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Always On My Mind (Willie Nelson Album)
''Always on My Mind'' is the 27th studio album by country singer Willie Nelson. It was the Billboard number one country album of the year for 1982, and stayed 253 weeks on the Billboard Top Country Albums charts, peaking at number one for a total of 22 weeks, as well as spending 99 weeks on the ''Billboard'' 200 for all albums, peaking at number two for 3 weeks. Background and recording During the recording sessions for Nelson's collaboration album with Merle Haggard, '' Pancho & Lefty'', the producer Chips Moman and Bobby Emmons suggested that they record Johnny Christopher's " Always on My Mind". Haggard had no interest in recording a version of the song for the album, so instead Nelson recorded his own version—the first for the album entitled ''Always on My Mind''. In his autobiography, Nelson stated: "We'll never know what would have happened if Merle had really heard the song right. 'Always on My Mind' bowled me over the moment I first heard it, which is one way I pi ...
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Willie Nelson
Willie Hugh Nelson (born April 29, 1933) is an American country musician. The critical success of the album ''Shotgun Willie'' (1973), combined with the critical and commercial success of ''Red Headed Stranger'' (1975) and ''Stardust'' (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana. Born during the Great Depression and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the U.S. Air Force but was later discharged ...
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Bobby Emmons
Bobby Gene Emmons (February 19, 1943 – February 23, 2015) was an American keyboard player and songwriter. He was an active session musician in Memphis, Tennessee, and was the keyboardist of The Memphis Boys, playing keyboards on tracks by Elvis Presley, Willie Nelson and many others from the 1950s onward. His compositions included " Luckenbach, Texas (Back to the Basics of Love)", written with Chips Moman and recorded by Waylon Jennings; and " Love Me Like You Used To", co-written with Paul Davis and recorded by both Johnny Cash and Tanya Tucker. Emmons was born in Corinth, Mississippi, and began performing when at high school. In 1960 he joined Bill Black's band and toured widely with Black, both nationally in the US and internationally. He began playing keyboards in the house band at Hi Records around 1963, before moving to Chips Moman's American Sound Studio as a session musician. Among the many records on which he played keyboards in the 1960s and 1970s we ...
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Wayne Carson Thompson
Wayne Carson (born Wayne Carson Head; May 31, 1943 – July 20, 2015), sometimes credited as Wayne Carson Thompson, was an American country musician, songwriter, and record producer. He played percussion, piano, guitar, and bass. His most famous songs as a writer include " The Letter", " Neon Rainbow", " Soul Deep", and " Always on My Mind" (written with Mark James and Johnny Christopher). Biography Carson was born in Denver, Colorado, to Odie and Olivia Head, who played music professionally under the pseudonym Thompson. Juli Thanki, "'Always on My Mind' writer Wayne Carson dead at 72", ''The Tennessean'', July 20, 2015
Retrieved July 20, 2015
They met in Nebraska while working for radio station KMMJ, ...
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Mark James (songwriter)
Mark James (born Francis Rodney Zambon; November 29, 1940) is an American songwriter who wrote hits for singers B.J. Thomas, Brenda Lee, and Elvis Presley, including Presley's US number one hit single, "Suspicious Minds." Early life Mark James was born and raised an Italian-American in Houston, Texas, on November 29, 1940. James befriended B.J. Thomas while both were still young. Career 1967–1969: Career beginnings and songwriting By the late 1960s, James was signed as a staff songwriter to Memphis producer Chips Moman's publishing company, Moman producing Thomas’ versions of "The Eyes of a New York Woman", "Hooked on a Feeling", and "It's Only Love" from 1968 to 1969 (all of which achieved success). James released his own version of "Suspicious Minds," also produced by Moman, on Scepter Records in 1968. Using much the same arrangement, Elvis Presley recorded a version in 1969 that became a smash hit and was later listed on '' Rolling Stone's'' 500 Greatest So ...
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Johnny Christopher
John (“Johnny”) Lee Christopher Jr. (born 1943 in Atlanta, Georgia) is an American singer, guitarist, session musician and songwriter. Music career Christopher's singles included "(She's A) Girl Of Many Colors / The Teacher And The Pet" (1969) and "Love Stuff" (1972). As a songwriter, he wrote " Mama Liked the Roses" for Elvis Presley and co-wrote " Always on My Mind" with Mark James and Wayne Carson, a song first released by Gwen McCrae in 1972. Brenda Lee and Elvis Presley also recorded and released the song in 1972. The song has been covered by several well-known artists including John Wesley Ryles and the Pet Shop Boys. For Willie Nelson's 1982 cover, Christopher, James, and Carson won Grammy Awards for Song of the Year and Best Country Song, 10 years after its original release. Christopher also co-wrote the 1974 song "If You Talk in Your Sleep" for Elvis Presley with Red West Robert Gene "Red" West (March 8, 1936 – July 18, 2017) was an American actor, fi ...
