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Allen Milgrom
Allen L. Milgrom (born March 6, 1950) is an American comic book writer, penciller, inker and editor, primarily for Marvel Comics. He is known for his 10-year run as editor of ''Marvel Fanfare''; his long involvement as writer, penciler, and inker on ''Peter Parker, The Spectacular Spider-Man''; his four-year tenure as ''West Coast Avengers'' penciller; and his long stint as the inker of ''X-Factor''. He often inks Jim Starlin's work. Milgrom is the co-creator of DC superhero Firestorm. Early life Al Milgrom grew up in Detroit, Michigan and graduated from the University of Michigan in 1972."Bullpen Bulletins," Marvel Comics cover dated July 1979. Career Milgrom started his comics career in 1972 as an assistant for inker Murphy Anderson. During that period, Milgrom contributed to Charlton Comics' ''Many Ghosts of Doctor Graves'', ''Star*Reach'', and comics published by Warren Publishing and Atlas/Seaboard, before joining with Marvel. Milgrom also worked as a " Crusty Bunker" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit
Detroit ( , ; , ) is the largest city in the U.S. state of Michigan. It is also the largest U.S. city on the United States–Canada border, and the seat of government of Wayne County. The City of Detroit had a population of 639,111 at the 2020 census, making it the 27th-most populous city in the United States. The metropolitan area, known as Metro Detroit, is home to 4.3 million people, making it the second-largest in the Midwest after the Chicago metropolitan area, and the 14th-largest in the United States. Regarded as a major cultural center, Detroit is known for its contributions to music, art, architecture and design, in addition to its historical automotive background. ''Time'' named Detroit as one of the fifty World's Greatest Places of 2022 to explore. Detroit is a major port on the Detroit River, one of the four major straits that connect the Great Lakes system to the Saint Lawrence Seaway. The City of Detroit anchors the second-largest regional economy in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bullpen Bulletins
"Bullpen Bulletins" (originally titled "Marvel Bullpen Bulletins") was the news and information page that appeared in most regular monthly comic books from Marvel Comics. In various incarnations since its inception in 1965 until its demise in 2001, it included previews of upcoming Marvel publications (the "Mighty Marvel Checklist"), profiles of Marvel staff members, and a monthly column written by Stan Lee known as "Stan's Soapbox" or "Stan Lee's Soapbox". With "Bullpen Bulletins," Lee created the friendly, chatty editorial voice of Marvel Comics — "a style that could be characterized as High Hipster — two parts Lord Buckley, one part Austin Powers," putting "himself on a first-name basis with the readership at a time when the rival DC editors generally came across... as... stodgy adults." The "Bullpen Bulletins" page was where Lee rhapsodized about the Marvel "bullpen," the stable of in-house creators who produced the company's comics. He often bestowed colorful sobriquets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Wrightson
Bernard Albert Wrightson (October 27, 1948 – March 18, 2017), sometimes credited as Bernie Wrightson, was an American artist, known for co-creating the Swamp Thing, his adaptation of the novel ''Frankenstein'' illustration work, and for his other horror comics and illustrations, which feature his trademark intricate pen and brushwork. Early life Wrightson was born October 27, 1948, in Dundalk, Maryland. He received training in art from watching Jon Gnagy on television, reading comics, particularly those of EC, as well as through a correspondence course from the Famous Artists School. His artistic influences were Frank Frazetta, Al Williamson, Al Dorne, Graham Ingels, Jack Davis and Howard Pyle. He published a piece of fan art, containing a headstone bearing the inscription "Berni Wrightson, Dec. 15, 1965", on page 33 of Warren Publishing's ''Creepy'' #9 (cover-dated June 1966). Career In 1966, Wrightson began working for ''The Baltimore Sun'' newspaper as an illustrator. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Chaykin
