Allegory In Renaissance Literature
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Allegory In Renaissance Literature
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages, Renaissance literature exhibits an increased emphasis on courtly love, sometimes abandoning intelligibility for deliberately unintelligible allegories. The early modern theory of allegory is discussed in Sir John Harington's '' Apology for Poetry'' (included in his translation of Ariosto's '' Orlando furioso'', 1591). Continuous/intermittent Renaissance allegories could be continuous and systematic, or intermittent and occasional. Perhaps the most famous example of a thorough and continuous allegorical work from the Renaissance is the six books of Edmund Spenser's ''The Faerie Queene''. In book 4, for example, Agape has three sons: Priamond (from one), Diamond (from two), and Telamond (from ''téleios'', perfect, but emended by Jortin to 'Triamond' in his 1734 edition). The three sons correspond to the three worlds, born of love. Cambell's battle with the three sons ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Ptolemy
Claudius Ptolemy (; grc-gre, Πτολεμαῖος, ; la, Claudius Ptolemaeus; AD) was a mathematician, astronomer, astrologer, geographer, and music theorist, who wrote about a dozen scientific treatises, three of which were of importance to later Byzantine, Islamic, and Western European science. The first is the astronomical treatise now known as the '' Almagest'', although it was originally entitled the ''Mathēmatikē Syntaxis'' or ''Mathematical Treatise'', and later known as ''The Greatest Treatise''. The second is the ''Geography'', which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian natural philosophy of his day. This is sometimes known as the ''Apotelesmatika'' (lit. "On the Effects") but more commonly known as the '' Tetrábiblos'', from the Koine Greek meaning "Four Books", or by its Latin equivalent ''Quadrip ...
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Dream Vision
A dream vision or ''visio'' is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic in early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation. This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the pos ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Philip Sidney
Philip, also Phillip, is a male given name, derived from the Greek language, Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include List of kings of Macedonia, kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has #Philip in other languages, many alternative spellings. One derivation often used as a surname is Phillips (surname), Phillips. It was also found during ancient Greek times with two Ps as Philippides (other), Philippides and Philippos. It has many diminutive (or even hypocorism, hypocoristic) forms including Phil, Philly (other)#People, Philly, Lip (other), Lip, Pip (other), Pip, Pep (other), Pep or Peps. There are also feminine forms such as Philippine de Rothschild, Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II ...
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Pierre De La Primaudaye
Pierre de La Primaudaye (1546–1619) was a French writer. He is known particularly for ''L'Academie Française'', which was influential in English translations, from 1584 onwards, particularly ''The French Academie'' of 1618. La Primaudaye came from a large Protestant family in Anjou. There is little evidence about his childhood, but it is known that one of his brothers was executed for killing a member of the gentry, since La Primaudaye refers to his sadness over this event. In 1580 he was a ''gentilhomme de la chambre'' (gentleman of the bedchamber) for Francis, Duke of Anjou, the youngest son of king Henry II of France. In this position he published a large variety of books on intellectual topics, most notably ''L'Academie Française'', which summarised philosophical and scientific knowledge of the era. Stuart Gillespie describes it as a "prose compendium of scientific, moral and philosophical knowledge". It may have been used as a source by Shakespeare.Stuart Gillespie, ''Shak ...
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Pico Della Mirandola
Giovanni Pico della Mirandola (24 February 1463 – 17 November 1494) was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the ''Oration on the Dignity of Man'', which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The ''900 Theses'' was the first printed book to be universally banned by the Church.Hanegraaff p. 54 Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views. Biography Family Giovanni was born at Mirandola, near Modena, the youngest son of Gianfrancesco I Pico, Lord of Mirandola and Count of Concordia, by his wife Giulia, daugh ...
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Godhead (Christianity)
Godhead (or ''godhood'') refers to the essence or substance (''ousia'') of the Christian God, especially as existing in three persons — God the Father, Son, and Holy Spirit.''Godhead''
at dictionary.com. Retrieved 29 November 2022.


Appearance in English Bibles

introduced the term ''godhede'' into English versions in two places, and, though somewhat archaic, the term survives in modern English because of its use in three places of the
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Celestial Spheres
The celestial spheres, or celestial orbs, were the fundamental entities of the cosmology, cosmological models developed by Plato, Eudoxus of Cnidus, Eudoxus, Aristotle, Ptolemy, Copernicus, and others. In these celestial models, the diurnal motion, apparent motions of the fixed stars and classical planet, planets are accounted for by treating them as embedded in rotating spheres made of an aetherial, transparent fifth element (aether (classical element), quintessence), like jewels set in orbs. Since it was believed that the fixed stars did not change their positions relative to one another, it was argued that they must be on the surface of a single starry sphere. In modern thought, the Orbit#Planetary orbits, orbits of the planets are viewed as the paths of those planets through mostly empty space. Ancient and medieval thinkers, however, considered the celestial orbs to be thick spheres of rarefied matter nested one within the other, each one in complete contact with the spher ...
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