Alun Ashworth-Jones
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Alun Ashworth-Jones
''Alun Ashworth-Jones'' is the full name of the noted British folk/ blues/rock songwriter, guitarist and singer Al Jones, and is also the title of his first album, which this article addresses. He had previously made an E.P. as part of the trio Anderson, Jones, Jackson. The album was originally issued by Parlophone in 1969 and has been re-released in CD format by Mooncrest Records in 2001, with additional, previously unreleased tracks. Original release Parlophone PMC 7081, 1969 Recorded 5–13 March 1969 at Sound Techniques, London Track listing All compositions by Al Jones except where stated otherwise # "Siamese Cat" # "Come Join My Orchestra" # "Ire and Spottiswoad" # "Tramp" # "Sarah in the Isle of Wight" # "What I Was Thinking" ''(Take 2)'' # "River Bend (Instrumental)" # "Railway Lines" # "Big City" Personnel * Al Jones - vocals, guitar * Mike Piggott - violin *Harold McNair - flute * Gordon Huntley - steel guitar * Percy Jones - electric bass * Spike Heatley - string b ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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Wes Farrell
Wes Farrell (December 21, 1939 – February 29, 1996) was an American musician, songwriter and record producer, who was most active in the 1960s and 1970s. Career Farrell was born in New York, United States. Farrell's catalogue includes close to 500 songs that he wrote, produced and/or published. One of his earliest successes, ''Boys'' (co-written with Luther Dixon), appeared on the B-side of the Shirelles' 1960 number-one hit ''Will You Love Me Tomorrow'', and in 1963 was covered by the Beatles for their debut album ''Please Please Me''. Farrell's biggest chart hit as a composer – the McCoys' 1965 US number one ''Hang On Sloopy'' (a reworking of "My Girl Sloopy", co-written with Bert Russell) – remains one of the most performed songs in the history of popular music, according to the RIAA.. In 1985, ''Hang On Sloopy'' became the official state rock song of the State of Ohio. Other Farrell pop hits include the Animals' UK debut single '' Baby Let Me Take You Home'' (co-wri ...
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Boys (The Shirelles Song)
"Boys" is a song written by Luther Dixon and Wes Farrell, originally recorded by the Shirelles at Bell Sound Studios in New York City and released as the B-side of their "Will You Love Me Tomorrow" single in November 1960. It was recorded more than two years later by the Beatles and included on their debut album in the United Kingdom, ''Please Please Me'' (1963). The Shirelles' version In 1960, the American girl group the Shirelles released "Boys" as B-side of "Will You Love Me Tomorrow" (Scepter single 1211), published by Ludix Pub. Inc. (BMI). The Beatles' version The Beatles' version was recorded at Abbey Road Studios on February 11, 1963, in a single take. It is Ringo Starr's first recorded lead vocal with the Beatles and, as the fifth track on the Beatles' first album, ''Please Please Me'', represents the first time many fans heard Starr singing a lead vocal. This version bears many similarities to Ray Charles's hit "What'd I Say", particularly during the chorus verses. Feb ...
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Tommy Roe
Thomas David "Tommy" Roe (born May 9, 1942) is a retired American rock and pop singer-songwriter. Best-remembered for his hits "Sheila" (1962) and " Dizzy" (1969), Roe was "widely perceived as one of the archetypal bubblegum artists of the late 1960s, but cut some pretty decent rockers along the way, especially early in his career," wrote the AllMusic journalist Bill Dahl. Biography Roe was born and raised in Atlanta, Georgia, United States, where he attended Brown High School. After graduating, he landed a job at General Electric soldering wires. Tommy Roe first recorded his original song "Sheila" in 1960 for Jud Phillips's Judd label. "I wrote this poem for a girl I had a crush on in high school, and her name was Freda," recalled Roe in 2015. "ud Phillips said,'Son, I like that song but we gotta do somethin' about that title.' So he sent me home and Aunt Sheila was visiting that weekend. The rest is history!" The Judd single, misspelled "Shelia" and credited to "Tommy Roe ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a car ...
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Jerry Allison
Jerry Ivan Allison (August 31, 1939 – August 22, 2022) was an American musician, best known as the drummer for the Crickets and co-writer of their hits "That'll Be the Day" and "Peggy Sue", recorded with Buddy Holly. His only solo chart entry on the ''Billboard'' Hot 100 was "Real Wild Child", issued in 1958 under the name Ivan. Allison was inducted into the Rock and Roll Hall of Fame in 2012. Background Allison's first professional recording was "Who's Gonna Be the Next One Honey", released as a 45-rpm disc (now very rare) by a local group, Hal Goodson and the Raiders. It was also performed at the Norman Petty studio in Clovis, New Mexico, about six months before "Peggy Sue" was recorded. In their early days at the Lubbock Youth Center, in Lubbock, Texas, Allison's drumming was the sole accompaniment to Buddy Holly's vocals and guitar, allowing Holly to perform some of his best guitar work. Over time, Allison's rhythm backup ranged from slapping his hands on his knees or ...
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Norman Petty
Norman Petty (May 25, 1927 – August 15, 1984) was an American musician, record producer, publisher, radio station owner, and considered to be one of the founding fathers of early rock & roll. Biography Petty was born in the small town of Clovis, New Mexico. He began playing piano at a young age. While in high school, he regularly performed on a 15-minute show on a local radio station. After his graduation in 1945, he was drafted into the United States Air Force. When he returned, he married his high-school sweetheart Violet Ann Brady on June 20, 1948. The couple lived briefly in Dallas, Texas, where Petty worked as a part-time engineer at a recording studio. Eventually, they moved back to their hometown of Clovis. Petty and his wife, Vi, founded the Norman Petty Trio with guitarist Jack Vaughn. Due to the local success of their independent debut release of "Mood Indigo", they landed a recording contract with RCA Records and sold half a million copies of the recording, and wer ...
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Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Dec ...
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Doc Pomus
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known professionally as Doc Pomus, was an American blues singer and songwriter. He is best known as the co-writer of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992), and the Blues Hall of Fame (2012). Early life Born Jerome Solon Felder in 1925 in Williamsburg, Brooklyn, New York, he was the son of Jewish immigrants. He attended Brooklyn College from 1943 to 1945. Felder became a fan of the blues after hearing a Big Joe Turner record, "Piney Brown Blues". Having contracted polio as a boy, he walked with the aid of crutches. Later, due to post-polio syndrome exacerbated by an accident, Felder relied on a wheelchair. His brother is New York attorney Raoul Felder. Career Using the stage name Doc Pomus, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it ...
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Mort Shuman
Mortimer Shuman (12 November 1938 – 2 November 1991) was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including "Viva Las Vegas". He also wrote and sang many songs in French, such as "Le Lac Majeur", "Papa-Tango-Charly", "Sha Mi Sha", "Un Été de Porcelaine", and "Brooklyn by the Sea" which became hits in France. Life and career Shuman was born in Brooklyn, New York, United States, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York City's Brill Building. Their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by artists such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan, The Drifters, ...
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Skip James
Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressive body of work." His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was rediscovered in 1964 by blues enthusiasts including John Fahey, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country, and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by num ...
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