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Alice Adams (artist)
Alice Adams (born November 16, 1930) is an American artist known for her sculpture and site-specific land art in the 1970s and for her major public art projects in transit systems, airports, university campuses and other urban sites throughout the United States since 1986. Her earlier work in tapestry and woven forms was important in the American fiber art movement. Biography Adams grew up in Jamaica, New York and in 1953 graduated with a BFA in painting from Columbia University. Following graduation, she went to Aubusson, France to study tapestry weaving and design at L'Ecole Nationale d'Art Decoratif. Except for two years spent in France, Adams has lived in New York City, traveling for collaboration and consultation on public art projects in the United States and abroad. There have been several stages in her eclectic career. Career Tapestries and woven forms After completing her studies in Aubusson, Adams returned to New York in 1956. She brought a tapestry loom fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubusson, Creuse
Aubusson (; Occitan auvergnat: ''Le Buçon'', formerly ''Aubuçon'') is a commune in the Creuse department region in central France. Geography Aubusson is situated in the southern part of the ''département'', at the confluence of the rivers Creuse and Beauze. The route nationale N141 goes through the town. History Local lore previously held that the community was settled by defeated Berbers following the 8th-century Battle of Tours, but it is now established that Aubusson has existed at least since the Gallo-Roman period. The Camp des Châtres, within the town's boundaries, for a long time considered a Roman fort, actually dates back a little further, to the Iron Age. The town was known as ''Albuciensis'' in 936 and under the name '' Albuconis'' in 1070. The name possibly originates from a name of a man, Albucius Other scholars claim the name is from a Celtic word meaning '' craggy''. In the Middle Ages the town was ruled by viscounts. The vicecomital family also produced a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Contemporary Crafts
The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the museum celebrates the creative process through which materials are crafted into works that enhance contemporary life. History The museum first opened its doors in 1956 as the Museum of Contemporary Crafts, with an original mission of recognizing the craftsmanship of contemporary American artists. Nurtured by the vision of philanthropist and craft patron Aileen Osborn Webb, the museum mounted exhibitions that focused on the materials and techniques associated with craft disciplines. From its earliest years, the museum celebrated the changing roles of craftsmanship in society, served as an important advocate for emerging artists, and linked art to industry. From 1963 to 1987, under the directorship of Paul J. Smith, the museum presented dynam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheila Hicks
Sheila Hicks (born 1934) is an American artist. She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. Since 1964, she has lived and worked in Paris, France. Prior to that, she lived and worked in Guerrero, Mexico from 1959 to 1963. Early life and education Sheila Hicks was born in Hastings, Nebraska in 1934. She attended the Yale School of Art in Connecticut from 1954 to 1959, where she studied with Josef Albers, Rico Lebrun, Bernard Chaet, George Kubler, George Heard Hamilton, Vincent Scully, Jose de Riviera, Herbert Matter, Norman Ives, and Gabor Peterdi. Her thesis on pre-Incaic textiles was supervised by archaeologist Junius Bird of the American Museum of Natural History in New York and artist Anni Albers. She received her BFA in 1957 . Born during the Great Depression in Hastings, Nebraska, Sheila Hicks spent much of her early life on the road, with her father s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claire Zeisler
Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red. Her work is influenced by and has influenced fiber artists in the 1960s and 1970s, including Kay Sekimachi, Lenore Tawney, Magdalena Abakanowicz, and Sheila Hicks. The resurgence of interest in fiber arts and macrame during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenore Tawney
Lenore Tawney (born Leonora Agnes Gallagher; May 10, 1907 – September 24, 2007) was an American artist known for her drawings, personal collages, and sculptural assemblages, who became an influential figure in the development of fiber art. Early life and education One of five children born in Lorain, Ohio to Irish American parents Sarah Jennings and William Gallagher. She left home at age 20 and worked in Chicago as a proofreader while taking night courses at the Art Institute of Chicago. In 1941 she married George Tawney, who died eighteen months later. After his death, she to moved to Urbana, Illinois to be near his family and enrolled at the University of Illinois to study art therapy. Tawney's introduction to the tenets of the German Bauhaus school and the artistic avant-garde began in 1946 when she attended László Moholy-Nagy's Chicago Institute of Design. There she studied with cubist sculptor Alexander Archipenko and abstract expressionist painter Emerson Woelffer, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craft Horizons