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Dan Penn
Dan Penn (born Wallace Daniel Pennington, November 16, 1941) is an American songwriter, singer, musician, and record producer, who co-wrote many soul hits of the 1960s, including " The Dark End of the Street" and "Do Right Woman, Do Right Man" with Chips Moman and " Cry Like a Baby" with Spooner Oldham. Penn also produced many hits, including " The Letter", by The Box Tops. He has been described as a white soul and blue-eyed soul singer. Penn has released relatively few records featuring his own vocals and musicianship, preferring the relative anonymity of songwriting and producing. Early life and career Penn grew up in Vernon, Alabama, United States, and spent much of his teens and early twenties in the Quad Cities– Muscle Shoals area.''Dan Penn''


Bridge Over Troubled Water (song)
"Bridge over Troubled Water" is a song by the American folk duo Simon & Garfunkel, released in January 1970 as the second single from their fifth studio album, '' Bridge over Troubled Water'' (1970). It was composed by Paul Simon and produced by Simon & Garfunkel and Roy Halee. "Bridge over Troubled Water" features lead vocals by Art Garfunkel and a piano accompaniment influenced by gospel music, with a "Wall of Sound"-style production. It was the last song recorded for the album, but the first completed. The instrumentation, provided by the Wrecking Crew, was recorded in California, while Simon and Garfunkel's vocals were recorded in New York. Simon felt Garfunkel should sing solo, an invitation Garfunkel initially declined. Session musician Larry Knechtel performs piano, with Joe Osborn playing bass guitar and Hal Blaine on drums. The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year. It is Simo ...
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Let It Be Me (The Everly Brothers Song)
"Let It Be Me" is a popular song originally published in French in 1955 as "Je t'appartiens" interpreted by Gilbert Bécaud. It became popular worldwide with an English version by the Everly Brothers and later with the duet by Betty Everett and Jerry Butler. "Je t'appartiens" "Je t'appartiens" was recorded by Gilbert Bécaud in 1955, with music by Bécaud and lyrics in French by Pierre Delanoë. It became a hit for Bécaud and in 1956 was re-recorded by Les Compagnons de la chanson. First English version by Jill Corey The English language version used lyrics by Manny Curtis and was performed in 1957 by Jill Corey in the television series ''Climax!'' Corey's version, with orchestration by Jimmy Carroll, was released as a single and was moderately successful. The Everly Brothers version The Everly Brothers helped to further popularize the song with their 1959 rendition of "Let It Be Me" which reached number 7 on the ''Billboard'' Hot 100. The harmony arrangement of this ve ...
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A Whiter Shade Of Pale
"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. Without much promotion, it reached number 5 on the US ''Billboard'' Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, "A Whiter Shade of Pale" has become an enduring classic, with more than 1,000 known cover versions by other artists. With its Bach-derived instrumental melody, soulful vocals, and unusual lyrics, the music of "A Whiter Shade of Pale" was composed by Gary Brooker and Matthew Fisher, while the lyrics were written by Keith Reid. Originally, the writing credits only listed Brooker and Reid. In 2009, Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords. In 1977, the song was na ...
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The Party's Over And Other Great Willie Nelson Songs
''The Party's Over and Other Great Willie Nelson Songs'' is the sixth studio album by country singer Willie Nelson. Background By 1967, Nelson had enjoyed immense success as a songwriter, penning “Crazy” for Patsy Cline and “Pretty Paper” for Roy Orbison, but had enjoyed only middling success as a recording artist himself. His most recent album, '' Make Way for Willie Nelson'', had produced the Top 20 single “One In a Row,” but his sales paled in comparison to other country stars like Marty Robbins and Johnny Cash. As he later put it, “For all my songwriting success, my RCA albums languished on the shelves. I was far from what you’d call a superstar. I wasn’t playing concert halls or arenas. I was playing beer joints.” Nelson was becoming increasingly unhappy with RCA, feeling the label did not promote his records enough and kept him around so his stable mates could pillage his poor-selling albums for material. In Nelson's first autobiography Atkins adm ...
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The Party's Over (Willie Nelson Song)
"The Party's Over" is a song written and recorded by American country music singer Willie Nelson during the mid-1950s. After arriving in Houston, Texas, Nelson was hired to play for the Esquire Ballroom band, where he would be allowed to close the shows singing the song. Guitar instructor and Nelson's friend Paul Buskirk forwarded the song to singer Claude Gray, who recorded the original version of the song, released as "My Party's Over" in 1959. Nelson recorded the song himself in 1966, which was released as a single in February 1967. It reached number twenty-four on ''Billboard's'' Hot Country Singles, and it was included as the title track of Nelson's album. The song was later popularized by former Dallas Cowboys quarterback and ''Monday Night Football'' host Don Meredith, who often sang the first line of the song on the broadcasts when a team established an insurmountable lead. Background In 1956, Nelson moved from Fort Worth, Texas to Portland, Oregon. He soon found a job ...
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Good Times (Willie Nelson Album)
''Good Times'' is the eighth studio album by American country music singer Willie Nelson, released in 1968. Arrangements were by Anita Kerr, Bill Walker and Ray Stevens. Background Although Nelson enjoyed a loyal and enthusiastic following in Texas, his record sales at RCA remained underwhelming. In a bid to break Nelson as a major recording star, producer Chet Atkins had employed many of the recording techniques that had worked for other stars on the label, but as the sixties neared a close it was becoming plain to Nelson that the Nashville sound simply did not suit his own musical instincts. As the singer later explained, “Because Chet was convinced I could be a superstar, it was hard to walk away from his operation...Yet his way of producing, for all its technical wonders, fenced me in. I knew it, but, blinded by ambition, I accepted the formula. I should have known better, but the truth is it took me a long time – all of the sixties, in fact – to finally see the li ...
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