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Alcamenes
Alcamenes ( grc, Ἀλκαμένης) was an ancient Greek sculptor of Lemnos and Athens, who flourished in the 2nd half of the 5th century BC. He was a younger contemporary of Phidias and noted for the delicacy and finish of his works, among which a Hephaestus and an Aphrodite of the Gardens were conspicuous. Pausanias says that he was the author of one of the pediments of the temple of Zeus at Olympia, but this seems a chronological and stylistic impossibility. Pausanias also refers to a statue of Ares by Alcamenes that was erected on the Athenian agora, which some have related to the Ares Borghese. However, the temple of Ares to which he refers had only been moved from Acharnes and re-sited in the Agora in Augustus's time, and statues known to derive from Alcamenes' statue show the god in a breastplate, so the identification of Alcamenes' Ares with the Ares Borghese is not secure. At Pergamum there was discovered in 1903 a Hellenistic copy of the head of the Hermes "Propyla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ares Borghese
The Ares Borghese is a Roman marble statue of the imperial era (1st or 2nd century AD). It is 2.11m high. It is identifiable as Ares by the helmet and by the ankle ring given to him by his lover Aphrodite. This statue possibly preserves some features of an original work in bronze, now lost, of the 5th century BC. The cult and representation of Ares are very rare in the ancient Greek world, especially in sculpture. It has been thought that this statue may be derived from one by Alcamenes, an Athenian sculptor who, according to Pausanias (I, 8, 4), made a statue of Ares that was erected on the Athenian agora. However, the temple of Ares to which he refers had only been moved from Acharnes and re-sited in the Agora in Augustus's time, making this a chronological impossibility. Also, statues known to derive from Alcamenes' statue show the god in a breastplate (one is depictein this relief. So, in all, this statue may not be a copy of Alcamenes's, but instead a Roman creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenian Agora
The ancient Agora of Athens (also called the Classical Agora) is the best-known example of an ancient Greek agora, located to the northwest of the Acropolis and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place. Buildings and structures of the classical agora North side of the agora * Stoa Poikile (Painted stoa), a building built in the 4th century B.C. used purely for socialising unlike many other buildings in the agora. * Altar of the Twelve Gods * Stoa Basileios (Royal stoa) * Temple of Aphrodite Urania *The south end of what is believed to be a Basilica has been uncovered near Hadrian Street and is dated to the mid 100s CE East side of the agora * The Stoa of Attalos, a stoa lined with shops built in the 2nd century B.C. which has since been reconstructed for use as the Museum of The Ancient Agora. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite Of The Gardens
Aphrodite of the Gardens ( grc, Αφροδίτη εν Κήποις, ) is an epithet of the Greek goddess Aphrodite. The epithet describes her patronage over vegetation and garden fertility. According to Pausanias, there was a sanctuary of Aphrodite of the Gardens near the Acropolis of Athens, accessible through an underground passage. It was said to have held a cult statue of Aphrodite by Alcamenes and a herm of Aphrodite near the temple. It is unsure whether the statue of Aphrodite and the herm of Aphrodite were the same sculpture or two separate sculptures. The herm of Aphrodite may be linked to the later mythological character, Hermaphroditos. There are numerous references to a male aspect of Aphrodite, called Aphroditos, which was imported to Athens from Cyprus in the late 5th century BC and also a temple of Hermaphroditos was spoken of by Alciphron at Athens. See also * Aphrodite Urania * Aphrodite of Knidos The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemnos
Lemnos or Limnos ( el, Λήμνος; grc, Λῆμνος) is a Greek island in the northern Aegean Sea. Administratively the island forms a separate municipality within the Lemnos regional unit, which is part of the North Aegean region. The principal town of the island and seat of the municipality is Myrina. At , it is the 8th-largest island of Greece. Geography Lemnos is mostly flat, but the west, and especially the northwest part, is rough and mountainous. The highest point is Mount Skopia at the altitude of 430 m. The chief towns are Myrina, on the western coast, and Moudros on the eastern shore of a large bay in the middle of the island. Myrina (also called Kastro, meaning "castle") possesses a good harbour. It is the seat of all trade carried on with the mainland. The hillsides afford pasture for sheep, and Lemnos has a strong husbandry tradition, being famous for its Kalathaki Limnou ( PDO), a cheese made from sheep and goat milk and melipasto cheese, and for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidias
Phidias or Pheidias (; grc, Φειδίας, ''Pheidias''; 480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the '' Athena Promachos'', a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas. Plutarch discusses Phidias' friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herma IstArchMu747
A herma ( grc, ἑρμῆς, pl. ''hermai''), commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word (blocks of stone), which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans (called mercuriae), and revived at the Renaissance in the form of term figures and atlantes. Origin In the earliest times Greek divinities were worshipped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Lemnos
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metics In Classical Athens
In ancient Greece, a metic (Ancient Greek: , : from , , indicating change, and , 'dwelling') was a foreign resident of Athens, one who did not have citizen rights in their Greek city-state (''polis'') of residence. Origin The history of foreign migration to Athens dates back to the archaic period. Solon was said to have offered Athenian citizenship to foreigners who would relocate to his city to practice a craft. However, metic status did not exist during the time of Solon. Scholars have tended to date the development of metic status to the reforms of Cleisthenes in 508 BC. However, the rate of the increase in the Athenian population in the years following 480 BC is difficult to explain by purely natural growth – suggesting that immigrants to Athens could still become Athenians citizens at this point, and metic status did not yet exist. The first known use of the word is in Aeschylus' play ''Persians'', first performed in 472 BC. However, James Watson argues that the word w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Lemnos
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Athenian Sculptors
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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