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Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then apprent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Gallo Annunciation
The San Gallo Annunciation is an oil on panel painting by Andrea del Sarto, executed ''c.'' 1513–1514, now in the Palatine Gallery in Florence. It was the middle of three works the artist produced for the Augustinian monastery the Church of San Gallo in Florence, between '' Noli me tangere'' and ''The Disputation on the Trinity'', as recorded in the Anonimo Magliabechiano manuscript and in Vasari's ''Lives of the Artists''. When Florence was besieged, that monastery's goods were moved to San Jacopo tra i Fossi within the city walls and its buildings razed in 1531 by Charles V's troops. The monastery rebuilt all its chapels at its new site in their former form. About a third of the painting was submerged in the 1557 flood, probably leading to the loss of the predella, though in 1986 (Serena?) Padovani theorised that that predella wholly or partly survived and is now divided up between the National Gallery of Ireland and Warwick Castle. Stylistically its monumental figures show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcarver
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exorcism
Exorcism () is the religious or spiritual practice of evicting demons, jinns, or other malevolent spiritual entities from a person, or an area, that is believed to be possessed. Depending on the spiritual beliefs of the exorcist, this may be done by causing the entity to swear an oath, performing an elaborate ritual, or simply by commanding it to depart in the name of a higher power. The practice is ancient and part of the belief system of many cultures and religions. Buddhism The practice of reciting or listening to the Paritta began very early in the history of Buddhism. It is a Buddhist practice of reciting certain verses and scriptures from Pali Canon in order to ward off misfortune or danger. The belief in the effective spiritual power to heal, or protect, of the '' Sacca-kiriyā'', or asseveration of something quite true is an aspect of the work ascribed to the ''paritta''. Several scriptures in the Paritta like Metta Sutta, Dhajagga Sutta, or Ratana Sutta can be reci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Benizzi
Philip Benizi (sometimes St Philip Benitius, and in Italian Filippo Benizzi) (August 15, 1233 – August 22, 1285) was a general superior of the Order of the Servites, and credited with reviving the order. Pope Leo X recognised his cult 24 January 1516 essentially beatifying him (although this was not a formal category at the time); and Pope Clement X canonized him as a saint in 1671. Biography Philip Benizi was born on August 15 in the Florentine district of Oltrarno, of the noble family of Benizi. Of his childhood but little is known. He entered the order of the Servites as a lay brother and was sent to a convent three leagues from Florence, where he displayed the utmost diligence. He would retire into a cavern near the church to meditate. Two Dominicans who chanced to visit him were so struck by his piety that they insisted he become a priest. When he was elected the general superior on June 5, 1267, the order, which had long been the object of attack from enemies, entered in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Della Santissima Annunziata Di Firenze
The Basilica della Santissima Annunziata (Basilica of the Most Holy Annunciation) is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center. History The church was founded in 1250 by the seven original members of the Servite Order. In 1252, a painting of the ''Annunciation'' had been begun by a friar Bartolomeo, commissioned by the Servite monks. It is said he despaired about being able to paint a virgin with a beautiful enough face, and fell asleep, only to find the painting completed. This miracle he attributed to an angel. The painting now housed in the church, acquired increasing veneration, such that in 1444 the Gonzaga family from Mantua financed a special tribune. Initially Michelozzo, who was the brother of the Servite prior, was commissioned to build it, but since Ludovico III Gonzaga had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Feltrini
Andrea Feltrini, called also Andrea di Cosimo, was a Florentine painter who excelled in grotesques. He was born on 12 March 1477, and died on 12 May 1548. His works are to be met with at Florence on the fronts of houses, on walls, and on ceilings. He is called by the first name, from his having been a scholar of Morto da Feltre Morto da Feltre was an Italian painter of the Venetian school who worked at the close of the 15th century and beginning of the 16th. Biography His real name appears to have been Pietro Luzzo, Pietro LuciStefano Ticozzi ''Storia dei letterati e ..., and by the second from his having studied art under Cosimo Roselli. References Attribution: * 1477 births 1548 deaths Grotesque Painters from Florence 15th-century Italian painters Italian male painters 16th-century Italian painters {{aesthetics-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Servite Order
The Servite Order, officially known as the Order of Servants of Mary ( la, Ordo Servorum Beatae Mariae Virginis; abbreviation: OSM), is one of the five original Catholic mendicant orders. It includes several branches of friars (priests and brothers), contemplative nuns, a congregation of active religious sisters, and lay groups. The Order's objectives are the sanctification of its members, the preaching of the Gospel, and the propagation of devotion to the Mother of God, with special reference to her sorrows. The Servites friars lead a community life in the tradition of the mendicant orders. History Foundation The Order was founded in 1233 by "the seven holy founders", each a member of a patrician family of Florence, Italy. These cloth merchants left their city, families, and professions and withdrew to Monte Senario, a mountain outside the city of Florence, for a life of poverty and penance. The seven were: Bonfilius of Florence, born Bonfilius Monaldi (Buonfiglio dei Mona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monochrome
A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept. Application Of an image, the term monochrome is usually taken to mean the same as black and white or, more likely, grayscale, but may also be used to refer to other combinations containing only tones of a single color, such as green-and-white or green-and-red. It may also refer to sepia displaying tones from light tan to dark brown or cyanotype ("blueprint") images, and early photographic methods such as daguerreotypes, ambrotypes, and tintypes, each of which may be used to produce a monochromatic image. In computing, monochrome has two meanings: *it may mean having only one color which is either on or off (also known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franciabigio
Franciabigio (1482 – 24 January 1525) was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio. Life and career He was born in Florence, and initially worked under Albertinelli until about 1506. In 1505 he befriended Andrea del Sarto; and by the next year, the two painters set up common shop in the Piazza del Grano. Franciabigio paid much attention to anatomy and perspective, and to the proportions of his figures, though these are often squat in form. He had a large stock of artistic knowledge, and was at first noted for diligence. He was proficient in fresco and Vasari claimed that he surpassed all his contemporaries in this method. It is in his portraits, and not his religious paintings and frescoes, that his painting gathers naturalistic power. As years went on, and he received frequent commissions for all sorts of public painting for festive occasio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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