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Alan Heyman
Alan Charles Heyman (16 March 1931 – 1 March 2014) was a South Korean musicologist and composer. Born in the United States, he first came to South Korea in 1953 with the United States Army during the Korean War, and after completing a graduate degree in music education at Columbia University, moved to South Korea permanently in 1960 to devote himself to research and composition. He led traditional Korean music troupes on tours of North America and Europe, and made significant contributions to the preservation of Korean traditional music, for which he was recognised with awards from national and international organisations. He gave up his U.S. citizenship to become a South Korean citizen in 1995, and remained in the country until his death in 2014. In the Korean War Heyman was born in New York City on 16 March 1931 to Charles and Lillian Heyman. He went on to attend the University of Colorado, where he majored in music while also studying a pre-medical course, graduating in 1952 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yun Bo-seon
Yun Po-sun (; or ; August 26, 1897 – July 18, 1990) was a South Korean politician and activist who served as the second president of South Korea from 1960 to 1962. He was the only president of the parliamentary Second Republic of Korea. Having entered politics after World War II, Yun served as Secretary to Korea's Chief of Staff in 1947; and was Mayor of Seoul in 1948. He served as Commerce Minister for the newly liberated Korea from 1949 to 1950. In 1955, Yun helped establish the South Korean Democratic Party. He was forced to resign the presidency by Park Chung-hee as a result of the May 16 coup in 1961. Early life Yun Po-sun was born in Dunpo-myeon, Asan, South Chungcheong Province in 1897. He was a son of Yun Chi-so (윤치소, 尹致昭, 1871–1944) and Lady Yi Beom-suk (이범숙, 李範淑, 1876–1969). Yun Chiso is the second son of Yun Yeong-ryeol (윤영렬;尹英烈). Yun Yeong-ryeol is an 8th generation descendant of the prominent Joseon scholar-official Yun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanja
Hanja (Hangul: ; Hanja: , ), alternatively known as Hancha, are Chinese characters () used in the writing of Korean. Hanja was used as early as the Gojoseon period, the first ever Korean kingdom. (, ) refers to Sino-Korean vocabulary, which can be written with Hanja, and (, ) refers to Classical Chinese writing, although "Hanja" is also sometimes used to encompass both concepts. Because Hanja never underwent any major reforms, they are mostly resemble to ''kyūjitai'' and traditional Chinese characters, although the stroke orders for some characters are slightly different. For example, the characters and as well as and . Only a small number of Hanja characters were modified or are unique to Korean, with the rest being identical to the traditional Chinese characters. By contrast, many of the Chinese characters currently in use in mainland China, Malaysia and Singapore have been simplified, and contain fewer strokes than the corresponding Hanja characters. In Japan, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nongak
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward its usag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talchum
( t'alch'um) could be characterized as a Korean dance performed while wearing a mask, mimicry, miming, speaking, and even sometimes singing. Although the term is usually taken to mean all mask dance dramas by most Koreans, it is strictly speaking a regional term originally only applied to dances of Hwanghae Province in present-day North Korea. Dances from the Seoul or Gyeonggi province region are known as '' sandae noli'', whereas dances from the southern coast are known as '' yayu'' (), which means "field play", or , which means "dance of five gods". However, is nowadays accepted as a general term for mask dance drama. Korean mask dance dramas are not just dances performed by masked dancers but also include significant dramatic content, with masked characters portraying people, animals, and sometimes supernatural beings. These folk dramas reflect the frustrations felt by the lower classes towards the Confucian-literative Yangban, due to the latter's treatment of the commoner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Dance
Dance in Korea began with shamanistic early rituals five thousand years ago and now ranges from folk dance to newly created and adopted contemporary dance. Overview Korean traditional dance originated in ancient shamanistic rituals thousands of years ago. By the time of the later Korean kingdoms, Goryeo and Joseon, in the 2nd millennium AD, Korean traditional dance benefited from regular support of the royal court, numerous academies, and even an official ministry of the government. A number of different dances gained permanent high status, including the Hermit dance, the Ghost dance, Buchae Chum (the fan dance), Seung Mu (the Monk dance), the Oudong (Entertainer) dance and others, despite the fact that many had humble origins. For example, the Fan dance is believed to have originated with shamans performing nature rites with leaves but evolved into one of the most highly refined Korean dances. Other Korean dances remained and remain to this day under the ambit of farme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janggu
The ''janggu'' (, also transliterated as ''janggo'' or ''changgo'') or sometimes called ''seyogo'' (slim waist drum) is the most representative drum in traditional Korean music. It is available in most kinds, and consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리). History The earliest depictions of the instrument were inscribed on a bell belonging to the Silla (57 BC–935 AD) period and in a mural painting of the same period in Goguryeo (37 BC–668 AD) tomb. The oldest written records about an hourglass-shaped drum may be traced to the reign of King Munjong (1047–1084) of Goryeo as a field instrument. The Korean record from 1451 titled ''Goryeo-sa'', or History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piri
The ''piri'' is a Korean double reed instrument, used in both the folk and classical (court) music of Korea. Originating in Central Asia, it was introduced to the Korean peninsula from China, and has been used there as early as the Three Kingdoms period, most notably in the states of Goguryeo and Baekje. The instrument consists of a tube of bamboo, which is perforated with finger holes, and has a large double reed. Its cylindrical bore gives it a sound mellower than that of many other types of oboe. A typical ''piri'' has eight finger holes, seven of which are on the front, with the remaining one on the back for the thumb. There are four types of ''piri'': #Hyang piri (hangul: ; hanja: ) #Se piri (hangul: ; hanja: ) #Dang piri (hangul: ; hanja: ) #Dae piri () There are different types of ''piri'', each suited for use in a different type of music. The ''Hyang piri'' is the longest and most common form of ''piri''. Because of its loud and nasal tone, it usually plays the main mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian ''yatga'', Vietnamese ''đàn tranh'', Sundanese ''kacapi'' and Kazakh ''jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Korean Musical Instruments
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String Korean string instruments include those that are plucked, bowed, and struck. Most Korean string instruments use silk strings, except as noted. Plucked Zithers * Gayageum (hangul: 가야금; hanja: 伽 倻 琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings * Geomungo (hangul: 거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth ** Cheolhyeongeum (hangul: 철현금; hanja: 鐵 絃 琴) – A geomungo with 8 steel strings plucked with a bamboo stick and played with a slide made out of either glass or metal in the manner of a slide guitar, developed in the 20th century [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
