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Andreu Febrer
Andreu Febrer i Callís (1370×1374 – 1437×1444) was a Catalan soldier, courtier and poet. Life Andreu was born at Vic between 1370 and 1374 to a family of artisans.Raquel Parera Somolinos''La versió d'Andreu Febrer de la Commedia de Dante: biografia del traductor, estudi del manuscrit, anàlisi de la traducció i edició dels cants I–XX de l'Inferno'' PhD diss., Universitat Autònoma de Barcelona, 2018. The biography is found at pp. 19–50. His father, Andreu Febrer, was born at Vic in 1352. His mother was Francisca Callís, probably a granddaughter of Barchinona Calis. Her family was associated with the estate of . Through their mothers, Andreu and the jurist Jaume Callís were second cousins."Andreu Febrer i Callís" '' |
El Escorial, L-II-18, Fol
EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American politician * Ephrat Livni (born 1972), American street artist Arts, entertainment, and media Fictional entities * El, a character from the manga series ''Shugo Chara!'' by Peach-Pit * El, short for Eleven, a fictional character in the TV series ''Stranger Things'' * El, family name of Kal-El (Superman) and his father Jor-El in ''Superman'' *E.L. Faldt, character in the road comedy film ''Road Trip'' Literature * ''Él'', 1926 autobiographical novel by Mercedes Pinto * ''Él'' (visual novel), a 2000 Japanese adult visual novel Music * Él Records, an independent record label from the UK founded by Mike Alway * ''Él'' (Lucero album), a 1982 album by Lucero * "Él", Spanish song by Rubén Blades from ''Caminando'' (album) * "Él" (Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Spanish
Old Spanish, also known as Old Castilian ( es, castellano antiguo; osp, romance castellano ), or Medieval Spanish ( es, español medieval), was originally a dialect of Vulgar Latin spoken in the former provinces of the Roman Empire that provided the root for the early form of the Spanish language that was spoken on the Iberian Peninsula from the 10th century until roughly the beginning of the 15th century, before a ''consonantal readjustment'' gave rise to the evolution of modern Spanish. The poem ('The Poem of the Cid'), published around 1200, is the best known and most extensive work of literature in Old Spanish. Phonology The phonological system of Old Spanish was quite similar to that of other medieval Romance languages. Sibilants Among the consonants, there were seven sibilants, including three sets of voiceless/voiced pairs: *Voiceless alveolar affricate : represented by before , , , and by before or *Voiced alveolar affricate : represented by *Voiceless apicoa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique De Villena
Enrique de Villena (1384–1434), also known as and , was a Spanish nobleman, writer, theologian and poet. He was also the last legitimate member of the House of Barcelona, the former royal house of Aragon. When political power was denied to him, he turned to writing. He was persecuted by of Aragon and of Castile owing to his reputation as a necromancer. Life He was born in Torralba de Cuenca, in Castile. After the death of his father, Pedro de Aragón y Villena, Enrique went to the Aragonese court. There he was raised by his aristocratic grandfather, Alfonso de Aragón, first marquess of Villena, who claimed descent from James II of Aragon and Blanche of Naples. At court he met the leading literary and intellectual minds of his era and became skilled in mathematics, chemistry and philosophy. The Aragonese queen, Violant of Bar, aware of Villena's academic gifts, invited him to study at the royal court of Barcelona, where Villena met the leading authors of Catalan liter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terza Rima
''Terza rima'' (, also , ; ) is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (''aba bcb cdc''). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (''yzy z'' or ''yzy zz''). ''Terza rima'' was invented early in the fourteenth century by the Italian poet Dante Alighieri for his narrative poem the ''Divine Comedy'', which he set in hendecasyllabic lines. In English, poets often use iambic pentameter. ''Terza rima'' is a challenging form for a poet, and it did not become common in the century following its invention. The form is especially challenging in languages that are inherently less rich in rhymes than Italian. ''Terza rima'' can gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Comedy
The ''Divine Comedy'' ( it, Divina Commedia ) is an Italian narrative poem by Dante Alighieri, begun 1308 and completed in around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: ''Inferno'', ''Purgatorio'', and '' Paradiso''. The narrative takes as its literal subject the state of the soul after death and presents an image of divine justice meted out as due punishment or reward, and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (''Inferno''), followed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Occitan
Old Occitan ( oc, occitan ancian, label=Occitan language, Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term ' appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: ') or "Provençal" (Occitan: ') in medieval texts. History Among the earliest records of Occitan are the ''Tomida femina'', the ''Boecis'' and the ''Cançó de Santa Fe''. Old Occitan, the language used by the troubadours, was the first Romance language with a literary corpus and had an enormous influence on the development of lyric poetry in other European languages. The interpunct was a feature of its orthography and survives today in Catalan and Gascon language, Gascon. The official language of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerverí De Girona
Cerverí de Girona (; fl. 1259 – 1285) was a Catalan troubadour born Guillem de Cervera in Girona. He was the most prolific troubadour, leaving behind some 114 lyric poems among other works, including an ''ensenhamen'' of proverbs for his son, totaling about 130. He was a court poet to James the Conqueror and Peter the Great. He wrote ''pastorelas'' and ''sirventes'' and his overriding concern was the complexities of court life. None of his music survives. Cerverí spent some time under the patronage and at the court of Hugh IV and Henry II of Rodez. He was in Spain in 1269, for he is found that year in the entourage of the then-''infante'' Peter the Great. With fellow troubadours Folquet de Lunel and Dalfinet he accompanied Peter to Toledo. On 26 April at Riello, near Cuenca, he received one ''solidus'' for his services. Cerverí's ''Cobla en sis lengatges'' ("Verse in six languages") copied the metre of either Folquet's ''Al bon rey q'es reys de pretz car'' or Sordel' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaufre Rudel
Jaufre Rudel (Jaufré in modern Occitan) was the Prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of "love from afar" (''amor de lonh'' or ''amour de loin'') in his songs. Very little is known about his life, but a reference to him in a contemporary song by Marcabru describes him as being ''oltra mar''—across the sea, probably on the Second Crusade in 1147. Probably he was the son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was the first to carry the title, being called ''princeps Blaviensis'' as early as 1090.Gaston Paris (1912), ''Mélanges de littérature française du moyen age'' (New York: Burt Franklin, ), pp. 498–503. During his father's lifetime the suzerainty of Blaye was disputed between the Counts of Poitou and the Counts of Angoulême. Shortly after the successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaut Daniel
Arnaut Daniel (; fl. 1180–1200) was an Occitan troubadour of the 12th century, praised by Dante as "the best smith" (''miglior fabbro'') and called a "grand master of love" (''gran maestro d'amore'') by Petrarch. In the 20th century he was lauded by Ezra Pound in '' The Spirit of Romance'' (1910) as the greatest poet to have ever lived. Life According to one biography, Daniel was born of a noble family at the castle of Ribérac in Périgord; however, the scant contemporary sources point to him being a jester with pernicious economic troubles: Raimon de Durfort calls him "a student, ruined by dice and shut-the-box". Work and style The dominant characteristic of Daniel's poetry is an extreme obscurity of thought and expression, a style called ''trobar clus'' ('hermetic verse'). He belonged to one school of troubadour poets that sought to make their meanings difficult to understand through the use of unfamiliar words and expressions, enigmatical allusions, complicated meters a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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