the two and Raphael, whose '' Transfiguration'' (now in the Vatican Pinacoteca) is the same size of 381 cm × 299 cm (150 in × 118 in) and was commissioned for the same cathedral. The verdict of Roman critical opinion was that Raphael's painting won. According to Michael Levey, the painting is "a tour de force of massed, gesticulat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo, The Raising Of Lazarus
Sebastiano is both a masculine Italian given name and a surname. Notable people with the name include: * Sebastiano Antonio Tanara (1650–1724), Italian cardinal * Sebastiano Baggio (1913–1993), Italian clergyman * Sebastiano Bianchi (16th century), Italian engraver * Sebastiano Bombelli (1635–1724), Italian painter * Sebastiano Brunetti (died 1649), Italian painter * Sebastiano Carezo (fl. 1780), Spanish dancer (''Sebastián Cerezo'') * Sebastiano Conca (c. 1680 – 1764), Italian painter * Sebastiano Dolci (1699–1777), Croatian writer * Sebastiano Esposito (born 2002), Italian footballer * Sebastiano Filippi (c. 1536 – 1602), Italian late Renaissance-Mannerist painter * Sebastiano Galeotti (1656–1746), Italian painter * Sebastiano Ghezzi (1580–1645), Italian painter and architect * Sebastiano Guala (17th century), Italian church architect * Sebastiano Martinelli (1848–1918), Cardinal of the Roman Catholic Church * Sebastiano Mazzoni (c. 1611 – 1678), Italian painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wilkie (artist)
Sir David Wilkie (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV of the United Kingdom, William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably ''Chelsea Pensioners reading the Waterloo Dispatch (painting), The Chelsea Pensioners reading the Waterloo Dispatch'' of 1822 in Apsley House. Early life David Wilkie was born in Pitlessie Fife in Scotland on 18 November 1785. He was the son of the parish minister (Christianity), minister of Cults, Fife, Cults, Fife. Caroline Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage A-la-Mode (Hogarth)
''Marriage A-la-Mode'' is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London. This series was not received as well as his other moral tales, ''A Harlot's Progress'' (1732) and ''A Rake's Progress'' (1735), and when the paintings were finally sold in 1751, it was for a much lower sum than the artist had hoped for. Overview In ''Marriage A-la-Mode'' Hogarth challenges the traditional view that the nobility and the rich live virtuous lives, and satirises arranged marriages. In each piece, he shows the young couple and their family and acquaintances at their worst: engaging in affairs, drinking, gambling, and numerous other vices. This is regarded by some as his finest project, and the best example of his serially-plann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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