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Angel Rivero Mendez
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraph
A seraph (, "burning one"; plural seraphim ) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah () used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in the non-canonical Book of Enoch and the canonical Book of Revelation. Origins and development In Hebrew, the word ''saraph'' means "burning", and is used seven times throughout the text of the Hebrew Bible as a noun, usually to denote "serpent", twice in the Book of N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mycenaean Language
Mycenaean Greek is the most ancient attested form of the Greek language, on the Greek mainland and Crete in Mycenaean Greece (16th to 12th centuries BC), before the hypothesised Dorian invasion, often cited as the '' terminus ad quem'' for the introduction of the Greek language to Greece. The language is preserved in inscriptions in Linear B, a script first attested on Crete before the 14th century BC. Most inscriptions are on clay tablets found in Knossos, in central Crete, as well as in Pylos, in the southwest of the Peloponnese. Other tablets have been found at Mycenae itself, Tiryns and Thebes and at Chania, in Western Crete. The language is named after Mycenae, one of the major centres of Mycenaean Greece. The tablets long remained undeciphered, and many languages were suggested for them, until Michael Ventris, building on the extensive work of Alice Kober, deciphered the script in 1952. The texts on the tablets are mostly lists and inventories. No prose narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Greek
Late Greek refers to writings in the Greek language in Late Antiquity and the Early Byzantine period; and in other words, from about the late 2nd century AD until about the late 7th century AD.See the definitions of "Late Greek" aDictionary.comanTheFreeDictionary.com Those two websites have the ''American Heritage Dictionary'', the ''Random House Dictionary'', and the ''Collins English Dictionary''. Their definitions are approximately the same. At the dictionary aMerriam-Webster.comthe definition of "Late Greek" is "the Greek language as used in the third to sixth centuries", which is a considerably narrower time-period than what is in the other dictionaries. The intellectual center of Late Greek was Alexandria in Egypt. Alexandria came under Arabic rule starting in the 640s AD, which is sometimes taken as the ending-point of the Late Greek period. In terms purely of linguistics and language style, writings in Late Greek were conservative, whereas style began to change during the 8t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Latin
Late Latin ( la, Latinitas serior) is the scholarly name for the form of Literary Latin of late antiquity.Roberts (1996), p. 537. English dictionary definitions of Late Latin date this period from the , and continuing into the 7th century in the Iberian Peninsula. This somewhat ambiguously defined version of Latin was used between the eras of Classical Latin and Medieval Latin. Scholars do not agree exactly when Classical Latin should end or Medieval Latin should begin. Being a written language, Late Latin is not the same as Vulgar Latin. The latter served as ancestor of the Romance languages. Although Late Latin reflects an upsurge of the use of Vulgar Latin vocabulary and constructs, it remains largely classical in its overall features, depending on the author who uses it. Some Late Latin writings are more literary and classical, but others are more inclined to the vernacular. Also, Late Latin is not identical to Christian patristic Latin, used in the theological writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms ( Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Angl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman (a relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language replaced the languages of Roman Britain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Light
In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor. The term "light" has been widely used in spirituality and religion, such as: * '' An Nūr'' – Islamic term and concept, referenced in ''Surah an-Nur'' and '' Ayat an-Nur'' of the Quran. * Inner light – Christian concept and Quaker doctrine. * '' Jyoti'' or ''Jyot'' – a holy flame that is lit with cotton wicks and ghee or mustard oil. It is the prayer ritual of devotional worship performed by Hindus offer to the deities. Jyoti is also a representation of the divine light and a form of the Hindu goddess Durga shakti. * '' Ohr Ein Sof'' – in Rabbinic Judaism and Kabbalah. * – Kashmiri Shaiva concept of the light of Divine Consciousness of Shiva. * Tabor Light – the uncreated light revealed to the apostles present during the Transfiguration of Jesus; also experienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Civiltà Cattolica
''La Civiltà Cattolica'' (Italian for ''Catholic Civilization'') is a periodical published by the Jesuits in Rome, Italy. It has been published continuously since 1850 and is among the oldest of Catholic Italian periodicals. All of the journal's articles are the collective responsibility of the entire "college" of the magazine's writers even if published under a single author's name. It is the only one to be directly revised by the Secretariat of State of the Holy See and to receive its approval before being published. The periodical is headquartered since 1951 in the Villa Malta (Pincian Hill) situated in Via F. Crispi, Rome. In more recent times the magazine has advocated reaching out to children, teens, and young people who use and interact with social media (Facebook, Twitter, Skype, YouTube, etc., on devices such as the iPod and iPad) to an intense degree, and find ways to foster their faith life through interior meditation, including, among other exercises, the '' Spiri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bird Flight
Bird flight is the primary mode of locomotion used by most bird species in which birds take off and fly. Flight assists birds with feeding, breeding, avoiding predators, and migrating. Bird flight is one of the most complex forms of locomotion in the animal kingdom. Each facet of this type of motion, including hovering, taking off, and landing, involves many complex movements. As different bird species adapted over millions of years through evolution for specific environments, prey, predators, and other needs, they developed specializations in their wings, and acquired different forms of flight. Various theories exist about how bird flight evolved, including flight from falling or gliding (the ''trees down'' hypothesis), from running or leaping (the ''ground up'' hypothesis), from ''wing-assisted incline running'' or from '' proavis'' (pouncing) behavior. Basic mechanics of bird flight Lift, Drag and Thrust The fundamentals of bird flight are similar to those of aircra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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