Howard Victor Chaykin (; born October 7, 1950) is an American comic book artist and writer. Chaykin's influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker. Early life Howard Chaykin was born in Newark, New Jersey, to Rosalind Pave and Norman Drucker, who soon separated. Chaykin was initially raised by his grandparents in Staten Island, New York City, until his mother married Leon Chaykin in 1953 and the family moved to East Flatbush and later to 370 Saratoga Avenue, Brownsville, Brooklyn. At 14, Reprinted in Chaykin moved with his now divorced mother to the Kew Gardens section of Queens. He said in 2000 he was raised on welfare after his parents separated and that his absent biological father eventually was declared dead, although Chaykin, as an adult, located him alive. Chaykin's "nutty and cruel" adoptive father, whom Chaykin until the 1990s believed was his natural father, encouraged Chaykin's inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Simonson
Walter Simonson (born September 2, 1946) is an American comic book writer and artist, best known for a run on Marvel Comics' ''Thor'' from 1983 to 1987, during which he created the character Beta Ray Bill. He is also known for the creator-owned work '' Star Slammers'', which he inaugurated in 1972 as a Rhode Island School of Design thesis. He has also worked on other Marvel titles such as ''X-Factor'' and '' Fantastic Four'', on DC Comics books including '' Detective Comics'', '' Manhunter'', ''Metal Men'' and '' Orion'', and on licensed properties such as '' Star Wars'', '' Alien'', '' Battlestar Galactica'' and '' Robocop vs. Terminator''. Simonson has won numerous awards for his work and has influenced artists such as Arthur Adams and Todd McFarlane. He is married to comics writer Louise Simonson, with whom he collaborated as penciller on ''X-Factor'' from 1986 to 1989, and with whom he made a cameo appearance in the 2011 ''Thor'' feature film. Early life Walter Simonson was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Associates
Continuity Studios (formerly Continuity Associates, originally known as Continuity Graphics Associates)Eury, Michael and Giordano, Dick. ''Dick Giordano: Changing Comics, One Day at a Time'', TwoMorrows Publishing, 2003. is a New York City and Los Angeles-based art and illustration studio formed by cartoonists Neal Adams and Dick Giordano. Still in business after almost fifty years, the company showed that the graphic vernacular of the comic book could be employed in profitable endeavors outside the confines of traditional comics. History At its founding in 1971, Continuity primarily supplied motion picture storyboards and advertising art. As times changed, Continuity adapted its services to offer Traditional animation#Animatic, animatics, 3D computer graphics, and conceptual design. Over the years, Continuity has also served as an art packager for comic book publishers, including such companies as Charlton Comics, Marvel Comics, Adams' own Continuity Comics, and the one-shot '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Adams
Neal Adams (June 15, 1941 – April 28, 2022) was an American comic book artist. He was the co-founder of the graphic design studio Continuity Associates, and was a creators-rights advocate who helped secure a pension and recognition for Superman creators Jerry Siegel and Joe Shuster. During his career, Adams co-created the characters Ra's al Ghul, Man-Bat, and John Stewart for DC Comics. After drawing the comic strip based on the television drama ''Ben Casey'' in the early 1960s, Adams was hired as a freelancer by DC Comics in 1967. Later that year, he became the artist for the superhero character Deadman in the science fiction comic book '' Strange Adventures''. Adams and writer Dennis O'Neil collaborated on influential runs on ''Batman'' and '' Green Lantern/Green Arrow'' in the early 1970s. For ''Batman'', the duo returned the Batman character to his gothic roots as a contrast to the ''Batman'' television series of the 1960s. During their ''Green Lantern/Green Arrow'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusty Bunkers
Crusty Bunker, or the Crusty Bunkers, was the collective pseudonym of a group of comic book inkers clustered around Neal Adams' and Dick Giordano's New York City-based art and design agency Continuity Studios from 1972 to 1977. The group was also occasionally credited as Ilya Hunch, Chuck Bunker, or The Goon Squad. Theakston, Greg and Nowlan, Kevin, et al., at Many Crusty Bunkers team members went on to successful individual careers in the comics industry. History According to former member Alan Weiss, the name "Crusty Bunker" was first coined by Adams in relation to his children: "It was like calling someone a name that wasn't really dirty. ... It didn't really mean anything, it just sounded good". There were over 60 artists who at one time or another were Crusty Bunker members. The core group consisted of artists who rented space at Continuity or worked up front in the advertising studio itself. Continuity would get the assignment, someone with experience (usually Adams or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlas/Seaboard
