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Alessandro Stradella
Antonio Alessandro Boncompagno Stradella (Bologna, 3 July 1643 – Genoa, 25 February 1682) was an Italian composer of the middle Baroque period. He enjoyed a dazzling career as a freelance composer, writing on commission, and collaborating with distinguished poets, producing over three hundred works in a variety of genres. Life Not much is known about his early life, but he was from a Tuscan aristocratic family, his father was Cavaliere Marc’ antonio Stradella of Piacenza. Stradella was educated at Rome, and was already making a name for himself as a composer at the age of 24. In 1667 he composed a Latin oratorio (lost) for the Confraternity of Crocifisso di San Marcello and in the following year the serenata ''La Circe'' for the Princess of Rossano Olimpia Aldobrandini Pamphilj. In 1671–72 he collaborated in staging some operas, two by Francesco Cavalli and two by Antonio Cesti, at the Tordinona Theater, composing prologues, intermedios and new arias. In the early 1670s he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trespolo Tutore
''Il Trespolo tutore'' (''Trespolo the Tutor'') is a comic opera in three acts by the Italian composer Alessandro Stradella with a libretto by Giovanni Cosimo Villifranchi. It was first performed at the Teatro Falcone, Genoa on 30 or 31 January, 1679. It is considered one of the first Italian comic operas. Roles Synopsis Artemisia is in love with her tutor Trespolo but he is too dull-witted to realise this and is in love with the serving-maid Despina instead. Two brothers, Ciro and Nino, are in love with Artemisia; one of them goes mad and the other, who has been insane, is cured. The plot becomes more and more farcically complicated until, in the end, Trespolo marries Despina and Artemisia marries Ciro. Sources * *''The Viking Opera Guide'' ed. Holden (Viking, 1993)Del Teatro (in Italian) Editions * A new edition by Michael ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bourdelot
Pierre Michon Bourdelot (2 February 1610 in Sens – 9 February 1685) was a French physician, anatomist, libertine and freethinker. Life Bourdelot studied at the Sorbonne (1629) and travelled in 1634 to Rome in the company of count François de Noailles. In 1638 he came back to France and was appointed as the private doctor of the Condé family. In 1640 he founded the Académie Bourdelot, a circle for scientists, philosophers and authors, that came together twice a month. When his uncle died, he inherited a lot of books and manuscripts. When Louis II de Bourbon, prince de Condé, because of actions during the Fronde against Absolutism, was captured by Mazarin, he took off; in 1652 he was in Stockholm. Bourdelot took many manuscripts with him as a present. He had a lot of influence on her with his jokes and poems by Pietro Aretino. Within four weeks she seems to have been recovered and enjoying life. Magnus Gabriel de la Gardie and Christina's mother Maria Eleonora of Brandenbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Cocle
Orazio is a male given name of Italian origin, derived from the Latin name ( ''nomen'') Horatius, from the Roman gens (clan) Horatia. People so named include: *Orazio Alfani (c. 1510–1583), Italian painter *Orazio Antinori (1811–1882), Italian explorer and zoologist *Orazio Arancio (born 1967), Italian former rugby union player and current coach and sports director *Orazio Attanasio (born 1959), Italian economist and professor *Orazio Bassani (died 1615), Italian musician and composer *Orazio Benevoli (1605–1672), Italian composer *Orazio Bianchi, Italian Baroque painter *Orazio Borgianni (c. 1575–1616), Italian painter and etcher * Orazio Bruni (born c. 1630), Italian engraver *Orazio Fagone (born 1968), Italian sledge hockey player and former speed skater *Orazio Falconieri (died 1664), Italian nobleman *Orazio Fantasia (born 1995), Australian rules footballer *Orazio Farinati (1559–1616), Italian painter *Orazio Farnese, Duke of Castro (1532–1553), husband of Diane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moro Per Amore
''Moro per amore'' is a 1681 opera by Alessandro Stradella to a libretto by Flavio Orsini last duke of Bracciano. It was scheduled for Genoa Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian ce ...'s Teatro Falcone in 1681, but was not given a public performance to 1695, thirteen years after the composer's death. Fanfare - Volume 17, Issues 5-6 - Page 254 Joel Flegler - 1994 - For reasons unknown, Moro per amore was not given its public debut until thirteen years after Stradella's death, ... Recordings *''Moro per amore'', cond. Estevan Velardi, Bongiovanni References {{Alessandro Stradella Operas 1681 operas Operas by Alessandro Stradella ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Da Chiesa
Sonata da chiesa (Italian: "church sonata") is a 17th-century genre of musical composition for one or more melody instruments and is regarded an antecedent of later forms of 18th century instrumental music. It generally comprises four movements, typically a largo prelude followed by a fugal allegro, an expressive slow movement, and an allegro finale, although there are also many variations of this pattern. During the 17th century, church services were increasingly accompanied by music for ensembles rather than solo organ, with canzonas and sonatas regularly substituted for the Proper during Mass and Vespers. Many of these works, however, were not written explicitly as liturgical music and were often performed as concert pieces for entertainment. The term ''sonata da chiesa'' was originally used in its literal meaning of “church music” but later came to be used figuratively to contrast this genre of composition with the ''sonata da camera'', which literally meant “chamber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Baldini
Sebastiano Baldini (1615–1685) was a satirical Roman poet, librettist for almost every composer operating in Rome at that time, and a secretary to a series of cardinals. The most important was Flavio Chigi. For his literary qualities and for his good humor he was well received by the aristocracy and Roman cultural circles. Christina, Queen of Sweden, based a scenario on one of his poems, and Alessandro Stradella based his 1677 ''serenata'' ''Il Damone'' on it. He was a member of various academies, including those of literary humorists in Rome and Pesaro (founded in 1645). Baldini was drawn by Pier Francesco Mola Pier Francesco Mola, called Il Ticinese (9 February 1612 – 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Biography Mola was born at Coldrerio (now in Ticino, Switzerland).''Ecstasy in the Wilderness: Pier .... Bibliography * Giorgio Morelli: ''Sebastiano Baldini. Le poesie per musica nei codici della Biblioteca Apostolica Vati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel In Egypt
''Israel in Egypt'', HWV 54, is a biblical oratorio by the composer George Frideric Handel. Most scholars believe the libretto was prepared by Charles Jennens, who also compiled the biblical texts for Handel's ''Messiah''. It is composed entirely of selected passages from the Old Testament, mainly from Exodus and the Psalms. ''Israel in Egypt'' premiered at London's King's Theatre in the Haymarket on April 4, 1739 with Élisabeth Duparc "La Francesina", William Savage, John Beard (tenor), Turner Robinson, Gustavus Waltz, and Thomas Reinhold. Handel started it soon after the opera season at King's Theatre was cancelled for lack of subscribers. The oratorio was not well received by the first audience though commended in the '' Daily Post''; the second performance was shortened, the mainly choral work now augmented with Italian-style arias. The first version of the piece is in three parts rather than two, the first part more famous as "The ways of Zion do mourn", with altered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
