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Angel Hearts
is the eighth studio album by Japanese entertainer Miho Nakayama. Released through King Records on December 5, 1988, the album features the No. 1 single "Witches". "Sweetest Lover", "Too Fast, Too Close", and "Try or Cry" were featured in Nakayama's 1988 short film ''L'Aube de mon cœur''. The album peaked at No. 3 on Oricon's albums chart and sold over 250,000 copies. Track listing Personnel * Miho Nakayama – vocals * Yūji Toriyama – all instruments (A2, A5, B1, B3) * Yoshinobu Kojima – all instruments (B2, B4) * Yasuharu Nakanishi – keyboards (A1, A4) * Ichirō Nagata – keyboards (A1, A4) * Haruo Togashi – Piano (A1, A4) * Tsuyoshi Kon – guitar (A1, A4) * David T. Walker – guitar (B4) * Yasuo Tomikura – bass (A1, A4) * Hideo Yamaki – drums (A1, A4) * Masato Honda Masato Honda (本田雅人, born November 13, 1962), is a Japanese saxophone player, composer, and multi-instrumentalist. Born in Nakamura City, Kochi Prefecture (now Shimanto City), he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miho Nakayama
is a Japanese singer and actress. She is affiliated with Big Apple Co., Ltd. Nakayama is nicknamed , and sometimes uses the pseudonyms or when she writes the lyrics. Biography History Nakayama was born in Saku, Nagano, Japan. Following her mother's remarriage, her family moved to Koganei, Tokyo. There, Nakayama attended Koganei Municipal Junior High School. Idol career After being discovered by a talent scout while shopping in Harajuku, she made her debut on 21 June 1985 with her single " C", as well as a starring role in the film '' Be-Bop High School''. Throughout her career as a singer and actress, Nakayama recorded 22 studio albums and scored eight No. 1 singles on Oricon's charts; two of them selling over a million copies each. She also starred in a Famicom Disk System dating sim made by Nintendo titled ''Nakayama Miho no Tokimeki High School'', in which she played a high school student trying to mask her true identity. Acting career In 1995, director Shunji Iwai cast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ocean Way Recording
Ocean Way Recording was a series of recording studios established by recording engineer and producer Allen Sides with locations in Los Angeles, California, Nashville, Tennessee, and Saint Barthélemy. Ocean Way Recording no longer operates recording facilities, but Ocean Way Nashville continues to operate under the ownership of Belmont University. History Background In 1972, Ocean Way founder Allen Sides opened a studio he had built in a 3 1/2-car garage on Ocean Way in Santa Monica, California for the purpose of demonstrating tai-amplified loudspeakers of his own design. In 1977, Sides, who had worked as a runner at United Western Recorders in the late 1960s, purchased enough equipment from Putnam's company UREI to completely fill the garage space for just $6,000, attracting the attention of Putnam. Sides and Putnam became friends and business partners, and Putnam offered Sides exclusive rights to sell UREI and United Western Studios' surplus equipment, providing Sides and his st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Pop
is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in the 1980s. It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles – including AOR, soft rock, R&B, funk, and boogie – that were associated with the country's nascent economic boom and leisure class. It was also identified with new technologies such as the Walkman, cars with built-in cassette decks and FM stereos, and various electronic musical instruments. There is no unified consensus among scholars regarding the definition of city pop. In Japan, the tag simply referred to music that projected an "urban" feel and whose target demographic was urbanites. Many of the artists did not embrace the Japanese influences of their predecessors, and instead, largely drew from American soft rock, boogie, and funk. Some examples may also feature tropical flourishes or elements taken from disco, jazz fusion, Okinawan, Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Records (Japan)
, commonly known as King Records, is a Japanese record company founded in January 1931 as a division of the Japanese publisher Kodansha. It initially began operating as an independent entity in the 1950s. It later became part of the Otowa Group. Today, King Records is one of Japan's largest record companies which is not owned by a multinational entity. The label's headquarters are in Bunkyo, Tokyo. The label's name is actually based from the now-defunct ''Kingu'' magazine published by Kodansha from 1924 to 1957. Sub-labels Its Starchild label, was managed by animation producer Toshimichi Ōtsuki, specialised in anime music and film. King Records also distributes the Up-Front Works–owned and –operated labels Piccolo Town and Rice Music, and also released video games for the PC-88, Famicom, and MSX2 computers. On February 1, 2016, King Records restructured Starchild and renamed it King Amusement Creative. Paddle Wheel Records is a division of King Record Co. You! Be Cool i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makin' Dancin'
is the first remix album by Japanese entertainer Miho Nakayama. Released through King Records on October 21, 1988, the album includes three tracks that feature a medley of Nakayama's hit songs. The album peaked at No. 2 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in ...'s albums chart and sold over 183,000 copies. Track listing Credits * Master mix by Masahiko "Monchi" Tanaka * Edited by Masaaki Tamura * Management: Norio Hashimoto (M.I.D.) Charts References External links * * * {{Authority control 1988 remix albums Miho Nakayama compilation albums Japanese-language compilation albums King Records (Japan) compilation albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballads (Miho Nakayama Album)
is the second compilation album by Japanese entertainer Miho Nakayama. Released through King Records on March 20, 1989, the album features 12 ballads selected by Nakayama from her past releases, plus new recordings of "Sentimental Tsūshin", "Kabin", and "Try or Cry". The album was reissued on December 18, 1996, as ''Ballads I'' with a different cover to match that of '' Ballads II''. The album peaked at No. 2 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in ...'s albums chart and sold over 195,000 copies. It was also certified Gold by the RIAJ. Track listing Charts Certification References External links * * * {{Authority control 1989 compilation albums Miho Nakayama compilation albums Japanese-language compilation albums King Records (Japan) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witches (Miho Nakayama Song)
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have used malevolent magic against their own community, and often to have communed with evil beings. It was thought witchcraft could be thwarted by protective magic or counter-magic, which could be provided by cunning folk or folk healers. Suspected witches were also intimidated, banished, attacked or killed. Often they would be formally prosecuted and punished, if found guilty or simply believed to be guilty. European witch-hunts and witch trials in the early modern period led to tens of thousands of executions. In some regions, many of those accused of witchcraft were folk healers or midwives. European belief in witchcraft gradually dwindled during and after the Age of Enlightenment. Contemporary cultures that believe in magic and the superna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinfa Kan
(born June 24, 1953) is Japanese lyricist of Korean descent. Biography Chinfa Kan was born in Hamamatsu, Shizuoka, Japan as a second-generation Zainichi. He graduated from Shizuoka Prefectural Hamamatsu-Nishi Senior and Junior High Schools. While attending Waseda University, he took up tanka writing and participated in the college's short song festivals. Kan made his debut as a lyricist in 1979 with Ann Lewis' "Shampoo", which was composed, arranged, and produced by Tatsuro Yamashita. He then wrote numerous hit songs with Tetsuji Hayashi. Kan also wrote lyrics for artists such as Hiromi Go, The Checkers, Agnes Chan, Akina Nakamori, Kyōko Koizumi, Anri, Miho Nakayama, KinKi Kids, Mika Nakashima, and BoA. In 1984, Kan won the Best Lyrics Award for Mariko Takahashi's "Momoiro Toiki" at the 26th Japan Record Awards. A year later, he won the Grand Prix for Nakamori's " Meu amor é..." Kan also wrote screenplays for the films ''Inamura Jane'' (1990) and ''Tokyo no Kyūjitsu'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David T
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
