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An Allegory Of Truth And Time
''An Allegory of Truth and Time'' is a 1584–85 oil on canvas painting by Annibale Carracci, now on display in Hampton Court as part of the Royal Collection. It is not mentioned in any of the 17th century biographical sources on Carracci's life and it is thought to have been in England by the early 18th century at the latest. The first definite reference to it dates to the mid 19th century, by which time it was in Queen Victoria's collection Daniele Benati, in ''Annibale Carracci, Catalogo della mostra Bologna e Roma 2006-2007'', Milano, 2006, p. 164. and thought to be by an unknown artist. Roberto Longhi and Hermann Voss assigned it its present attribution in the early 20th century. Its style is very close to that of the artist's work on the ''Lives of Jason and Medea'' frescoes at the Palazzo Fava in Bologna, produced around 1584 with his relations Agostino Carracci and Ludovico Carracci.Donald Posner, ''Annibale Carracci: A Study in the reform of Italian Painting around 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campidoglio
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred And Profane Love
''Sacred and Profane Love'' ( it, Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus. The title of the painting is first recorded in 1693, when it was listed in an inventory as ' (Divine love and Profane love), and may not represent the original concept at all. Although "much ink has been spilt by art historians attempting to decipher the iconography of the painting", and some measure of consensus has been achieved, basic aspects of the intended meaning of the painting, including the identity of the central figures, remain disputed. Description Two women, who appear to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Da Pozzo
Vera may refer to: Names *Vera (surname), a surname (including a list of people with the name) *Vera (given name), a given name (including a list of people and fictional characters with the name) **Vera (), archbishop of the archdiocese of Tarragona Places Spain *Vera, Almería, a municipality in the province of Almería, Andalusia *Vera de Bidasoa, a municipality in the autonomous community of Navarra *La Vera, a comarca in the province of Cáceres, Extremadura United States *Vera, Illinois, an unincorporated community * Vera, Kansas, a ghost town * Vera, Missouri, an unincorporated community * Vera, Oklahoma, a town *Vera, Texas, an unincorporated community * Vera, Virginia, an unincorporated community *Veradale, Washington, originally known as Vera, CDP Elsewhere *Vera, Santa Fe, a city in the province of Santa Fe, Argentina *Vera Department, an administrative subdivision (departamento) of the province of Santa Fe * Vera, Mato Grosso, Brazil, a municipality *Cape Vera, Nun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Sacro E Amor Profano
Amor ("love" in Latin, Spanish and Portuguese) may refer to: Music Albums * ''Amor'' (Julio Iglesias album), 1982 * ''Amor'' (Andrea Bocelli album), 2006 Songs * "Amor" (Los Auténticos Decadentes song), 2000 * "Amor" (Cristian Castro song), 1995 * "Amor" (Gabriel Ruiz song), recorded by Bing Crosby in 1944, Ben E. King in 1961, and Luis Miguel in 2001 * "Amor" (Ricky Martin song), 2001 Other uses * Amor (name), a list of notable people with the name * Amor, the Roman deity Cupid *The land of the ancient Amorites, also known as Amurru *1221 Amor, an asteroid *Amor asteroid, a group of near-Earth asteroids named after 1221 Amor *Amor (automobile), a German car * ''Amor Vincit Omnia'' (Caravaggio), 17th-century painting * ''Amor'' (film), a 1940 Argentine comedy film * WPAT-FM, branded as ''93.1 Amor'', a radio station in Paterson, New Jersey * WAMR-FM, branded as ''107.5 Amor'',a radio station in Miami,Florida See also *Amor Amor (other) *Amora (other) *Amore (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiziano
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di San Vitale (Ravenna)
The Basilica of San Vitale is a late antique church in Ravenna, Italy. The sixth-century church is an important surviving example of early Christian Byzantine art and architecture. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form. Within the Roman Catholic Church it holds the honorific title of basilica for its historic and ecclesial importance. History The church's construction began in 526 on the orders of Bishop Ecclesius of Ravenna. At the time, Ravenna was under the rule of the Ostrogoths. Bishop Maximian completed construction in 547, preceding Justinian's creation of the Exarchate of Ravenna, which followed his partial re-conquest of the Western Roman Empire. The construction of the church was sponsored by local banker and architect Julius Argentarius. Very little is known of Julius, but he also sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Di Brera
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' execu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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