Angelo (opera)
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Angelo (opera)
''Angelo'' (''Анджело'' in Cyrillic; ''Andželo'' in transliteration) is an opera in four acts by César Cui, composed during 1871–1875, with a libretto by Viktor Burenin based on Victor Hugo's 1835 prose play, ''Angelo, Tyrant of Padua''. This same play formed the basis of Saverio Mercadante's '' Il giuramento'' of 1837, Amilcare Ponchielli's ''La Gioconda'', which premiered in the same year as Cui's opera (1876), and Alfred Bruneau's ''Angelo, tyran de Padoue'' of 1928. Performance history ''Angelo'' was premiered on 1 February 1876 in Saint Petersburg at the Mariinsky Theatre. The conductor was Eduard Nápravník. Apparently it did not survive that particular season, and was removed from the repertory. A new production of ''Angelo'' was staged twenty-five years after the original premiere in 1901 at the Bolshoi Theatre in Moscow, with Feodor Chaliapin in the role of Galeofa. The Mariinsky staged ''Angelo'' again in 1910. Roles *Angelo Malipieri, podesta: ' ...
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Cesar Cui
Cesar, César or Cèsar may refer to: Arts, entertainment, and media * ''César'' (film), a 1936 film directed by Marcel Pagnol * ''César'' (play), a play by Marcel Pagnolt * César Award, a French film award Places * Cesar, Portugal * Cesar River, a river within the Magdalena Basin of Colombia * Cesar River, Chile * Cesar Department, Colombia Other uses * César (grape), an ancient red wine grape from northern Burgundy * French ship ''César'' (1768), ship of the line, destroyed 1782 * Recife Center for Advanced Studies and Systems (C.E.S.A.R), in Brazil * Cesar, a brand of dog food manufactured by Mars, Incorporated People with the given name * César (footballer, born May 1979), César Vinicio Cervo de Luca, Brazilian football centre-back * César (footballer, born July 1979), Clederson César de Souza, Brazilian football winger * César Alierta (born 1945), Spanish businessman * César Augusto Soares dos Reis Ribela (born 1995), Brazilian footballer * César Az ...
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Feodor Chaliapin
Feodor Ivanovich Chaliapin ( rus, Фёдор Ива́нович Шаля́пин, Fyodor Ivanovich Shalyapin, ˈfʲɵdər ɪˈvanəvʲɪtɕ ʂɐˈlʲapʲɪn}; April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form. During the first phase of his career, Chaliapin endured direct competition from three other great basses: the powerful (1869–1942), the more lyrical (1871–1948), and Dmitri Buchtoyarov (1866–1918), whose voice was intermediate between those of Sibiriakov and Kastorsky. The fact that Chaliapin is far and away the best remembered of this magnificent quartet of rival basses is a testament to the power of his personality, the acuteness of his musical interpretations, and the vividness of his performances. Spelling note He himself spelled his surname, French-style ...
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Russian-language Operas
Russian (russian: русский язык, russkij jazyk, link=no, ) is an East Slavic language mainly spoken in Russia. It is the native language of the Russians, and belongs to the Indo-European language family. It is one of four living East Slavic languages, and is also a part of the larger Balto-Slavic languages. Besides Russia itself, Russian is an official language in Belarus, Kazakhstan, and Kyrgyzstan, and is used widely as a lingua franca throughout Ukraine, the Caucasus, Central Asia, and to some extent in the Baltic states. It was the ''de facto'' language of the former Soviet Union, Constitution and Fundamental Law of the Union of Soviet Socialist Republics, 1977: Section II, Chapter 6, Article 36 and continues to be used in public life with varying proficiency in all of the post-Soviet states. Russian has over 258 million total speakers worldwide. It is the most spoken Slavic language, and the most spoken native language in Europe, as well as the most geographica ...
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Operas By César Cui
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume ''Oxford History of Western Music''. He received several awards, including the first Noah Greenberg Award from the American Musicological Society in ...
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Psalm 130
Psalm 130 is the 130th psalm of the Book of Psalms, one of the penitential psalms and one of 15 psalms that begin with the words "A song of ascents" (Shir Hama'alot). The first verse is a call to God in deep sorrow, from "out of the depths" or "out of the deep", as it is translated in the King James Version of the Bible and the Coverdale translation (used in the Book of Common Prayer) respectively. In Latin, it is known as De profundis. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 129. The New American Bible Revised Edition (2010) divides the psalm into two parts: verses 1-4 are a cry for mercy; verses 5-8 are a model expression of trust in God. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It is paraphrased in hymns such as Martin Luther's "Aus tiefer Not schrei ich zu dir" in German. The psalm has often been set to music, b ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Patrician (post-Roman Europe)
Patricianship, the quality of belonging to a patriciate, began in the ancient world, where cities such as Ancient Rome had a social class of patrician families, whose members were initially the only people allowed to exercise many political functions. In the rise of European towns in the 12th and 13th century, the patriciate, a limited group of families with a special constitutional position, in Henri Pirenne's view, was the motive force. In 19th century Central Europe, the term had become synonymous with the upper Bourgeoisie and cannot be interchanged with the medieval patriciate in Central Europe. In German-speaking parts of Europe as well as in the maritime republics of the Italian Peninsula, the patricians were as a matter of fact the ruling body of the medieval town. Particularly in Italy, they were part of the nobility. With the establishment of the medieval towns, Italian city-states and maritime republics, the patriciate was a formally-defined social class of govern ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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