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Alalu
Alalu or Alala was a primordial figure in Mesopotamian and Hurrian mythology. He is also known from documents from Emar. While his role was not identical in these three contexts, it is agreed that all three versions share the same origin. Hurrian Alalu, who plays the role of the oldest king of gods in the ''Kumarbi Cycle'', is the best known, and is commonly discussed in scholarship focused on comparative mythology but it is agreed Mesopotamian Alala represents the oldest tradition regarding this being. However, the precise etymology of his name is unknown, and likely neither Sumerian nor Semitic. Both Hurrian and Mesopotamian sources attest an association between him and Anu, but its nature varies between cultures. Alala in Mesopotamian sources The origin of the name Alala is not known, and in scholarship it is tentatively grouped with other Mesopotamian deity names with no clear Sumerian or Semitic etymologies, such as Zababa, Aruru or Bunene. Alala is known from the so-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurrian Religion
The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian language, Akkadian, Hittite language, Hittite and Ugaritic. It was shaped by the contacts between Hurrians and various cultures they coexisted with. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from List of Mesopotamian deities, Mesopotamian, Syrian (chiefly Eblaite and Ugaritic religion, Ugaritic), Anatolian and Elamite beliefs. The culture of the Hurrians were not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belili
Belili was a Mesopotamian goddess. This name refers both to a sister of Dumuzi known from some of the texts pertaining to his death, and to a primordial deity paired with Alala and listed in enumerations of ancestors of Anu. There is no consensus among researchers if they should be considered one and the same. Name Belili's name has no plausible etymology in Sumerian or any Semitic language, and based on its structure it has been compared to other divine names whose origin also remains a mystery, such as Alala, Aruru, Bunene and Zababa. Belili is also attested as an ordinary given name, one of the so-called banana names known from both Mesopotamia and Elam. Names with this structure are particularly common in the earliest Akkadian documents from Gasur (later known as Nuzi). It has been proposed that such names, both divine and ordinary, originate in a substrate language (so-called " proto-Euphratic"), but this conclusion is not universally accepted, and Gonzalo Rubio points o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Mesopotamian Deities
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lahmu
Laḫmu ( or , ) is a class of apotropaic creatures from Mesopotamian mythology. While the name has its origin in a Semitic language, Lahmu was present in Sumerian sources in pre- Sargonic times already. Iconography and character Laḫmu is depicted as a bearded man wearing a red garment (''tillû'') and usually with six curls on his head. Some texts mention a spade as the attribute of Lahmu. The artistic representations are sometimes called "naked hero" in literature. Lahmu were associated with water. They were generally believed to be servants of Enki/Ea (and later on of his son Marduk as well), and were described as the doorkeepers of his temple in Eridu and possibly as the "guardians of the sea" known from some versions of Atra-hasis. Some texts list as many as 50 Lahmu in such roles. It's possible they were originally river spirits believed to take care of animals, both domestic and wild. Apotropaic creatures such as Lahmu weren't regarded as demonic, and in fact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lugaldukuga
Lugaldukuga ( Sumerian: "lord of the holy mound") was a Mesopotamian god primarily understood as a theogonic figure. He is best attested as the father of Enlil, the head of the Mesopotamian pantheon, though other traditions about the parentage of the latter also existed, and no references to him in this role are known from before the Kassite period. Sometimes he could also be described as his grandfather instead. He was envisioned as a no longer active and as an inhabitant of the underworld. He could be equated with other deities of similar character, such as Enmesharra. It is not known which part of Mesopotamia he originated in, though references to him are known from texts from both Babylonia and Assyria. The name Lugaldukuga could also function as an epithet of the god Ea, who was not regarded as Enlil's father. Character Lugaldukuga was understood as a primeval deity. Such figures were generally regarded as ancient and no longer active (unlike the regular gods) by the Meso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zababa
Zababa (Sumerian: 𒀭𒍝𒂷𒂷 dza-ba4-ba4) was the tutelary deity of the city of Kish in ancient Mesopotamia. He was a war god. While he was regarded as similar to Ninurta and Nergal, he was never fully conflated with them. His worship is attested from between the Early Dynastic to Achaemenid periods, with the Old Babylonian kings being particularly devoted to him. Starting with the Old Babylonian period, he was regarded as married to the goddess Bau. Character Zababa's name has no plausible Sumerian or Semitic etymologies, similar to these of deities such as Alala, Bunene and Bau. His two primary roles were these of a war god and a tutelary deity of Kish. He was already worshiped there in the Early Dynastic period, and references to him as the "king" of that city can be found in texts from Ebla from the third millennium BCE. His status was particularly high during the reign of Hammurabi, when according to Walther it was seemingly Zababa, rather than Ninurta, who should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aruru (Babylonian Goddess)
