Anchin Abbey
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Anchin Abbey
Anchin Abbey was a Benedictine monastery founded in 1079 in the commune of Pecquencourt in what is now the Nord department of France. Geography Aquicintum then Aquacignium , Anchin (or Chisho ) is an island of 25 hectares, part of the territory of Pecquencourt and surrounded by marshes, the river Scarpe and the stream of Bouchart. History ''Aquicintum'', later ''Aquacignium'' and then Anchin (or ''Enchin''), was a 25 hectare island forming part of the territory of Pecquencourt, between the ''marais'', the river Scarpe and the Bouchart brook. The hermit and confessor Gordaine built his hermitage on the island in the 8th century) and is sometimes considered the abbey's founder: an anonymous 17th-century painting in the church of Saint-Gilles at Pecquencourt shows his miracles. In 1096 the abbey was the site of a large tournament, the ''Tournoi d'Anchin'', at which 300 knights from Ostrevent, Hainaut, Cambrésis and Artois fought. An important cultural centre from the 11t ...
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Adrien De Montigny
Adrien is a given name and surname, and the French spelling for the name Adrian. It is also the masculine form of the feminine name Adrienne. It may refer to: People Given name * Adrien Auzout (1622–1691), French astronomer * Adrien Baillet (1649–1706), French scholar and critic * Adrien Brody (born 1973), American actor * Adrien Broom, American photographer * Adrien, Count of Rougé (1782–1838), French statesman * Adrien de Wignacourt (1618–1697), Grand Master of the Knights Hospitaller * Adrien Douady (1935–2006), French mathematician * Adrien Duvillard (alpine skier born 1969), French Olympic alpine skier * Adrien Manglard (1695–1760), French painter * Adrien Perruchon (born 1983), French conductor * Adrien Rabiot (born 1995), French soccer player * Adrien Robinson (born 1988), American football player * Adrien Silva (born 1989), Portuguese-French footballer * Adrien Tremblay (2000–today), French-Canadian normal man * Adrien Voisin (1890–1979) American sculptor ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ...
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Marchiennes Abbey
Marchiennes Abbey was a French monastery located on the Scarpe in Marchiennes. It was founded around 630 by Adalbard of Douai, and Irish monks, disciples of Saint Columbanus, on the advice of Saint Amand. One of its founders was Rictrude, who made it double monastery in 643. In around 1024 it became monastery of men again and adopted the Benedictine rule. On the birth of the town of Marchiennes the abbey became its economic motor until being suppressed in 1791 during the French Revolution. In 1814 all but its 1748 gatehouse was demolished. Its remains were inscribed on the inventory of ''monuments historiques'' on 17 May 1974, History The monastery was founded around 630 AD by Irish monks, disciples of Saint Columbanus and Adalbard of Douai, on the advice of Saint Amand. After the death of Adalbert I of Ostrevent in 642 AD, his widow, Rictrude, made it a double monastery with herself as the first Abbess. There are among the founders, besides Adalbaud and Rictrude, ''St. Eusebiu ...
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Cornil Cacheux
Cornil (or Corneille) Cacheux (6 January 1687 - 11 July 1738) was a French pipe organ maker. Biography Cacheux was born on 6 January 1687 in Cambrai (Dutch: Kamerijk), North-France. He died in Arras (Dutch: Atrecht) on 11 July 1738. Organs He started his activities around 1714. In Artois (now France), he built the organs of Église Notre-Dame de Calais and Église Saint-Géry d'Arras (1722). He built the organ at abbaye d'Anchin in 1732, which was transferred in 1792 to the Collégiale Saint-Pierre de Douai. In the Southern Netherlands (now Belgium), he worked in the old bishoprics of Ghent, Bruges and Tournai between 1721 (departure of Jacob Van Eynde) and 1735 (when Andries-Jacob Berger came). He built organs at Machelen, Tielt, Sint-Eloois-Vijve, Hulste (Harelbeke), Waregem, and Sint-Lodewijk (Deerlijk). In Bruges he built organs at the Saint-Walburga Church (1735-1738), Onze-Lieve-Vrouwekerk (1723, rebuilt and expanded in neo-baroque style in 1954), and (1735, replac ...
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Musée De La Chartreuse De Douai
The Musée de la Chartreuse is an art museum in a former Carthusian monastery in Douai, France. It is the 'musée des Beaux-Arts' for the city. Building Built by Jacques d'Abancourt in brick and stone in the Renaissance style, on the site of the house of the "Colombier", the hôtel d'Abancourt (1559) with its round tower was extended in 1608 by Jean de Montmorency, who added a square building in the same style with a square tower. In 1623 it was acquired by the Premonstratensians of Furnes. It finally saw itself become a home for Carthusian monks in the middle of the 17th century, via the construction of a chapter house and a small cloister (1663), a refectory (1687), the prior's lodgings (1690) and finally - after a large cloister and cells which were demolished in the 19th century - a chapel in the Jesuit style (not restored yet). On the French Revolution the building was turned over to military use and it was later damaged by bombing in 1944. It was bought by the city in 19 ...
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Jehan Bellegambe
Jehan Bellegambe or Jean Bellegambe (sometimes Belgamb or Belganb) (c. 1470c. June 1535/March 1536) was a French-speaking County of Flanders, Flemish painter of religious paintings, triptychs and polyptychs, the most important of which are now held at Douai, Arras, Aix, Nord, Aix, Lille, Saint Petersburg and Chicago. He was known as the 'anonymous masters, master of colours' for the transparency and interplay of his colours. He is known as Jehan Bellegambe the elder to distinguish him from his descendants who were also called Jehan. Life Bellegambe was born and died in Douai, then in the county of Flanders (today in French Flanders). He was a child of the first marriage of Georges Bellegambe, a cabinetmaker and musician who was living in rue Fosset-Maugart (renamed, in 1862, rue Haute-des ferronniers).A. Preux (see bibliography) Nothing is known of Jehan de Bellegambe's artistic training. The first known mention of him is a document of 1504 which names him as a master painter.Tur ...
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Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ...
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Hôpital-Général De Douai
The Hôpital-Général de Douai was set up in 1752 in the French city of Douai Douai (, , ,; pcd, Doï; nl, Dowaai; formerly spelled Douay or Doway in English) is a city in the Nord département in northern France. It is a sub-prefecture of the department. Located on the river Scarpe some from Lille and from Arras, D .... The hospital is an important healthcare establishment in the Douaisis area . It carries out its public hospital service missions covering 64 municipalities with a population of nearly 260,000 inhabitants. It has a capacity of 874 beds and 50,000 people get treatment at the hospital every year. It is also a major employer in the region, employing 2,300 people. References Hospitals in Douai {{France-struct-stub ...
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Church Tabernacle
A tabernacle or sacrament house is a fixed, locked box in which the Eucharist (consecrated communion hosts) is stored as part of the "reserved sacrament" rite. A container for the same purpose, which is set directly into a wall, is called an ''aumbry''. Within Catholicism, Eastern Orthodoxy, and in some traditions of Anglicanism and Lutheranism, the tabernacle is a box-like or dome-like vessel for the exclusive reservation of the consecrated Eucharist. It is normally made from precious metals, stone or wood, and is lockable and secured to the altar or adjacent wall to prevent the consecrated elements within from being removed without authorization. These denominations believe that the Eucharist contains the real presence of Jesus, and thus use the term ''tabernacle'', a word referring to the Old Testament tabernacle, which was the locus of God's presence among the Jewish people. The "reserved Eucharist" is secured in the tabernacle for distribution at services, for use when ...
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