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Alternative Process
{{unsourced, date= March 2021 The term alternative process refers to any non-traditional or non-commercial photographic printing process. Currently the standard analog photographic printing process is the gelatin silver process, and standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. Alternative processes are often called historical, or non-silver processes. Most of these processes were invented over 100 years ago and were used by early photographers. Many contemporary photographers are revisiting alternative processes and applying new technologies (the digital negative) and practices to these techniques. Examples *Caffenol *Daguerreotype *Gum bichromate and other Pigmented Dichromated Colloids which are used to directly generate a photographic print * Platinum Process and Palladium Process * Carbon print and various similar processes which use a non-sensitive intermediate layer to generate a photographic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gelatin Silver Process
The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper. These light-sensitive materials are stable under normal keeping conditions and are able to be exposed and processed even many years after their manufacture. This was an improvement on the collodion wet-plate process dominant from the 1850s–1880s, which had to be exposed and developed immediately after coating. History The gelatin silver process was introduced by Richard Leach Maddox in 1871 with subsequent considerable improvements in sensitivity obtained by Charles Harper Bennett in 1878. Gelatin silver print paper was made as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collodion Process
The collodion process is an early photographic process. The collodion process, mostly synonymous with the "collodion wet plate process", requires the photographic material to be coated, sensitized, exposed, and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Collodion is normally used in its wet form, but it can also be used in dry form, at the cost of greatly increased exposure time. The increased exposure time made the dry form unsuitable for the usual portraiture work of most professional photographers of the 19th century. The use of the dry form was therefore mostly confined to landscape photography and other special applications where minutes-long exposure times were tolerable. History Gustave Le Gray first theorized about the collodion process, publishing a method in 1850 that was "theoretical at best", but Frederick Scott Archer was credited with the invention of the process, which he created in 1848 and publis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Processes
A list of photographic processing techniques. Color *Agfacolor ** Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6) *Anthotype *Autochrome Lumière, 1903 * Carbon print, 1862 *Chromogenic positive (Ektachrome) **E-3 process **E-4 process **E-6 process *Chromogenic negative **C-41 process **RA-4 process *Dufaycolor *Dye destruction ** Cibachrome **Ilfochrome *Dye-transfer process * Finlaycolor *Heliochrome *Kinemacolor *Kodachrome ** K-12 process **K-14 process * Lippmann plate, 1891 * One-light Black and white (monochrome) A * Abration tone * Acetate film * Albertype *Albumen print, 1850 * Algraphy *Ambrotype * Amphitype * Amylotype * Anaglyph *Anthotype * Anthrakotype * Archertype * Argentotype *Argyrotype * Aristo paper * Aristotype *Aristo * Artotype * Atrephograph * Atrograph * Aurotype * Autotype (photographic process) B * Barrieotype *Baryta coated paper * Bayard process * Bichr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gold(I,III) Chloride
Gold(I,III) chloride is a black solid with the chemical formula Au4 Cl8. It is an example of a mixed valence compound as it contains gold in two different oxidation states; square-planar gold(III) and almost linear gold(I). The compound is photosensitive as well as air- and moisture-sensitive. Synthesis Gold(I,III) chloride may be prepared by the reaction of gold(III) chloride with gold carbonyl chloride or carbon monoxide at room temperature in thionyl chloride. :Au2(CO)Cl4 + Au2Cl6 → COCl2 + Au4Cl8 :2 Au2Cl6 + 2 CO → Au4Cl8 + 2 COCl2 Structure and properties Single crystals of gold(I,III) chloride are triclinic with a P space group In mathematics, physics and chemistry, a space group is the symmetry group of an object in space, usually in three dimensions. The elements of a space group (its symmetry operations) are the rigid transformations of an object that leave it uncha ... and consist of discrete Au4Cl8 molecules with idealised C2h symmetry. Within this the Au(I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uranyl Chloride
Uranyl chloride refers to inorganic compounds with the formula UO2Cl2(H2O)n where n = 0, 1, or 3. These are yellow-colored solids. Synthesis and structures The hydrates are obtained by dissolving uranyl sulfate or uranyl acetate in hydrochloric acid followed by crystallization from concentrated solutions. Depending on the method of drying, one obtains the mono- or the trihydrate. The monohydrate is described as a yellow, sulfur-like powder. It is very hygroscopic. The trihydrate is greenish-yellow. Both hydrates are fluorescent solids that are highly soluble in water. The anhydrous material can be obtained by the reaction of oxygen with uranium tetrachloride: :UCl4 + O2 → UO2Cl2 + Cl2 In terms of structures, all three of these compounds feature the uranyl center (''trans''-UO22+) bound to five additional ligands, which can include (bridging) chloride, water, or another uranyl oxygen. Reactions The aquo ligands can be replaced by a variety of donors, e.g. THF. Industri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salt Print
