Amina (1951 Film)
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Amina (1951 Film)
''Amina'' ( arz, امينة) is a 1951 Egyptian film directed by Goffredo Alessandrini and starring Assia Noris, Youssef Wahby and Rushdy Abaza.Moliterno p.227 Cast * Assia Noris * Youssef Wahby * Rushdy Abaza * Samiha Tawfik * Seraj Munir Seraj Munir (1901–1957) was an Egyptian film actor. He appeared in 46 films between 1930 and 1957. Selected filmography * '' The Leech'' (1956) * '' Al-Malak al-Zalem'' (1954) * '' Lahn al-Kholood'' (1952) * ''Amina'' (1951) * ''Kursi al-I`t ... References Bibliography * Moliterno, Gino. ''Historical Dictionary of Italian Cinema''. Scarecrow Press, 2008. External links * 1951 films Films directed by Goffredo Alessandrini Egyptian black-and-white films {{Egypt-film-stub ...
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Goffredo Alessandrini
Goffredo Alessandrini (20 November 1904, in Cairo – 16 May 1978, in Rome) was an Italian scriptwriter and film director. He also acted, edited, and produced some films. He practiced athletics in his youth, and won a title of Italian champion on 110 meters hurdles in 1925. Biography He started in films collaborating with Alessandro Blasetti and was one of the most important film directors under Italian Fascism. His films received several awards at the Venice Film Festival during the Fascist era: the Mussolini Cup for Best Italian film in 1938, for ''Luciano Serra pilota'', and in 1939 for ''Abuna Messias''. He received the Biennale Award in 1942, for ''Noi Vivi'' and ''Addio Kira!'' His most remembered and important works are two anti-Communist films (combined to comprise 4 hours), both based on Ayn Rand's ''We the Living''. Without Rand's permission, ''We the Living'' was made into a pair of films, ''Noi vivi'' and ''Addio, Kira'' in 1942, by Scalara Films, Rome. This was ...
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Assia Noris
Assia Noris (16 February 1912 – 27 January 1998) was a Russian-Italian film actress. Born Anastasia Noris fon Gerzfeld (Anastassia Noris von Herzfeld), she appeared in over 35 films between 1932 and 1965. She starred in films such as the Mario Mattoli 1936 film '' L' Uomo che sorride'' and ''Il signor Max'' (1937). She made several appearances alongside Vittorio De Sica when he was a young actor. She was married to the film directors Roberto Rossellini and Mario Camerini, appearing in several films made by the latter. Selected filmography * ''Three Lucky Fools'' (1933) * ''Giallo'' (1933) * '' The Wedding March'' (1934) * ''Those Two'' (1935) * ''But It's Nothing Serious'' (1936) * ''The Man Who Smiles'' (1936) * '' I'll Give a Million'' (1936) * ''A Woman Between Two Worlds'' (1936) * ''Il signor Max'' (1937) * ''The Make Believe Pirates'' (1937) *''The House of Shame'' (1938) * ''I Want to Live with Letizia'' (1938) * ''Department Store'' (1939) *'' Dora Nelson'' (1939) * ' ...
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Arabic Language
Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is the language of literature, official documents, and formal written m ...
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Youssef Wahby
Youssef Abdallah Wahbi Qotb ( ar, يوسف عبد الله هديب وهبي قطب) (14 July 1902 – 17 October 1982) was an Egyptian stage and film actor and director, a leading star of the 1930s and 1940s and one of the most prominent Egyptian stage actors of any era, who also served on the jury of the Cannes Film Festival in 1946. He was born to a high state official in Egypt but renounced his family's wealth and traveled to Rome in the 1920s to study theatre. Besides his stage work, he acted in about 50 films, starting with ''Awlad al-Zawat'' (''Sons of Aristocrats''; 1932) to "Iskanderiya... lih?" (''Alexandria... Why?'', 1978). Early life Youssef Wahbi was born into an Egyptian family of Egyptian origin, from the Fayoum region. He was named after the place where he was born, ''Bahr Yussef'' and his father worked as an inspector in the Ministry of Water Resources and Irrigation. Career In 1926, Turkish filmmaker Vedat Örfi Bengü approached Wahbi to play the r ...
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Rushdy Abaza
Rushdy Saiid El Bughdady Abaza ( arz, رشدي سعيد البوغدادي أباظة) (3 August 1926 – 27 July 1980) was an Egyptian film and television actor. He was considered one of the most charming actors in the Egyptian film industry. He died of brain cancer at the age of 53. Family Rushdy Abaza was born in Sharqia, Egypt, to Egyptian father, Said Abaza, belonging to one of Egypt's most well-known families, the Abaza family. Rushdy attended school at Collège Saint Marc in Alexandria. From his father's side he had three half-sisters, ''Ragaa'', ''Mounira'', ''Zeinab'' and one half-brother, ''Fekri'' (an actor). From his mother's side, he had one half-brother, ''Hamed''. His only child is a daughter, ''Qismat'' (Eismat). Marriages * Tahiya Karioka, Egyptian actress and dancer *Barbara, American mother of his only child, Qismat *Samia Gamal, famous Egyptian dancer (his longest marriage) *Sabah, famous Lebanese singer *Nabila Abaza Filmography He appeared in more than ...
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Seraj Munir
Seraj Munir (1901–1957) was an Egyptian film actor. He appeared in 46 films between 1930 and 1957. Selected filmography * ''The Leech'' (1956) * ''Al-Malak al-Zalem'' (1954) * ''Lahn al-Kholood'' (1952) * '' Amina'' (1951) * '' Kursi al-I`tiraf'' (1949) * ''The Adventures of Antar and Abla'' (1948) * ''Abu Zayd al-Hilali'' (1947) * '' Rossassa Fel Qalb'' (1944) * '' Red Orchids'' (1938) * ''Napoleon Is to Blame for Everything ''Napoleon Is to Blame for Everything'' (german: Napoleon ist an allem schuld) is a 1938 German comedy film directed by Curt Goetz and starring Goetz, Valerie von Martens and Paul Henckels.Kreimeier p. 287 It marked the German debut of the Nor ...'' (1938) External links * 1901 births 1957 deaths Egyptian male film actors Male actors from Cairo 20th-century Egyptian male actors {{Egypt-actor-stub ...
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1951 Films
The year 1951 in film involved some significant events. Top-grossing films United States The top ten 1951 released films by box office gross in the United States are as follows: International The highest-grossing 1951 films in countries outside of North America. Worldwide gross The following table lists known worldwide gross figures for several high-grossing films that originally released in 1951. Note that this list is incomplete and is therefore not representative of the highest-grossing films worldwide in 1951. This list also includes gross revenue from later re-releases. Events * February 15 – new management takes over at United Artists with Arthur B. Krim, Robert Benjamin and Matty Fox now in charge. * April – French magazine '' Cahiers du cinéma'' is first published. * July 26 – Walt Disney's '' Alice in Wonderland'' premieres; while a disappointment at first and hardly released in theaters, it would later become one of the biggest cult classics in the ani ...
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Films Directed By Goffredo Alessandrini
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ...
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