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Alfred Hennequin
Alfred Néoclès Hennequin (13 January 1842 – 7 August 1887) was a Belgian playwright, best known for his farces. Born in Liège, Hennequin was trained there as an engineer, and was employed by the national railway company. In his spare time he wrote plays, and in 1870 had a success in Brussels with his farce ''Les Trois chapeaux'' (The Three Hats). He moved to Paris in 1871 and became a full-time playwright. Between 1871 and 1886 he wrote a series of comic plays, including ''Le Procès Veauradieux'' (The Veauradieux Trial, 1875), ''Les Dominos roses'' (The Pink Dominos, 1876), ''Bébé'' (Baby, 1877) and ''La Femme à papa'' (Father's Wife, 1879). Most of his plays were co-written with collaborators including Alfred Delacour and Albert Millaud and, in his last play, his son Maurice Hennequin, Maurice. Hennequin, with his intricate plotting and frenetic exits and entrances through various doors, is known as the originator of the bedroom farce and a model for a later master of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hennequin – Figures Contemporaines, Tirées De L'album Mariani T2 1896 – Gallica Bpt6k206027c (adjusted)
Alfred may refer to: Arts and entertainment *''Alfred J. Kwak'', Dutch-German-Japanese anime television series * ''Alfred'' (Arne opera), a 1740 masque by Thomas Arne * ''Alfred'' (Dvořák), an 1870 opera by AntonÃn Dvořák *"Alfred (Interlude)" and "Alfred (Outro)", songs by Eminem from the 2020 album ''Music to Be Murdered By'' Business and organisations * Alfred, a radio station in Shaftesbury, England *Alfred Music, an American music publisher *Alfred University, New York, U.S. *The Alfred Hospital, a hospital in Melbourne, Australia People * Alfred (name) includes a list of people and fictional characters called Alfred * Alfred the Great (848/49 – 899), or Alfred I, a king of the West Saxons and of the Anglo-Saxons Places Antarctica * Mount Alfred (Antarctica) Australia * Alfredtown, New South Wales * County of Alfred, South Australia Canada * Alfred and Plantagenet, Ontario * Alfred Island, Nunavut * Mount Alfred, British Columbia United States * Alfred, Maine, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile De Najac
Comte Émile de Najac (December 1828 – 11 April 1889) was a French librettist. He was a prolific writer during the Second Empire and early part of the Third Republic, supplying plays and opéra comique librettos, many in one act. Biography Émile de Najac was born in Lorient, France, the descendant of naval commander and bonapartist Benoît Georges de Najac. His son Raoul Charles Eugène was also a writer for the stage. Najac died in Paris on 11 April 1889. Works Always writing with a co-author, Najac provided librettos for several opéras comiques and opéras bouffes: ''La Momie de Roscoco'', with Eugène Ortolan, music by Émile Jonas, ( Bouffes-Parisiens, 1857);Lamb, Andrew"Jonas, Emile"''Grove Music Online'', Oxford University Press 2002. Retrieved 27 August 2020 ''Les Noces de Fernande'', with Victorien Sardou, music by Louis Deffès, (Opéra-Comique, 1878); ''La Bonne Aventure'', with Henri Bocage, music by Émile Jonas, (Théâtre de la Renaissance, 1882); ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bébé (play)
''Bébé'' (Baby) is a three-act comedy by the playwrights Émile de Najac and Alfred Hennequin, first performed in Paris in 1877. It depicts the amorous affairs of an indulged scion of the aristocracy, encouraged by his eccentric tutor. The play opened at the Théâtre du Gymnase on 10 March 1877, and ran for 214 performances. English versions, heavily bowdlerised, were presented in New York in 1877 and London in 1879. Background and first production By the 1870s Émile de Najac and Alfred Hennequin were established writers for the Parisian stage. Both were used to writing in partnership with co-authors, but this was the first time they worked together. Hennequin had recently enjoyed two considerable successes with '' Le Procès Veauradieux'' (1875) and '' Les Dominos roses'' (1876), both written with Alfred Delacour. ''Bébé'' was presented at the Théâtre du Gymnase on 10 March 1877, and ran for 214 performances,Noël and Stoullig (1878), p. 334 a considerable run at a ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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