The salt print was the dominant paper-based photographic process for producing positive prints (from negatives) from 1839 until approximately 1860. The salted paper technique was created in the mid-1830s by English scientist and inventor Henry Fox Talbot. He made what he called "sensitive paper" for "photogenic drawing" by wetting a sheet of writing paper with a weak solution of ordinary table salt (sodium chloride), blotting and drying it, then brushing one side with a strong solution of silver nitrate. This produced a tenacious coating of silver chloride an especially light-sensitive chemical condition. The paper darkened where it was exposed to light. When the darkening was judged to be sufficient, the exposure was ended and the result was stabilized by applying a ''strong'' solution of salt, which altered the chemical balance and made the paper only slightly sensitive to additional exposure. In 1839, washing with a solution of sodium thiosulfate ("hypo") was found to be the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Print Process
The oil print process is a photographic printmaking process that dates to the mid-19th century. Oil prints are made on paper on which a thick gelatin layer has been sensitized to light using dichromate salts. After the paper is exposed to light through a negative, the gelatin emulsion is treated in such a way that highly exposed areas take up an oil-based paint, forming the photographic image. A significant drawback to the oil print process is that it requires the negative to be the same size as the final print because the medium is not sensitive enough to light to make use of an enlarger. A subtype of the oil print process, the bromoil process, was developed in the early 20th century to solve this problem. The oil print and bromoil processes create soft images reminiscent of paint or pastels but with the distinctive indexicality of a photograph. For this reason, they were popular with the Pictorialists during the first half of the 20th century. The painterly qualities of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vat Dye
Vat dyes are a class of dyes that are classified as such because of the method by which they are applied. Vat dyeing is a process that refers to dyeing that takes place in a bucket or vat. The original vat dye is indigo, once obtained only from plants but now often produced synthetically. Materials suited for vat dyeing Although almost all dyeing can be done in a vat, the term vat dye is used to describe a chemical class of dyes that are applied to cellulosic fibre (''i.e.'', cotton) using a redox reaction as described below. Because of the use of caustic soda, and the very high pH of the dye bath in the dyeing process, wool cannot be dyed using vat dyestuffs. This is because wool is soluble in caustic soda solutions. Instead, it is possible to dye wool at room temperatures with indigo (vat blue 1) and other low substantive vat dyes using soda ash as the alkali source with very little strength loss. Vat red 10, vat violet 13 and vat orange 1 can be applied in this manner as well. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lumi (company)
Lumi is a Los Angeles-based company founded by Jesse Genet and Stephan Ango that offers packaging and supply chain management software. The company got its start developing Inkodye, a photo-reactive vat dye that develops its color through exposure to UV or sunlight. History Jesse Genet began experimenting with different printing techniques as a teenager in 2004, attempting to print photographs on cotton T-shirts. Unsatisfied with the results of screen printing and dye-sublimation she pursued her research and found what became a precursor to Inkodye, a chemical formula from the 1950s owned by a retired engineer. After meeting Stephan Ango while studying at Art Center College of Design, the pair acquired the chemical formula and began modernizing it. Lumi launched a Kickstarter campaign in December 2009 to fund R&D of the technology. The company raised $13,597 and rewarded its backers with wallets, bags and other products printed using the process. The project was an early succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyanotype
The cyanotype (from Ancient Greek κυάνεος - ''kuáneos'', “dark blue” + τύπος - ''túpos'', “mark, impression, type”) is a slow-reacting, economical photographic printing formulation sensitive to a limited near ultraviolet and blue light spectrum, the range 300 nm to 400 nm known as UVA radiation. It produces a cyan-blue print used for art as monochrome imagery applicable on a range of supports, and for reprography in the form of blueprints. For any purpose, the process usually uses two chemicals: ferric ammonium citrate or ferric ammonium oxalate, and potassium ferricyanide, and only water to develop and fix. Announced in 1842, it is still in use. History The cyanotype was discovered, and named thus, by Sir John Herschel who in 1842 published his investigation of light on iron compounds, expecting that photochemical reactions would reveal, in form visible to the human eye, the infrared extreme of the electromagnetic spectrum detected by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Printing
Digital printing is a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers. Digital printing has a higher cost per page than more traditional offset printing methods, but this price is usually offset by avoiding the cost of all the technical steps required to make printing plates. It also allows for on-demand printing, short turnaround time, and even a modification of the image (variable data) used for each impression. The savings in labor and the ever-increasing capability of digital presses means that digital printing is reaching the point where it can match or supersede offset printing technology's ability to produce larger print runs of several thousand sheets at a low price. Process The greatest difference between digital printing and analog methods, such as l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
