Andrea Tafi (artist)
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Andrea Tafi (artist)
Andrea Tafi (1213–1294) was an Italian artist. He is probably best known for his work on the mosaics of the Baptistery in Florence, which were started in 1225 by Jacobus. His pupils included Buonamico Buffalmacco. Tafi is shown in Frederic Leighton's ''Cimabue's Celebrated Madonna'' (1853–1855); the subject matter of this painting is based on Giorgio Vasari's account of how the ''Rucellai Madonna'' was carried from Cimabue's home to the church of Santa Maria Novella in Florence. Vasari includes a biography of Andrea Tafi in his ''Lives''; the biography includes a tale of how Buonamico di Cristofano stopped Tafi from rising so early by pretending to be a demon A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, ani .... References Bibliography * {{DEFAULTSORT:Tafi, Andrea 121 ...
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004 Le Vite, Andrea Tafi
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, t ...
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Mosaics
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Battistero Di San Giovanni (Florence)
The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of "proto-renaissance", but at the same time an extreme survival of the late antique architectural tradit ...
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Jacobus
A Jacobus is an English gold coin of the reign of James I, worth 25 shillings. The name of the coin comes from the Latin inscription surrounding the King's head on the obverse of the coin, IACOBUS D G MAG BRIT FRA ET HI REX ("James, by the grace of God, of Britain, France and Ireland King"). Isaac Newton refers to the coin in a letter to John Locke: '' The Jacobus piece coin'd for 20 shillings is the : part of a pound Troy, and a Carolus 20s piece is of the same weight. But a broad Jacobus (as I find by weighing some of them) is the 38th part of a pound Troy.''Letter of Isaac Newton
dated September 19, 1698, to John Locke, concerning the weight and fineness of various coins. These correspond to ...
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Buonamico Buffalmacco
Buonamico di Martino, otherwise known as Buonamico Buffalmacco (active c. 1315–1336), was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential fresco cycle preserved in the Campo Santo of Pisa, featuring ''The Three Dead and the Three Living'', the ''Triumph of Death'', the ''Last Judgement'', the ''Hell'', and the ''Thebais'' (several episodes from the lives of the Desert Fathers). Painted some ten years before the Black Death spread over medieval Europe in 1348, the cycle enjoyed an extraordinary success after that date, and was often imitated throughout Italy during the Renaissance. The youngsters' party enjoying themselves in a beautiful garden while Death piles mounds of corpses all around is likely to have inspired the setting of Giovanni Boccaccio's literary masterpiece ''The Decameron'', written a few years after the spread of the Black Dea ...
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Frederic Leighton, 1st Baron Leighton
Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century. Leighton was the bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death. Biography Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton (1799-1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769-1843), had been the primary physician to two Russian tsars - Alexander I and Nicholas I - and their families, and amassed a fortune while in their service. Leighton’s career was always cushioned by this family wealth, with his father pa ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recou ...
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