Atlas/Seaboard is the term comic book historians and collectors use to refer to the 1970s line of comics published as Atlas Comics by the American company Seaboard Periodicals, to differentiate from the 1950s' Atlas Comics, a predecessor of Marvel Comics. Seaboard was located on Fifth Avenue in Manhattan, New York City. History Company creation Marvel Comics founder and Magazine Management publisher Martin Goodman left Marvel in 1972, having sold the company in 1968. He created Seaboard Periodicals, which opened its office on June 24, 1974, to compete in a field then dominated by Marvel and DC Comics. Goodman hired Warren Publishing veteran Jeff Rovin to edit the color comic-book line, and writer-artist Larry Lieber, brother of Marvel editor-in-chief Stan Lee, as editor of Atlas' black-and-white comics magazines. Rovin said in 1987 he became involved after answering an ad in ''The New York Times'': Lieber later became editor of the color comics following Rovin's departure. Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Publishing
Warren Publishing was an American magazine company founded by James Warren (publisher), James Warren, who published his first magazines in 1957 and continued in the business for decades. Magazines published by Warren include ''After Hours (magazine), After Hours'', ''Creepy (magazine), Creepy'', ''Eerie'', ''Famous Monsters of Filmland'', ''Help! (magazine), Help!'', and ''Vampirella''. Initially based in Philadelphia, Pennsylvania, the company moved by 1965 to New York City. Publishing history Founding Begun by James Warren, Warren Publishing's initial publications were the horror fiction, horror-fantasy--science fiction movie magazine ''Famous Monsters of Filmland'' and ''Monster World'', both edited by Forrest J Ackerman. Warren soon published ''Spacemen (magazine), Spacemen'' magazine and in 1960 ''Help! (magazine), Help!'' magazine, with the first employee of the magazine being Gloria Steinem. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Star*Reach
''Star Reach'' (also spelled ''Star*Reach'') was an American science fiction and fantasy comics anthology published from 1974 to 1979 by Mike Friedrich. Publication history One of the first American mainstream independent comic books, ''Star*Reach'' bridged the gap between the countercultural underground comics and traditional Marvel/DC Comics fare, providing mature genre stories for an adult audience. The fan press of the time referred to this and the comics magazine '' Heavy Metal'' as "ground-level publications". Along with such other examples as Flo Steinberg's ''Big Apple Comix'', published in 1975, and Harvey Pekar's naturalistic Everyman series ''American Splendor'', first published in 1976, ''Star*Reach'' was a forerunner of the late-1970s rise of the modern graphic novel, and of the 1980s' independent comics. Eighteen issues were released between 1974 and 1979. Contributors included such Marvel and DC writers and artists as Howard Chaykin, Jim Starlin, and Barry Win ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlton Comics
Charlton Comics was an American comic book publishing company that existed from 1945 to 1986, having begun under a different name: T.W.O. Charles Company, in 1940. It was based in Derby, Connecticut. The comic-book line was a division of Charlton Publications, which published magazines (most notably song-lyric magazines), puzzle books and, briefly, books (under the Monarch and Gold Star imprints). It had its own distribution company (Capital Distribution). Charlton Comics published a wide variety of genres including; crime, science fiction, Western, horror, war and romance comics, as well as talking animal and superhero titles. The company was known for its low-budget practices, often using unpublished material acquired from defunct companies and paying comics creators among the lowest rates in the industry. Charlton was also the last of the American comics publishers still operating to raise its cover prices from ten cents to 12 cents in 1962. It was unique among comic book co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
