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Andrea Ihle
Andrea Ihle (born 17 April 1953) is a German operatic soprano. A long-term member of the Staatsoper Dresden, she performed a wide range of roles from coloratura soprano to character roles. She appeared as Ännchen in Weber's ''Der Freischütz'' in the opening performance of the rebuilt Semperoper, in world premieres and in contemporary opera such as Udo Zimmermann's '' Der Schuhu und die fliegende Prinzessin'' Career Born in Dresden, Ihle completed her vocal studies at the Musikhochschule Dresden, where she was a pupil of Klara Elfriede Intrau. In 1974 she won the 2nd prize at the Robert Schumann International Competition for Pianists and Singers in Zwickau. In 1976 she made her debut at the Staatsoper Dresden in the role of Giannetta in Donizetti's '' L'elisir d'amore''. Since then she has been an ensemble member of the Dresden State Opera, where she became known first as a coloratura soprano. She performed roles such as Despina in Mozart's '' Così fan tutte'', Papagena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Trojahn
Manfred Trojahn (born 22 October 1949) is a German composer, flautist, conductor and writer. Career Trojahn was born Cremlingen in Lower Saxony and began his musical studies in 1966 in orchestra music at the music school of Braunschweig. After graduating in 1970 he concluded his studies as a flutist at the Hochschule für Musik und Theater Hamburg with Karlheinz Zöller. From 1971 he studied composition with Diether de la Motte. He also studied with György Ligeti, conducting with Albert Bittner. Since 1991 he is professor for musical composition at the Robert Schumann Hochschule in Düsseldorf. From 2004 until 2006 he was President of the (); from 2008 to 2012 he was vice-director of the music section of the Academy of Arts, Berlin. Works His works have been published by Bärenreiter and Sikorski. Publications * Students Among Trojahn's students in composition are Oscar van Dillen, Matthias Pintscher and Daniel Hensel Daniel Hensel (born 17 April 1978 in Büdinge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Man Walking (opera)
''Dead Man Walking'' is the first opera composed by American Jake Heggie, with a libretto by playwright Terrence McNally. Based on the book of the same name by Sister Helen Prejean, C.S.J., the work premiered on October 7, 2000, at the War Memorial Opera House, produced by the San Francisco Opera. Performance history The 2000 premiere production was commissioned by then-General Director Lotfi Mansouri. The stage director was Joe Mantello, Conductor was Patrick Summers. Sets, costumes and lighting were designed by Michael Yeargan, Sam Fleming, and Jennifer Tipton, respectively. Susan Graham created the role of Sister Helen, with John Packard as Joseph De Rocher. Frederica von Stade performed the role of Mrs De Rocher, the convict’s mother. The Australian premiere and first performance outside the United StatesMichael Shmith, "The sister of mercy", ''Sunday Age'', 17 August 2003, Agenda, p. 5 took place in August 2003 at the State Opera of South Australia, with Kirsti Harms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera. < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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