Aruru was a Mesopotamian goddess. The origin of her name is presently uncertain. While initially considered an independent deity associated with vegetation and portrayed in hymns as violent, she eventually came to be viewed as analogous Ninhursag. Her name could also function as an epithet of goddesses such as Nisaba and Ezina- Kusu. She was often called the older sister of Enlil. Her cult centers most likely were the cities of Kesh, Adab and Irisaĝrig. She appears in a number of literary texts, some of which preserve information about her original character. She is also present in the ''Epic of Gilgamesh'', which her portrays her as the creator of Enkidu. Name and character The etymology of the theonym Aruru ('' dA-ru-ru'', 𒀭𒀀𒊒𒊒) is considered either uncertain or unknown. A connection with Sumerian ''a-ru'' or ''a-ri'', which can be translated as "the one who lets the seed flow," has been deemed implausible by Manfred Krebernik, as this term is only used in this se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enmesharra
Enmesharra (Enmešarra, Sumerian: "Lord of all me's") was a Mesopotamian god associated with the underworld. He was regarded as a member of an inactive old generation of deities, and as such was commonly described as a ghost or resident of the underworld. He is best known from various lists of primordial deities, such as the so-called "theogony of Enlil," which lists many generations of ancestral deities. Various fragmentary myths describe confrontations between him and deities such as Enlil, Ninurta or Marduk. The myth ''Enlil and Namzitara'' describes him as Enlil's paternal uncle, and alludes to a belief that he was the ruler of the universe in the distant past, possibly after usurping the position of his nephew. He has been compared with Anzu, who in the corresponding myth also steals Enlil's right to declare destinities for himself. Texts commonly mention his children, usually identified as the "Seven sons of Enmesharra," analogous to the Sebitti. Specific deities who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šurpu
The ancient Mesopotamian incantation series Šurpu begins ''enūma nēpešē ša šur-pu t'' 'epp'''ušu'', “when you perform the rituals for (the series) ‘Burning,’” and was probably compiled in the middle Babylonian period, ca. 1350–1050 BC, from individual incantations of much greater antiquity. It consisted of a long confessional of sins, ritual offences, unwitting breaches of taboos, offences against the moral or social order when the patient was unsure what act of omission he may have committed to offend the gods. Composed in Akkadian, its adjurations extend to nine clay tablets and, at Nineveh, Assurbanipal's scribes had canonized the series, fixing the sequence and providing a codicil at the bottom of each tablet providing the first line of the following tablet. Elsewhere, such as at Assur, the tablet order could vary. The text In contrast to the Maqlû incantation series, which was intended to counteract ''kišpū'', black magic, it is a ritual against a ''mām ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Mesopotamian Underworld
The ancient Mesopotamian underworld, most often known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal and in Akkadian as Erṣetu, although it had many names in both languages, was a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a shadowy version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour libations for them to drink. In the Sumerian underworld, there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life. A person's quality of existence in the underworld was determined by their conditions of burial. The ruler of the underworld was the goddess Ereshkigal, who lived in the palace Ganzir, sometimes used as a name for the underworld itself. Her husband was either Gugalanna, the "canal-inspector of Anu", or, especially in later stories, Nergal, the god of war. After the Akkadian Period ( 2334–2154 BC), Nergal s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Myths
Mesopotamian mythology refers to the myths, religious texts, and other literature that comes from the region of ancient Mesopotamia which is a historical region of Western Asia, situated within the Tigris–Euphrates river system that occupies the area of present-day Iraq. In particular the societies of Sumer, Akkadian Empire, Akkad, and Assyria, all of which existed shortly after 3000 BCE and were mostly gone by 400 CE. These works were primarily preserved on stone or clay tablets and were written in Cuneiform script, cuneiform by scribes. Several lengthy pieces have survived, some of which are considered the oldest stories in the world, and have given historians insight into Mesopotamian ideology and cosmology. Creation myths There are many different accounts of the creation of the earth from the Mesopotamian region. This is because of the many different cultures in the area and the shifts in narratives that are common in ancient cultures due to their reliance on word of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enlil
Enlil, , "Lord f theWind" later known as Elil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. He is first attested as the chief deity of the Sumerian pantheon, but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians. Enlil's primary center of worship was the Ekur temple in the city of Nippur, which was believed to have been built by Enlil himself and was regarded as the "mooring-rope" of heaven and earth. He is also sometimes referred to in Sumerian texts as Nunamnir. According to one Sumerian hymn, Enlil himself was so holy that not even the other gods could look upon him. Enlil rose to prominence during the twenty-fourth century BC with the rise of Nippur. His cult fell into decline after Nippur was sacked by the Elamites in 1230 BC and he was eventually supplanted as the chief god of the Mesopotamian pantheon by the Babylonian national god Marduk. Enlil plays a vital role in the Sumerian creation myth; he se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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