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Anatole Dauman
Anatole Dauman (7 February 1925 in Warsaw – 8 April 1998 in Paris) was a French film producer. He produced films by Jean-Luc Godard, Robert Bresson, Wim Wenders, Nagisa Oshima, Andrei Tarkovsky, Chris Marker, Volker Schlöndorff, Walerian Borowczyk, and Alain Resnais. He was a principal figure in Argos Films, a company that was a very important vehicle in creating opportunities for the "Left bank" filmmakers to emerge from the overall Nouvelle Vague. Early life and career Anatole Dauman was born in Warsaw in 1925 to a Russian Jewish family and later emigrated to France. In 1951, he formed Argos Films with Philippe Lifchitz. It was a niche production company with the aim of making films on art which were inspired by the work of the Italian documentary filmmaker Luciano Emmer. Dauman produced the first films of Pierre Kast, Jean Aurel and Chris Marker. In 1953, they gained an advance from a distributor that enabled them to produce Alexander Astruc's ''Crimson Curtain'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officially estimated at 1.86 million residents within a greater metropolitan area of 3.1 million residents, which makes Warsaw the 7th most-populous city in the European Union. The city area measures and comprises 18 districts, while the metropolitan area covers . Warsaw is an Alpha global city, a major cultural, political and economic hub, and the country's seat of government. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th century, when Sigismund III decided to move the Polish capital and his royal court from Kraków. Warsaw served as the de facto capital of the Polish–Lithuanian Commonwealth until 1795, and subsequently as the seat of Napoleon's Duchy of Warsaw. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Aurel
Jean Aurel (6 November 1925 in Rastolita, Romania – 24 August 1996 in Paris) was a Romanian-born French film director and scriptwriter. Notably, he co-wrote ''La Femme d'à côté'' ('' The Woman Next Door'') with François Truffaut and Suzanne Schiffman. Selected filmography * ''Mata Hari's Daughter'' (1954) * '' Frou-Frou'' (1955) * '' Maid in Paris'' (1956) * ''Women's Club'' ( 1956) * ''It Happened in Aden'' ( 1956) * '' Gates of Paris'' (1957) * ''Une Parisienne'' (1957) * '' Taxi, Roulotte et Corrida'' ( 1958) * ''Le Trou'' ( 1960) * ''Please, Not Now!'' (1961) * '' 14-18'' (1963) * ''De l'amour'' (1964) * ''Lamiel'' ( 1967) * ''Manon 70'' ( 1968) * ' ( 1969) * ''Vivre ensemble'' ( 1973 – actor) * ''Like a Pot of Strawberries'' (1974) * '' Love on the Run'' ( 1979) * '' The Woman Next Door'' (1981) * ''Confidentially Yours ''Confidentially Yours'' (french: Vivement dimanche !; known as ''Finally, Sunday!'' in other English-speaking markets) is a 1983 French comedy mys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Au Hasard Balthazar
''Au Hasard Balthazar'' (; meaning "Balthazar, at Random"), also known as ''Balthazar'', is a 1966 French drama film directed by Robert Bresson. Believed to be inspired by a passage from Fyodor Dostoyevsky's 1868–69 novel ''The Idiot'', the film follows a donkey as he is given to various owners, most of whom treat him callously. Noted for Bresson's ascetic directorial style and regarded as a work of profound emotional effect, it is frequently listed as one of the greatest films of all time. Plot In the French countryside near the Pyrenees, a baby donkey is adopted by young children - Jacques and his sisters, who live on a farm. They baptize the donkey (and christen it Balthazar) along with Marie, Jacques' childhood sweetheart, whose father is the teacher at the small school next door. When one of Jacques' sisters dies, his family vacates the farm, and Marie's family take it over in a loose arrangement. The donkey is given away to local farmhands who work it very hard. Years pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Or Three Things I Know About Her
''Two or Three Things I Know About Her'' (french: Deux ou trois choses que je sais d'elle) is a 1967 French New Wave film written and directed by Jean-Luc Godard, one of three features he completed that year. As with the other two (''La Chinoise'' and '' Weekend''), it is considered both socially and stylistically radical. ''Village Voice'' critic Amy Taubin considers the film to be among the greatest achievements in filmmaking. Description The film does not tell a story so much as present an essay-like study of Godard's view of contemporary life; Godard wrote that "I wanted to include everything: sports, politics, even groceries. Everything should be put in a film." Godard narrates the film in a whispered voiceover in which he discusses his fears about the contemporary world, including those related to the Vietnam War. The film frequently cuts to various still shots of bright consumer products and ongoing construction. As with many of Godard's works, the film does not follow th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma và ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Morin
