Amalie Materna
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Amalie Materna
Amalie Materna (born Amalia, later Amalie Friedrich-Materna) (10 July 1844 St. Georgen in der Steiermark – 18 January 1918 Vienna) was an Austrian operatic soprano. While possessing a famously powerful voice, Materna also maintained a youthful bright vocal timbre throughout her career which spanned three decades. She is best remembered today for originating several roles in operas by Richard Wagner. Career Materna made her professional opera début at the Thalia Theatre in Graz in 1865. She then married Karl Friedrich, an actor, and was engaged with him singing operettas in suburban theatres near Vienna, and at the Carltheater in Vienna. She made her debut at the Vienna State Opera in 1869, singing Selika in ''L'Africaine''. Popularly received, Materna became a regular performer at the Vienna court for the next 25 years. Her notable performances include Amneris in the first Vienna performance of ''Aida'' in 1874 and the title role at the première of Goldmark's ''Die Köni ...
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Amalie Materna - Portrait11 - IL
Amalie may refer to: People * Amalie (given name), a female given name, derived from Amalia Places * Charlotte Amalie, U.S. Virgin Islands, capital of the territory * Amalie Arena, a hockey stadium in Tampa, Florida Businesses * Amalie Oil Company, American motor oil producer See also * Amélie (other) * Amalia (other) * AmaLee Amanda Lee (born March 13, 1992), also known as AmaLee, is an American singer, voice actress, YouTuber, and virtual YouTuber (VTuber) under the name Monarch. She is known for her English covers of anime and video game songs on YouTube, which hav ...
(born 1992), U.S. singer and voice actress {{Disambiguation, geo ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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Amalie Materna As Ortrud Wien - IL
Amalie may refer to: People * Amalie (given name), a female given name, derived from Amalia Places * Charlotte Amalie, U.S. Virgin Islands, capital of the territory * Amalie Arena, a hockey stadium in Tampa, Florida Businesses * Amalie Oil Company, American motor oil producer See also * Amélie (other) * Amalia (other) * AmaLee Amanda Lee (born March 13, 1992), also known as AmaLee, is an American singer, voice actress, YouTuber, and virtual YouTuber (VTuber) under the name Monarch. She is known for her English covers of anime and video game songs on YouTube, which hav ...
(born 1992), U.S. singer and voice actress {{Disambiguation, geo ...
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Amalie Materna As Elisabeth In Tannhäuser (Met 1885) IL
Amalie may refer to: People * Amalie (given name), a female given name, derived from Amalia Places * Charlotte Amalie, U.S. Virgin Islands, capital of the territory * Amalie Arena, a hockey stadium in Tampa, Florida Businesses * Amalie Oil Company, American motor oil producer See also * Amélie (other) * Amalia (other) * AmaLee Amanda Lee (born March 13, 1992), also known as AmaLee, is an American singer, voice actress, YouTuber, and virtual YouTuber (VTuber) under the name Monarch. She is known for her English covers of anime and video game songs on YouTube, which hav ...
(born 1992), U.S. singer and voice actress {{Disambiguation, geo ...
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Amalie Materna As Brünhilde 1876 - IL1
Amalie may refer to: People * Amalie (given name), a female given name, derived from Amalia Places * Charlotte Amalie, U.S. Virgin Islands, capital of the territory * Amalie Arena, a hockey stadium in Tampa, Florida Businesses * Amalie Oil Company, American motor oil producer See also * Amélie (other) * Amalia (other) * AmaLee Amanda Lee (born March 13, 1992), also known as AmaLee, is an American singer, voice actress, YouTuber, and virtual YouTuber (VTuber) under the name Monarch. She is known for her English covers of anime and video game songs on YouTube, which hav ...
(born 1992), U.S. singer and voice actress {{Disambiguation, geo ...
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Amalie Materna As Kundry 1882 - IL7
Amalie may refer to: People * Amalie (given name), a female given name, derived from Amalia Places * Charlotte Amalie, U.S. Virgin Islands, capital of the territory * Amalie Arena, a hockey stadium in Tampa, Florida Businesses * Amalie Oil Company, American motor oil producer See also * Amélie (other) * Amalia (other) * AmaLee Amanda Lee (born March 13, 1992), also known as AmaLee, is an American singer, voice actress, YouTuber, and virtual YouTuber (VTuber) under the name Monarch. She is known for her English covers of anime and video game songs on YouTube, which hav ...
(born 1992), U.S. singer and voice actress {{Disambiguation, geo ...
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La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the work ha ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Emil Scaria
Emil Scaria (18 September 1838 – 23 July 1886) was an Austrian bass-baritone. Born in Graz, he studied at the conservatory in Vienna before making his debut in Pest in 1860; he sang the role of St. Bris in ''Les Huguenots''. He was a failure, and abandoned the stage entirely in favor of further study; he selected Manuel García as his new teacher. Though he returned to the stage in Dessau, he did not see success until he sang at the Crystal Palace in London in 1862. In 1863, he appeared with the Leipzig Opera; in 1864, he was working in Dresden. He was engaged by the Vienna State Opera in 1872. In 1882, he created the role of Gurnemanz in ''Parsifal'' for Richard Wagner at Bayreuth. Scaria died in Blasewitz, in Germany, in 1886. Roles World premieres * 1868 Franz von Holstein: ''Der Haideschacht'' – Königliches Hoftheater Dresden * 1882 Richard Wagner: ''Parsifal'' – Bayreuther Festspiele (Gurnemanz) Repertoire References * David Ewen, ''Encyclopedia of the ...
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Hermann Winkelmann
Hermann Winkelmann (or Winckelmann) (8 March 1849 – 18 January 1912) was a German Heldentenor, notable for creating the title role in Richard Wagner's ''Parsifal'' in 1882. Biography Hermann Winkelmann was born in Braunschweig in 1849. His father, Christian Ludewig Theodor Winkelmann, was the founder of , piano manufacturers, and he himself planned to continue his father's trade. He went to Paris to study piano construction, but while there he decided to become a singer. He had his initial training in Paris, and later with Koch in Hanover. Winkelmann made his debut as Manrico in Verdi's ''Il trovatore'' in the Court Theatre of Sondershausen in 1875. He then sang in such places as Altenburg, Darmstadt, and Leipzig. He joined the Hamburg State Opera in 1878. The first role he created was that of Anton Rubinstein's '' Néron'', in a German translation at the Theater am Dammtor in Hamburg on 1 October 1879 (it did not have its Russian premiere until 1884). Winkelmann became a ...
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