Andreas Schager
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Andreas Schager
Andreas Schager is an Austrian operatic tenor. He began his career as a tenor for operettas, but has developed into singing Heldentenor parts by Richard Wagner including Tristan, Siegmund, Siegfried and Parsifal. A member of the Staatsoper Berlin, he has appeared internationally at venues including La Scala, The Proms and the Bayreuth Festival. Career He was born Andreas Schagerl in Rohrbach an der Gölsen, Lower Austria. He was a singer of the Wiener Singakademie, and then studied voice at the University of Music and Performing Arts Vienna with Walter Moore. He made his debut on stage as Ferrando in Mozart's '' Così fan tutte'' at the Schlosstheater Schönbrunn. His first engagement was as an operetta tenor at the Theater Krefeld und Mönchengladbach. Schager sang lyrical tenor parts as a guest in Bologna, Frankfurt, Ghent, in Vienna, and at the Canadian Opera Company, including Tamino in Mozart's '' Die Zauberflöte''. He had developed into a singer of major Wagner ...
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Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 The three Norns, daughters of Erda, the goddess of Nature, gather beside Brünnhilde's rock, weaving the Rope of Destiny. From it they read of the past, the present, and of the future when Walhalla will be set on fire and the end of the gods will c ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Dara Hobbs
Dara Kristin Hobbs is an American operatic soprano, who has appeared internationally, mostly in European opera houses. Her repertoire has focused on dramatic soprano roles in operas by Wagner and Strauss such as Isolde and Ariadne. Career Born in Williams Bay, Wisconsin, Hobbs studied at Northwestern University, graduating with a Bachelor of Arts in European history in 1994 and Master of Music in 1997. She studied on a scholarship from the American Institute of Musical Studies in Graz in summer 2005, and at the Vocal Arts Symposium in Spoleto, Italy, in summer 2006. She was a member of the Theater Krefeld und Mönchengladbach from 2007 to 2012, where she performed title roles such as Verdi's ''Aida'', Puccini's ''Tosca'' and Suor Angelica, and ''Ariadne auf Naxos'' by Richard Strauss. Other major parts included the Countess in Mozart's '' Il nozze'', Lisa in Tchaikovsky's '' Pique Dame'', and Elisabeth in Verdi's ''Don Carlos''. From 2012, she has worked as a freelance singer ...
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Stadttheater Minden
Stadttheater Minden is a municipal theatre in Minden, North Rhine-Westphalia, Germany. The theatre has no ensemble, but stages some productions of its own. It became known for a Wagner project culminating in '' Der Ring in Minden''. History The building was erected from 1906 to 1908 in Baroque Revival style, on a design by the architects August Kersten (Minden) and (Berlin). It seats 568 people. The theatre was opened on 1 October 1908 with a performance of Goethe's play '' Iphigenie auf Tauris''. The theatre has no ensemble, but stages some productions of its own. It is also used by guest ensembles and touring theatre groups, and serves as a concert hall for symphony concert series of the Nordwestdeutsche Philharmonie, and for other events. In September 1998, to mark the 1200th anniversary of the town, the chamber opera ''Friedrich und Katte'' by Wolfgang Knuth (born 1959) was composed and premiered at the theatre. In 1999, a project to show operas by Richard Wagner was ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical c ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the fi ...
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Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German '' Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and ...
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Halle Opera House
The Halle Opera House () is an opera house in Halle, Saxony-Anhalt. Originally named the Halle Town Theatre (), the theatre was built in 1886. A bomb attack on 31 March 1945 destroyed much of the original building. Restorative work ensued a few years later, and the theatre reopened in 1951 under the name Landestheater Halle. In January 1992 it was renamed to its current title. The theatre is currently used for performances of opera, ballet, and orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...l concerts. It is also the main performance venue for the annual summer Handel Festival held in the city. References External links * Music venues completed in 1886 Buildings and structures in Halle (Saale) Opera houses in Germany Ballet venues Theatres completed ...
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Theater Meiningen
The Staatstheater Meiningen (State Theatre Meiningen), also called the Meiningen Theatre, is a four-division theater in the Thuringian town of Meiningen, Germany. The theater was founded in 1831 and was called ″Meininger Hoftheater″ (Meiningen Court Theatre) until 1920. The theatre offers music theatre (opera, operetta, musicals), drama, concerts and puppet theatre. The programme is further enhanced by the inclusion of ballet performances produced and performed by Landestheater Eisenach. The orchestra affiliated with the theatre is the Meininger Hofkapelle ( Meiningen Court Orchestra). Until 2017, the theatre operated as "Südthüringisches Staatstheater" (South Thuringian State Theatre) before changing its name to "Meininger Staatstheater" (Meiningen State Theatre) and 2021 to ″Staatstheater Meiningen″ (State Theatre Meiningen). It is jointly funded by the state, city and county of Schmalkalden-Meiningen under the umbrella of the Cultural Foundation Meiningen-Eisenach, Thur ...
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Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance lasted ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection '' Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the '' Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year ...
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