Edgar Morin (; ; born Edgar Nahoum; 8 July 1921) is a French philosopher and sociologist of the theory of information who has been recognized for his work on complexity and "complex thought" ( pensée complexe), and for his scholarly contributions to such diverse fields as media studies, politics, sociology, visual anthropology, ecology, education, and systems biology. As he explains: He holds two bachelors: one in history and geography and one in law. He never did a Ph.D. Though less well known in the anglophone world due to the limited availability of English translations of his over 60 books, Morin is renowned in the French-speaking world, Europe, and Latin America. During his academic career he was primarily associated with the École des hautes études en sciences sociales (EHESS) in Paris. Biography At the beginning of the 20th century, Morin's family migrated from the Ottoman city of Salonica (Thessaloniki) to Marseille and later to Paris, where Edgar was born. He is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rouch
Jean Rouch (; 31 May 1917 – 18 February 2004) was a French filmmaker and anthropologist. He is considered one of the founders of cinéma vérité in France. Rouch's practice as a filmmaker, for over 60 years in Africa, was characterized by the idea of ''shared anthropology''. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style: ethnofiction. The French New Wave filmmakers hailed Rouch as one of their own. Commenting on Rouch's work as someone "in charge of research for the Musée de l'Homme" in Paris, Godard said, “Is there a better definition for a filmmaker?". Biography Rouch began his long association with Nigerien subjects in 1941, when he arrived in Niamey as a French colonial hydrology engineer to supervise a construction project in Niger. There he met Damouré Zika, the son of a Songhai traditional healer and fisherman, near the town of Ayorou, on the Niger River. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronique D'un été
''Chronicle of a Summer'' (French original title: ''Chronique d'un été'') is a 1961 French documentary film shot during the summer of 1960 by sociologist Edgar Morin and anthropologist and filmmaker Jean Rouch, with the technical and aesthetic collaboration of Québécois director-cameraman Michel Brault. The film is widely regarded as structurally innovative and an example of ''cinéma vérité'' and direct cinema. The term "cinéma vérité" was suggested by the film's publicist and coined by Rouch, highlighting a connection between film and its context, a fact Brault confirmed in an interview after a 2011 screening of ''Chronique d'un été'' at the TIFF Bell Lightbox in Toronto. In a 2014 ''Sight & Sound'' poll, film critics voted ''Chronicle of a Summer'' the sixth-best documentary film of all time. Synopsis The film begins with Rouch and Morin discussing whether it is possible to act sincerely on camera. A cast of real-life individuals are then introduced and led by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Year At Marienbad
''Last Year at Marienbad'' (french: L'Année dernière à Marienbad; released in the United Kingdom as ''Last Year in Marienbad'') is a 1961 Left Bank film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet. Set in a palace in a park that has been converted into a luxury hotel, it stars Delphine Seyrig and Giorgio Albertazzi as a woman and a man who may have met the year before and may have contemplated or started an affair, with Sacha Pitoëff as a second man who may be the woman's husband. The characters are unnamed. Plot In an ornate baroque hotel populated by wealthy individuals and couples who socialize with each other, a man approaches a woman and claims they met the year before at a similar resort (perhaps at Frederiksbad, Karlstadt, Marienbad, or Baden-Salsa) and had a romantic relationship, but she responded to his request to run away together by asking him to wait a year, which time has now elapsed. The woman insists she has never met the man, so he proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
