Andrea Sghizzi
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Andrea Sghizzi
Andrea Seghizzi or Sghizzi (''fl.'' 17th century) was an Italian painter of the Baroque period, active mainly in Bologna. Seghizzi was born in Bologna around 1630. He initially trained with Francesco Albani and Lucio Massari, but then worked alongside Francesco Brizio and then Francesco Gessi, mostly as a fresco artist. He helped decorate the palazzo Arcivescovile (Archbishop's palace) of Ravenna with Angelo Michele Colonna. Then joined a team with Girolamo Curti and Colonna in Parma. In Bologna, he painted in ''Villa di Riolo'' for the Grimaldi and some rooms for the Count Cornelio Malvasia, from the family of the Bolognese art historian Cesare Malvasia. In January 1666 he collaborated with Frans Geffels on the complex of decorations and objects made for the funeral of Duke Charles II Gonzaga, Duke of Nevers in the Basilica palatina di Santa Barbara The Basilika Palatina di Santa Barbara is the Royal chapel, Palatine Chapel of the House of Gonzaga in Mantua, Italy. Histor ...
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Andrea Sghizzi, Basi Dei Pilastri Di S
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca ( Lucas), Mattia ( Matthias), Nicola ( Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is c ...
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Cornelio Malvasia
Cornelio Malvasia, '' Marquis di Bismantova'' (1603 - 1664) was an Italian aristocrat, patron of astronomy and military leader. Early life Malvasia was born in 1603 to an aristocratic family of Bologna and was the cousin of Carlo Cesare Malvasia.''Malvasia's Life of the Caracci'' by Carlo Cesare Malvasia (conte) & Anne Summerscale (Reprint - Penn State Press, 2000) Military career During the Wars of Castro he led papal army cavalry against the Dukes of Parma. He became close to the nephews of Pope Urban VIII and his later correspondence and publications carried the Barberini crest; three bees. His cousin Carlo later received assistance, in Rome, from Barberini loyalist, Cardinal Marzio Ginetti. Despite the Duchy of Modena having sided with the Dukes of Parma during the Wars of Castro, Malvasia later became a military advisor to Alfonso IV d'Este, Duke of Modena. He was later named ''Marechal'' of the French army in Italy while Francesco II d'Este (later Duke of Modena ...
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Painters From Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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1630s Births
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocr ...
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Basilica Palatina Di Santa Barbara
The Basilika Palatina di Santa Barbara is the Palatine Chapel of the House of Gonzaga in Mantua, Italy. History Built at the request of the Duke Guglielmo Gonzaga and built by the Mantuan Architect Giovan Battista Bertani, the monument was erected in two phases, from 1562 to 1567 and from 1569 to 1572, and from 1565 the religious court ceremonies were led by the abbots. The link between the Duke's Palace and the Church, desired by Duke Guglielmo, was closed at the end of the 19th century in order to separate the property of the Italian State from that of the Church because of the conflict that followed the end of the Pope's secular power in 1870. On September 16, 2018, the passage was reopened to the public. Santa Barbara can be considered the masterpiece of both the client and the builder. It was granted numerous privileges by the Duke to remove it from the Bishop's control and to practice its own rite, which differed from the Roman Rite. It was conceived as a place of r ...
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Charles II Gonzaga, Duke Of Nevers
Charles II Gonzaga (22 October 1609 – 30 August 1631) was the son of Charles I, Duke of Mantua, and Catherine de Lorraine-Guise (also known as Catherine de Mayenne). He was the Duke of Nevers and Rethel, together with his father. In 1621, he succeeded his uncle Henri de Lorraine-Guise as Duke of Mayenne. In 1627 he married his cousin Maria Gonzaga, Marquise of Montferrat and heiress to the Duchy of Mantua. However, Cesare II Gonzaga, Duke of Guastalla and Emperor Ferdinand II rejected her claim to Mantua, leading to the War of Mantuan Succession (1628–1631). Charles was never Duke of Mantua since he died at Cavriana six years before his father. When the latter died in 1637, Charles's eight-year-old son, Charles II, became Duke of Mantua, his widow Maria acting as regent. His daughter Eleonora became Holy Roman Empress. Family In December 1627 he married his cousin Maria Gonzaga, the marriage being arranged by Vincenzo II Gonzaga. Charles and Maria had: *Maria Gonzaga ...
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Frans Geffels
Frans Geffels, known in Italy as Francesco Geffels (25 August 1624 – 18 February 1694) was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions.Miroslav Kindl, ''Die niederländischen Künstler der zweiten Hälfte des 17. Jahrhunderts in Diensten der Fürsten von Liechtenstein in Feldsberg (Valtice)'', in: Liechtensteinisch-Tschechische Historikerkommission (Hrsg.), 'Die Liechtenstein und die Kunst' Band 3, Vaduz, HWFL, 2014, pp. 172-173 M. Pigozzi, ''Gli apparati effimeri di Geffels e la collaborazione con Andrea Seghizzi'', in: Il Seicento nell’arte e nella cultura con riferimenti a Mantova, Mantua 1985, S. 186–195 After training in his native Antwerp, he was mainly active in Mantua, where he was ''prefetto delle fabbriche'' to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court.
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Cesare Malvasia
Carlo Cesare Malvasia (1616–1693) was an Italian scholar and art historian from Bologna, best known for his biographies of Baroque artists titled ''Felsina pittrice'', published in 1678. Life and career Malvasia is the Bolognese equivalent of Giorgio Vasari, and saw his native city surpassing Florence in the artistic supremacy of his time. Born to an aristocratic family, he is also known as Count Carlo Malvasia. He received cursory training in painting under Giacinto Campana and Giacomo Cavedone. He also was an amateur poet and participated in local literary circles. He traveled to Rome in 1639 where he met Cardinal Bernardino Spada and the sculptor Alessandro Algardi. Records indicate he spent some time as a volunteer cavalier during the First War of Castro at the urging of his cousin Cornelio Malvasia; leader of the Papal Army cavalry. Thereafter he graduated as a lawyer, and lectured on the subject at the university in Bologna. He obtained a theology degree in 1653, an ...
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Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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