''Craft Horizons'' is a periodical magazine that documents and exhibits crafts, craft artists, and other facets of the field of American craft. The magazine was founded by Aileen Osborn Webb and published from 1941 to 1979. It included editorials, features, technical information, letters from readers, and photographs of craft artists, their tools, and their works. The magazine both "documented and shaped" the changing history of the American craft movement. It was succeeded by ''American Craft'' in 1979. History ''Craft Horizons'' was founded and initially edited by Aileen Osborn Webb, who also founded the organization now known as the American Craft Council. ''Craft Horizons'' began as an untitled newsletter in November 1941, sent out to artists who had purchased stock in, and consigned works to, America House. One of Webb's earliest initiatives in support of craft, America House was a New York retail shop that featured pieces from artists around the country. The shop was int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton
Cotton is a soft, fluffy staple fiber that grows in a boll, or protective case, around the seeds of the cotton plants of the genus ''Gossypium'' in the mallow family Malvaceae. The fiber is almost pure cellulose, and can contain minor percentages of waxes, fats, pectins, and water. Under natural conditions, the cotton bolls will increase the dispersal of the seeds. The plant is a shrub native to tropical and subtropical regions around the world, including the Americas, Africa, Egypt and India. The greatest diversity of wild cotton species is found in Mexico, followed by Australia and Africa. Cotton was independently domesticated in the Old and New Worlds. The fiber is most often spun into yarn or thread and used to make a soft, breathable, and durable textile. The use of cotton for fabric is known to date to prehistoric times; fragments of cotton fabric dated to the fifth millennium BC have been found in the Indus Valley civilization, as well as fabric remnants dated back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wool
Wool is the textile fibre obtained from sheep and other mammals, especially goats, rabbits, and camelids. The term may also refer to inorganic materials, such as mineral wool and glass wool, that have properties similar to animal wool. As an animal fibre, wool consists of protein together with a small percentage of lipids. This makes it chemically quite distinct from cotton and other plant fibres, which are mainly cellulose. Characteristics Wool is produced by follicles which are small cells located in the skin. These follicles are located in the upper layer of the skin called the epidermis and push down into the second skin layer called the dermis as the wool fibers grow. Follicles can be classed as either primary or secondary follicles. Primary follicles produce three types of fiber: kemp, medullated fibers, and true wool fibers. Secondary follicles only produce true wool fibers. Medullated fibers share nearly identical characteristics to hair and are long but lack c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sisal
Sisal (, ) (''Agave sisalana'') is a species of flowering plant native to southern Mexico, but widely cultivated and naturalized in many other countries. It yields a stiff fibre used in making rope and various other products. The term sisal may refer either to the plant's common name or the fibre, depending on the context. The sisal fibre is traditionally used for rope and twine, and has many other uses, including paper, cloth, footwear, hats, bags, carpets, geotextiles, and dartboards. It is also used as fibre reinforcements for composite fibreglass, rubber, and concrete products. Taxonomy The native origin of ''Agave sisalana'' is uncertain. Traditionally, it was deemed to be a native of the Yucatán Peninsula, but no records exist of botanical collections from there. They were originally shipped from the Spanish colonial port of Sisal in Yucatán (thus the name). The Yucatán plantations now cultivate henequen (''Agave fourcroydes''). H.S. Gentry hypothesized a Chiapas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rope
A rope is a group of yarns, plies, fibres, or strands that are twisted or braided together into a larger and stronger form. Ropes have tensile strength and so can be used for dragging and lifting. Rope is thicker and stronger than similarly constructed cord, string, and twine. Construction Rope may be constructed of any long, stringy, fibrous material, but generally is constructed of certain natural or synthetic fibres. Synthetic fibre ropes are significantly stronger than their natural fibre counterparts, they have a higher tensile strength, they are more resistant to rotting than ropes created from natural fibres, and they can be made to float on water. But synthetic ropes also possess certain disadvantages, including slipperiness, and some can be damaged more easily by UV light. Common natural fibres for rope are Manila hemp, hemp, linen, cotton, coir, jute, straw, and sisal. Synthetic fibres in use for rope-making include polypropylene, nylon, polyesters (e.g. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loom
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same. Etymology and usage The word "loom" derives from the Old English ''geloma'', formed from ''ge-'' (perfective prefix) and ''loma'', a root of unknown origin; the whole word ''geloma'' meant a utensil, tool, or machine of any kind. In 1404 "lome" was used to mean a machine to enable weaving thread into cloth. By 1838 "loom" had gained the additional meaning of a machine for interlacing thread. Weaving Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven". The major components of the loom are the warp beam, heddles, harnesses or shafts (as few as two, four is common, sixteen not unheard of), s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
